Founding supporters

The following artists made the renovations and founding of MGLC possible: Dan Allison, Marko Andlovic, Zvest Apollonio, Miroslav Arsić, Todorče Atanasov, Janez Bernik, Janez Boljka, Bogdan Borčić, Lucijan Bratuš (heirs), Jože Ciuha, Boge Dimovski, Vida Fakin, Mitja Ficko, Tomaž Gorjup, Samuel Grajfoner, Milena Gregorčič, Bogdan Grom, Toshihiro Hamano, Franz Hitzer, Goran Horvat, Drago Hrvacki, Jože Horvat Jaki, Danilo Jejčič, Andrej Jemec, Kiar Meško, Zorana de Kide, Janez Knez, Zora Koren Skerk, Bojan Kovačič, Ante Kuduz, Giani Llalloshi, Lojze Logar, Tim Long, Vladimir Makuc, Adriana Maraž, Edo Murtić, Dimče Nikolov, Polde Oblak, Valentin Oman, Freya Payne, Bill Penney, Amalija Perez Molek, Jože Peternelj, Konrad Peternelj, Veno Pilon (heirs), Rainer Plum, Concetto Pozzati, Anton Repnik, Jože Spacal, Lojze Spacal, Ljubomir Stahov, Zora Stančič, Mitja Stanek, Marija Starič Jenko, Gorazd Šefran, Gorazd Šimenko, Miroslav Šutej, Drago Tršar, Marijan Tršar, Max Uhlig, Franco Vecchiet, Vladimir Veličković, Jana Vizjak, Sašo Vrabič, Petar Waldegg, Huiquin Wang, Mehmed Zaimović, Karel Zelenko and Giuseppe Zigaina.

The following organizations made the renovations and founding of MGLC possible: Adria Airways, Color, Elan, Emona, Ferromoto, Gorenje, Chamber of Commerce and Industry of Slovenia, GP Grosuplje, IMP Metall, IMV, Intereuropa, Iskra, Executive Council of the Socialist Republic of Slovenia, Public Warehouses, JUB, Kemija Impex, Kompas, KP Rast, Cultural Community of Slovenia, Lek, Lesnina, LIZ, Cultural Community of Ljubljana, Mercator, Metalka, Moderna galerija, Oprema Kočevje, Petrol, Riko, SCT, Council of the City of Ljubljana, Slovenijales, Stol, Smelt, Self-Managing Community of Interests for Housing of the Municipalities and City of Ljubljana, Stenplast, Krško paper factory, Radeče paper factory, Vevče paper factory, Unitex, Velana

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ARCHIVE

Boris Jesih: Connections

30. 11. 2017–11. 3. 2018

Boris Jesih (1943) established himself as an artist at the end of the 1960s as part of the expressive figuration circle of painters. Under the influence of pop art, he responded to the characteristics of the spirit of the time with his geometric transformation of everyday objects, later also turning predominantly to landscape. As a printmaker, he excels in the techniques of relief printing and flat printing, with superior results in colour lithography. As a prize winner of the 13th International Biennial of Graphic Arts in 1979 (special prize for a young artist), he attracted attention with his series of lithographs, a set of which is part of the MGLC collection. Beside the lithographs, the retrospective exhibition also presents drawings, paintings and photographs, which highlight the connections between his creative process and his works. 

Boris Jesih: A Doors (1983, color lithography).

Watch out! Wet print! #10

Tanja Radež: HAPPY NEW YEAR 2018

5. 12. 2017–8. 1. 2018

TAM-TAM Street Gallery at Vegova ulica (opposite Glasbena matica)

Tanja Radež often finds herself in a quandary over the sense of creating national symbols. The symbolic emblems of national identity are often only adornments and no longer support the construction of a bright future. However, the symbols and colours persist through a changing history, since man must quite clearly lay the boundaries of his existence and mark the sovereignty of the group to which he belongs. 


Tanja Radež: HAPPY NEW YEAR 2018.

Copying

14. 12. 2017–4. 1. 2018

opening:
Thursday, 14 December, at 5 pm., Švicarija Creative Center (ground floor)

The Copying project in the form of an artists' book, presents 11 artists, who have each developed and created their own view of copying and the copy.

Artists: Kate Bingaman-Burt, Tate Foley, JULM (Jason Urban & Leslie Mutchler), Leah Mackin, Test Print (Amze Emmons), Garret Orr, Nez Pez, Nika Rupnik, Grace Synder, RL Tillman, Breanne Trammell

Curator: Printeresting


Photo: Printeresting.

From the Švicarija studios

Marija Mojca Pungerčar: A transitional period is foreseen

opening:
Thursday, 14 December, at 7 pm, Švicarija Creative Centre (1st floor)
at 18.00, guided tour of the exhibition with Maria Mojca Pungerčar and curator Nina Jeza

A transitional period is foreseen is a project in which artist Marija Mojca Pungerčar stems from a selection of photographs documenting private events that represent or indicate important turning points in life over a prolonged period of time.


Marija Mojca Pungerčar: A transitional period is foreseen.