For the curious and the creative

Public tours of temporary exhibitions in the 2018/2019 season
Riko Debenjak, Retrospective exhibition, 9. 8. - 11. 11. 2018
Tina Mohorović, Anonyms, 9. 8. – 9. 9. 2018
Alja Košar, Point, 12. 9. – 14. 10. 2018
Matjaž Geder, Praparations for Improvisation, 17. 10. – 11.11. 2018
Milton Glaser, Posters, 23. 11. 2018 - March 2019
Nathalie Du Pasquier, The Strange Order of Things, 30. 11. 2018 – March 2019

Curator-lead guided tours for groups are organised to accompany all the exhibitions.

Printmaking Demonstrations
Printmaking technique demonstrations of screen-printing, lithography, woodcutting, linocutting, dry point and etching.
Admission: € 4/person
Duration: 45 minutes
Accessible to visitors with mobility impairments.

Printmaking Workshops
Workshops of screen-printing, lithography for small groups (screen-printing for up to 15 participants, lithography for up to 8 participants). Participants learn about the preparation stages before printing as well as the printing process, create an image, and then print it.
Admission: € 6.50/person
Duration: 180 minutes

The Tivoli Tee
A special screen-printing workshop with prints made on a T-shirt or other piece of fabric. The workshop is composed of three parts: getting the design ready, preparing the screen, and making a single colour print.
Admission: € 6.50/person
Duration: 180 minutes

Performance workshop
The workshop seeks to bring the performative dimension in the field of the visual arts and other mediums closer to young people. It takes place twice a month for three hours and is led by actor Uroš Kaurin. Participants are taught the basics and are encouraged to produce their own performance as the final result.
Admission: € 40
Duration: 24 hours

PovezujeM/THE TIVOLI CREATIVE CIRCLE
Week-long workshops for primary school children during the school holidays. Organized by the following museum institutions: the International Centre of Graphic Arts, National Museum of Contemporary History, National Gallery of Slovenia, Museum of Modern Art and the National Museum of Slovenia.
Admission: € 110/person (lunch as well as day care included)
Duration: 1 week, during the school holidays (every day from Monday to Friday, from 8 am to 4 pm)

Saturday workshops
Saturday workshops are a joint programme by RogLab, MGLC, Stripburger, Rampa Laboratorij and Zavod Trajekt. Children and families are invited to join us in Tivoli Park to take part in creative pursuits and visual games. Follow our Facebook page about the workshop dates.

Summer Museum Night
The Night at the Museum event is on every third Saturday in June, just before the schools break up for the summer. An evening of art, events and social gathering takes place from 6 pm till midnight. Admission free.

Summer in Tivoli
The International Centre of Graphic Arts traditional summer event. Every Tuesday in July, the Summer in Tivoli events invite you to join in the following: free of charge music evenings, free of charge viewing of the exhibitions.
The Gallery is open till 9 pm on Tuesday nights as events take place.
Free admission between 8 pm and 9 pm.

European Heritage Days
The promotional campaign of Slovenian cultural heritage traditionally takes place in late September and early October.

The Stories of the Mansions and Castles of Ljubljana
Viewing of four stately buildings: Tivoli Mansion (International Centre of Graphic Arts ), Cekin Mansion (National Museum of Contemporary History ), Fužine Castle (Museum of Architecture and Design) and Ljubljana Castle. They are marked by rich history, cultural heritage and contemporary art.
Admission: € 11/adult; € 5.5/senior citizens and groups of 15 persons or more
Duration: 3 days

For the lovers of printmaking
Beginners Course I. in Printmaking Techniques
The course covers an introduction to printmaking and learning about the techniques of screen-printing, lithography, dry-point and woodcut. It takes place once a week for three full hours. The courses are run by trained mentor artists: mag. Admir Ganić, mag. Mojca Zlokarnik, Ana Pečnik and Svetlana Jakimovska Rodić
Admission: € 210/person
Duration: 50 hours (from November to March)

Beginners Course II. in Printmaking Techniques
The course covers an upgrade of Begginers Course I. It takes place once a week for three full hours. The courses are run by trained mentor artists: mag. Admir Ganić, mag. Mojca Zlokarnik, Ana Pečnik and Svetlana Jakimovska Rodić.
Admission: € 210/person
Duration: 50 hours (from November to March)

