For school groups

 

MGLC provides training and education in the field of modern and contemporary visual and graphic art by actively involving various target groups and age ranges in its events, exhibitions and programmes. The programme for children, school pupils, young people and students includes guided tours of the exhibitions, printmaking demonstrations, workshops as well as the organization of an Art Day in the Gallery. The programmes are tailored to different age groups, their needs and prior knowledge.

Visits should be arranged one week prior to the event being run.

Further details: Lili Šturm, Museum Counsellor, Education and Events, t: +386 (0)1 2413 818, e: lili.sturm@mglc-lj.si

EXHIBITION PROGRAMME: GUIDED TOURS

Guided tours of temporary exhibitions are mostly suitable for the pupils of primary school and for the preschool children. By arrangement, these can be supplemented with worksheets, a short workshop, animation or activity from the regular programme of printmaking workshops and demonstrations.

The activities are conducted by the museum counsellor for education and events, gallery animators and print master.

duration: 45–90 minutes
entrance fee (guided tour included): 2 EUR/person
popular combination: guided tour of the exhibition and demonstration of printmaking techniques, 90 minutes, 3.50 EUR/person

11 October 2016–8 February 2017
The Centres of Printmaking: At the Intersection of Knowledge, Learning and Cooperation

The International Centre of Graphic Arts is celebrating 30 years of its existence. On this occasion we have prepared an exhibition in collaboration with two similar institutions from Belgrade and Philadelphia. The exhibition, which is conceived as an exhibition of (three smaller) exhibitions, presents the centres and the works from their collections as well as current production. The key themes of the visit are: presentation of the three centres of printmaking as the current state of creativity within the graphic arts, diversity of mediums and genres, as well as developmental directions of the visual and graphic arts. The viewing of the exhibition will be conceived interactively. We recommend this to be supplemented with an activity from the regular programme of workshops and demonstrations. The exhibition will also be adapted for viewing by visitors with special needs (sensory impairments).

20 December 2016–8 February 2017
Tomas Vu, Rirkrit Tiravanija GREEN GO HOME

Tomas Vu is an American artist, who received the Audience Award of the 30th Biennial of Graphic Arts (2013).
The prints and texts – the graffiti that cover the portraits – come from the collaborative installation by Tomas Vu and Rirkrit Tiravanija at the Colombian-American library in Bogotá. Wherever the installation GREEN GO HOME is put on view, a spirit of resistance is invoked – resistance against the invader, the colonial power, the repressive government. Each figure represented by the portraits is revolutionary – revealing itself to the viewer as someone addressing the condition of the graffiti text. GREEN GO HOME is a wall of resisters, and of resistance.

24 February–28 MaY 2017
(Fan)zines today?!

The exhibition will be a "live" presentation. It will change through its "gallery time" and "breathe" with its visitors, who will be invited to take an active role in attending, transforming and co-creating it.

And what is actually a fanzine or a zine? This is a "do it yourself" publication, which can be produced by anyone using low-cost technologies, such as photocopying, if only they possess the idea or desire to do so. Young people today are embarking upon production by adopting the following methods: DIY (Do It Yourself), DITO (Do It TOgether) and DIWO (Do It With Others).

During the course of the exhibition, a "fourth method" or programme is being introduced for school groups: DIU (Do It with Us). The guided tours and presentations will be spiced up by screen-printing and Risograph printing workshops, conducted by the authors. School groups visiting the exhibition will also be invited to create their own page of the fanzine. All pages will be included into a joint publication and will be announced publicly after the closing of the exhibition.

NEW – Change of date of the Ljubljana Biennial of Graphic Arts

The 32nd Biennial of Graphic Arts will be on view from 16 June to 29 October 2017

This edition will be presented in the main exhibition condensed in its local Tivoli Park – at MGLC and in the renovated and newly opened Švicarija building. The traditional exhibition of the recipient of the Grand Prize of the previous Biennial, Ištvan Išt Huzjan will be held at the Ljubljana City Art Museum. Accompanying exhibitions will be organized by the city's galleries: Škuc Gallery, Jakopič Gallery and Kresija Gallery.

THE STUDIO PRINTMAKING PROGRAMME

Printmaking Demonstrations
PS/2, 3, SS
entrance fee: 2.50 EUR/person
duration: 45 minutes

Popular combination: Guided tour of the temporary exhibition and demonstration of printmaking techniques; 90 minutes, 3.50 EUR/person

Printmaking Workshops
PS/3, SS
entrance fee: 6.50 EUR/person
duration: 180 minutes

Tivoli T-Shirt Workshop
A special screen-printing workshop with prints made on a T-shirt or other piece of fabric.
PS/2, 3, SS
entrance fee: 6.50 EUR/person
duration: 180 minutes

Presentation of Classical Printmaking Techniques
SS
entrance fee: 2.50 EUR/person
duration: 45 minutes

The Contemporary Graphic Arts
Discursive presentation
PS/3, SS
entrance fee: 1 EUR/person
duration: 45 minutes

Art Day in the Gallery
Programme and timing structure by prior agreement.
PS/3, SS
entrance fee: 6.50 EUR/person

EXPERIMENTAL PRINTMAKING PROGRAMME

Plasto-Print
Workshop of printing on plastic bags.
PS/1, 2, SS
entrance fee: 3.50 EUR/person
duration: 2 hours

