Residency programme: Švicarija

With its residency programme for artists and curators, aims to stimulate the flow of artists and theoreticians in the fields of the graphic arts. The residency programme for artists encompasses work in the Print Studios as well as the integration of artists and theoreticians in the accompanying programmes. Visiting curators will be encouraged to step into a dialogue with the collection and to contextualize the Biennial of Graphic Arts and artistic production in Slovenia.

Residency dates range from one to three months, on the basis of invitations to artists and curators as well as exchanges with similar institutions.

In the year 2017, the International Centre of Graphic Arts received a new unit into its care – the Švicarija – which has been renovated by the Municipality of Ljubljana. Together we form a new cultural, educational and social centre in Tivoli Park.

Švicarija, named the Schweizerhaus, received a ceremonious inauguration, which included a brass band and fireworks, as a wooden guesthouse in 1835. The building was later rebuilt and the surrounding area was arranged by the owner of Tivoli Mansion, Marshal Radetzky. Today, it remains only as a memory in postcards. The name of Švicarija was accepted by the people of Ljubljana to such an extent that it stuck even when in 1909 the famous Austro-Hungarian architect Ciril Metod Koch constructed a new building – Hotel Tivoli, which soon became a gathering place for the bohemians, artists and other like-minded characters of the time. This is also where the workers collected to celebrate Labour Day on 1 May. Until the end of the First World War, the hotel served as a comfortable respite and a place of tasty refreshments for walkers and visitors. After the outbreak of the October Revolution, it was settled by Russian immigrants. At its peak, Švicarija housed a ballet school, which was after its move hired by one of the most important Slovenian sculptors, Ivan Zajec – the author of the Prešeren Monument in Ljubljana. In the early 1950s, many other famous Slovenian artists resided and worked there, until 2012, when the last artist moved out due to the plans for a thorough renovation. The City of Ljubljana has dedicated approximately twenty working-residential studios for Ljubljana based artists in the Švicarija Centre, with some space also intended for foreign artists on visiting residences.

With its rich history, the Švicarija provides exceptional starting points for developing various programmes that bring us closer to the Slovenian natural and cultural heritage from today’s perspective. The Centre’s programme stems from the location and history of the building, since it is inscribed as a space of hospitality, welcome, coexistence, exchange and transformation.

The Švicarija wishes to contribute to the quality of life of individuals and communities with the experience of art. The building connects artists with the city and its inhabitants on various levels through a series of artistic practices, disciplines and perspectives on art, and at the same time also provides a diverse programme for a variety of audiences.

*2019

Critic in Residency Programme 2019 at Švicarija Creative Centre

Artist in Residency Programme 2019 at Švicarija Creative Centre
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*2018

Critic in Residency Programme

Artist in Residency Programme 2018 at Švicarija Creative Centre

 

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ARCHIVE

At the end of the biennale

The 34th Ljubljana Biennale of Graphic Arts, Iskra Delta, came to a successful close on Sunday. In 72 days, 22 events took place, 4 prizes were awarded, and 57 artists and a great number of speakers participated in imagining the future. We extend our sincere thanks to all participants, curators, organisers, supporters and visitors.

The Biennale, which we launched at the beginning of the pandemic, was originally conceived as a production, presentation and theory platform for cross-genre creators of the Millennial and Zoomer generation, who are finding their way in the subterrain of the cyber world. The splitting of reality and the dissolution of linear causal temporality through the internet and rapid technological progress have opened up the possibility of receiving messages from other worlds and timelines, which artists, musicians, curators, writers, designers and other agents have woven into a world-building mission, creating scenarios for the future and reimagining the present.

Nascent: Temporal Secessionism, project presentation and Marathon guided tour

Sunday, 21 November, at 11.00
TR3 Gallery

Join us on the last Bienale day at the presentation of the artist duo Nascent and their project Temporal Secessionism. 
The presentation will be followed by the final marathon guided tour of ISKRA DELTA: The 34th Ljubljana Biennale of Graphic Arts with its curator Tjaša Pogačar and assistant curator Lara Mejač.

More.


Photo: Klemen Ilovar. MGLC Archive.

The award recipients of the 34th Ljubljana Biennale of Graphic Arts

The International Jury consisting of Lovro Japundžić, Jen Kratochvil, Sam Lackey and Poka-Yio decided that the Grand Prix of the 34th Ljubljana Biennale of Graphic Arts goes to Johannes Paul Raether.
The Jury presented the Research Residency Award to Mario Mu, who also received the Audience Award, and a Special Mention from the Jury went to the BCAA System collective.

Congratulations to all the prize winners of the 34th Ljubljana Biennale of Graphic Arts!