Advanced Course in Printmaking Techniques
The course covers learning about the techniques of etching, aquatint, relief etching, vernis mou, and mezzotint. It takes place once a week for three full hours. Mentors: mag. Mojca Zlokarnik, mag. Boge Dimovski and Svetlana Jakimovska Rodić.
Admission: € 210/person
Duration: 50 hours (from November to March)

Open House Days
Slovenian Cultural Holiday, 8 February
International Museum Day, 18 May
This Happy Day of Culture, 3 December

For visitors with special needs
Entry to the ground floor of the building for people with mobility impairments is only possible with assistance, toilets are located on the ground floor. The blind and visually impaired can orient themselves in the building with the help of a touch map. The MGLC at Hand multimedia guide is also available. There is no entrance fee for visitors with special needs and their companions. For assistance please call +386 (0)1 2413 800

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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ARCHIVE

From Biennial to Biennial

28–30 November
International Centre of Graphic Arts and Švicarija Creative Centre

Books presentation
Nocturnal Singer by Alejandra Pizarnik (1936–1972)
Jure Detela, Selected Poems (1951–1992) 
Wednesday, November 28 at 6 pm
MGLC

A symposium
The Irrational in a Biennial
Thursday, November, 29 10.00–17.00
Švicarija Creative Center

Opening of exhibition
Nathalie du PasquierFair Game
curator: Kate Sutton
Friday, November 30, at 1 pm
MGLC

From Biennial to Biennial is a 3-day event which is a postponed reflection on the 32nd Biennial of Graphic Arts: Birth as Criterion. Composed of a presentation of a book Nocturnal Singer by Alejandra Pizarnik, an international symposium The Irrational in a Biennial that will discuss and challenge the traditional biennial structure, and a solo exhibition by Nathalie Du Pasquier: Fair Game, the event attempts to bring together diverse mediums of perception.


Photo: Urška Boljkovac. MGLC Archive.

Milton Glaser, Posters

SOON

23. 11. 2018–3. 3. 2019
opening: Friday 23 November, at 1 pm

The artist and his posters will be presented at the opening by the expert of visual communications, Petra Černe Oven, PhD.

Milton Glaser (1929, New York) is one of most important graphic designers in the world, who has designed hundreds of corporate images, magazines, newspapers, books, LP covers, and has created thousands of posters during his career spanning over fifty years. He has been inscribed into the world history of design with his iconic “I love NY” logo. Milton Glaser has decided to donate thirty-five original posters (created between 1966 and 2016) to the City of Ljubljana, which will enrich the collection of the International Centre of Graphic Arts after the exhibition.

A special thanks on the occasion of the exhibition goes to Mirko Ilić, who came up with the idea for the donation in 2017, when he was hosted at the Festival of Tolerance as a lecturer and the author of the TOLERANCE exhibition. The show is organised every year by Mini teater and the Ljubljana Jewish Cultural Centre with the support of the City of Ljubljana (MOL).


Milton Glaser, Posters, 2018.

Nathalie Du Pasquier

SOON

30. 11. 2018–3. 3. 2019
opening: Friday November 30, at 1 pm

The openin will be accompanied by a guided tour given by the artist Nathalie Du Pasquer and the curator of the exhibition Kate Sutton.

Nathalie Du Pasquier’s compositions transform the interiors of the International Centre of Graphic Arts into a series of immersive microenvironments, sampling from over three decades of the artist’s paintings, prints, drawings and murals, as well as a new series of silkscreen prints, which was produced precisely in the screen-printing studio of the International Centre of Graphic Arts in Ljubljana.

Du Pasquier first made her name with vibrant, eye-catching graphics and textile prints shaped by the artist’s eclectic influences, boundless imagination and impulse towards experimentation. Since the late 1980s, she has focused primarily on painting, building up a tremendous body of work, much of which has yet to be exhibited publicly. Fair Game shuns a chronological ordering in favor of forging more intuitive formal affinities between the various series. Assorted elements or objects appear and reappear in different compositional configurations, like a card in a deck that takes on new powers and limitations with each hand dealt. This visual vocabulary is distilled in a new series of silkscreen printed modules (“virtual furniture,” as the artist calls it), which she created in the MGLC screen-printing studio.

Curator of the exhibition is Kate Sutton.


Nathalie Du Pasquier: Mensola piena, 2011, oil on canvas.