Experimental Computer Printing
PS/3, SS
entrance fee: 8 EUR/person
duration: 6 hours

Comic strip into print!
Three-day workshop of comic strips and printmaking. The programme is run according to previously announced timeframes.
PS/3, SS
entrance fee: 8 EUR/person
duration: 17 hours (3 days)

ABC Artist’s Books
Presentation and workshop
PS/1, 2, 3, SS
entrance fee: 3.50 EUR/person
duration: up to 2 hours

The Mobile Printmaking Studio
Upon the invitation of schools, we join classes to carry out a visiting printmaking workshop with a brief presentation on printmaking and demonstration.
entrance fee: reimbursement of travel expenses and costs of the contractor
duration: min. 45 minutes (or longer) 

FOR PRESCHOOL CHILDREN

Kindergarten Day
Viewing and programme as arranged, free of charge

OPPORTUNITIES FOR PROFESSIONAL DEVELOPMENT OF TEACHERS AND MENTORS

Beginners Course in Printmaking Techniques
November 2017–March 2018, 50 hours with meetings once a week on Tuesdays
courses: screen-printing, lithography, drypoint and woodcut
mentors: Slavko Pavlin, mag. Mojca Zlokarnik, Ana Pečnik, Svetlana Jakimovska Rodić
participation fee: 210 EUR

Advanced Course in Printmaking Techniques
November 2017–March 2018, 50 hours with meetings once a week on Wednesdays
courses: etching, aquatint, relief etching, vernis mou, reservage and drypoint
mentors: mag. Mojca Zlokarnik, Zora Stančič, Svetlana Jakimovska Rodić
participation fee: 210 EUR

The participants of the workshops and courses receive a certificate of participation.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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ARCHIVE

ANNOUNCING A NEW EXHIBITION

Nataša Berk: 1st Unlimited Edition

2. 4.–19. 5. 2019

Opening:
2 April, at 7 pm
Švicarija

The exhibition is part of the year-long programme of Švicarija, which in 2019 focuses on the analysis of the state of independent journalism and the right of the public to information in pursuit of the slogan community, art and nature. The participating artists question the credibility of images and their meanings at a time of the oversaturation with visual impulses and analyse the ambiguity of media messages on the world wide web.

The spatial intervention by Nataša Berk and the group of artists at Švicarija presents their diverse visual production, which usually takes place in the virtual space of the world wide web and social networks. On this occasion, it has moved into a physical space. Together, they explore the phenomenology of the image within public circulation and its impact on the perception of reality. In ironic ways, they address the norms of the advertising industry, the tendencies of the mass media, voyeurism and the social convention of the individual’s appearance. Thus, works devoted to the consideration of the nature of the image in everyday life are presented as part of the exhibition. In such a way, photographs, videos and collages open up the questions of understanding visual culture in an era when the public space has become saturated with contents and images, questions about the manipulation of the image and the ambivalence of its meanings.    

Curator: Miha Colner


Photo: Nataša Berk.

THE 1ST GUIDED TOUR OF THE EXHIBITION

TODAY

Photographic Images and Matter: Japanese Prints of the 1970s and
Japan, Yugoslavia and the Biennial of Graphic Arts: Documents of Collaboration

Tuesday, March 26, at 5.30 pm
in English
at 5 pm in Slovenian

Admission for the exhibition, the guided tour is free.
Conducted by Gregor Dražil, Museum Information Officer.

Warmly welcome!

Opening of the exhibition

Photographic Images and Matter: Japanese Prints of the 1970s and
Japan, Yugoslavia and the Biennial of Graphic Arts: Documents of Collaboration

opening:
Friday, March 22, at 6 pm

22. 3.–19. 5. 2019

The exhibition is made up of two sections. The first, bearing the title Photographic Images and Matter: Japanese Prints of the 1970s, is dedicated to Japanese printmaking of the 1970s and was organised by the Japan Foundation, while the second, the documentary section, is entitled Japan, Yugoslavia and the Biennial of Graphic Arts: Documents of Collaboration and has been prepared by the International Centre of Graphic Arts.

The travelling exhibition Photographic Images and Matter, with a selection of the most representative artists, presents the orientations within Japanese printmaking of the 1970s, which was the golden age of the print medium in Japan. The curator of the exhibition Kyoji Takizawa has made an attractive selection of artists, who have received many awards within the international arena and form the core of the modernist and avant-garde scene of the 1970s.

The documentary exhibition Japan, Yugoslavia and the Biennial of Graphic Arts: Documents of Collaboration, on the other hand, illuminates one of the many socio-artistic chapters tied to the history of the Biennial of Graphic Arts in Ljubljana. Through the selection of pictorial, archival, photographic and other material, it aims to show the communication between the geographically and politically disparate countries as part of an ambitious international art event like the Ljubljana Biennial of Graphic Arts. Exhibition authors are Nevenka Šivavec and Gregor Dražil.

The exhibition is accompanied by an international symposium under the same title, taking place in the month of May.

Exhibition design: Ivian Kan Mujezinović and Mina Fina.


Tetsuya Noda: Diary, September 11, '68 (woodcut and silkscreen).