Become A FRIEND OF THE BIENNIAL

A FRIEND OF THE BIENNIAL receives the following benefits in 2019:

• Free admission to all exhibitions.
• Free of charge art excursion.
This time we will be heading to the Gorenjska region, more precisely to Škofja Loka and its surroundings. We will be taking a look at the Loka Castle collections, the Škopar House, the Grohar Gallery and the granary with the works of Mihelič.
At the end, we will also visit Visoko, Tavčar’s source of inspiration for writing the historical novel The Visoko Chronicle. The 17th-century rustic mansion lies in the embrace of the surrounding hills and forests, not far from the Poljanska Sora river. With the beginning of the 20th century, the former Kalan Estate became known as the Tavčar Manor after the Slovenian writer and politician Ivan Tavčar. Besides the former residential building, which houses permanent exhibitions and a beautiful wedding hall, there is an extensive outbuilding with a typical double hayrack. The writer had a chapel with a family tomb placed at the edge of the forest, where he was buried himself. There is also a striking bronze statue of the writer close by, with gaze directed towards Poljane, his place of birth.
• Viewing of a selected artist's printmaking studio.
Tanja Pak, artist and professor at the Academy of Fine Arts and Design, who completed her master’s degree at the Royal College of Art in London, is inviting us to join her in her studio at Švicarija. She dedicates her attention to sculpture, spatial art installations and design of useful objects. Her favourite medium is glass, through which she passes on her stories and feelings since it remains a persistent challenge to her precisely because of its variable and elusive nature. She says that they are constantly searching and trying each other out. She exhibits all over the world and her works are included in international collections and publications.
• Pre-festive workshop making original New Year's greeting cards. The workshop is conducted by Admir Ganić, printing master.
• New Year's greeting card – a small fine art graphic print by an invited artist.
• 30% discount on all MGLC publications
• 15% discount on all workshops and courses
• 15% discount on purchases of fine art graphic prints.
• A fine art graphic print from the MGLC Print Studios upon the recommendation and signing up of a new member.
• 10% discount on the renewal of membership.
• A welcome gift when signing up.
•  12-month membership fee: 25 €
• 12-month membership fee for those aged 60 years and over, 14 years and under, pupils and students: 15 €

You can join the Club of the Friends of the Biennial of the International Centre of Graphic Arts by filling in the Membership Form and presenting your identity card and pupil/student ID card at the MGLC Ticket Office and paying the appropriate membership fee. Your Membership Card will be sent to you within 14 days of joining, or can alternatively be picked up at the MGLC Ticket Office. The membership card is valid for one year from the date of joining.

Membership form

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ARCHIVE

NATAŠA BERK: 1ST UNLIMITED EDITION

2. 4.–19. 5. 2019

Opening:
2 April, at 7 pm
Švicarija

The exhibition is part of the year-long programme of Švicarija, which in 2019 focuses on the analysis of the state of independent journalism and the right of the public to information in pursuit of the slogan community, art and nature. The participating artists question the credibility of images and their meanings at a time of the oversaturation with visual impulses and analyse the ambiguity of media messages on the world wide web.

The spatial intervention by Nataša Berk and the group of artists at Švicarija presents their diverse visual production, which usually takes place in the virtual space of the world wide web and social networks. On this occasion, it has moved into a physical space. Together, they explore the phenomenology of the image within public circulation and its impact on the perception of reality. In ironic ways, they address the norms of the advertising industry, the tendencies of the mass media, voyeurism and the social convention of the individual’s appearance. Thus, works devoted to the consideration of the nature of the image in everyday life are presented as part of the exhibition. In such a way, photographs, videos and collages open up the questions of understanding visual culture in an era when the public space has become saturated with contents and images, questions about the manipulation of the image and the ambivalence of its meanings.    

Curator: Miha Colner


Photo: Nataša Berk.

ANNOUNCING the 33rd Ljubljana Biennial of Graphic Arts: Crack Up – Crack Down

7. 6.–29. 9. 2019

Curator:
art collective Slavs and Tatars
31 artists on 9 venues in Ljubljana

Crack Up – Crack Down will take an expansive view of the genre of satire today, featuring works by historical and contemporary international artists, as well as interventions by activists, new media polemicists, performances by stand-up comedians, and others. For the 33rd edition of the Biennial, Slavs and Tatars consider ‘the graphic’ not as a medium, but as an agency. They question how graphic language engenders a form of infra-politics via irony and ridicule as a particularly resilient and contemporary form of critique. Purported to speak truth to power, satire has proven itself to be a petri dish in a world of post-truth bacteria

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POVEZUJEM/TIVOLI CREATIVE CIRCLE

The PovezujeM/Tivoli Creative Circle
programme
, which is organised by the museums around Tivoli Park, will take place again during the summer holidays.

Two time-frames are available:
8–12 July and 26–30 August,
from 8 am to 4 pm. 

Further details will be available soon!

You can pre-book your place by writing to: petra.derganc@mglc-lj.si

Part of the circle: National Museum of Slovenia, Museum of Modern Art, National Museum of Contemporary History, National Gallery of Slovenia and International Centre of Graphic Arts.

Photographic Images and Matter: Japanese Prints of the 1970s and Japan, Yugoslavia and the Biennial of Graphic Arts: Documents of Collaboration

22. 3.–19. 5. 2019

GUIDED TOUR OF THE EXHIBITION

Tuesday, April 23, at 5.30 pm
in English
at 5 pm in Slovenian

Admission for the exhibition, the guided tour is free.
Conducted by the co-author of the exhibition Gregor Dražil, Museum Information Officer.

Warmly welcome!


Photo: Urška Boljkovac. MGLC Archive.

The Family fold’r 

Dear families, you are kindly invited to explore the MGLC gallery!
We have again prepared the Family fold’r for you, which you receive free of charge when you purchase a family ticket to view the exhibition.
This time, some curious cards are waiting for you inside, and they need to find their places in the gallery with your help and the help of your children.

Good luck!

Exhibition's symposium
Japan, Yugoslavia and the Biennial of Graphic Arts: Documents of Collaboration

Wednesday, 15 May, 14.30–19.00, 
International Centre of Graphic Arts

Symposium timeline
14:00 Gregor Dražil: An Outline of Collaboration between Japan and Slovenia in the Area of Printmaking
*14:40 Bert Winther-Tamaki: The Wood Aesthetic of the “Creative Prints” Movement of Japan, 1945 to 1965
15:20 Wiktor Komorowski: From Washi to Politics: Printmaking and the Cold War Japonisme
16:00–16:20 Break
16:20 Marjeta Ciglenečki: Forma Viva in Slovenia and Japanese Artists
17:00 Noriaki Sangawa: The Japanese Art Group Ryu and Its Collaboration with the Slovenian Moderna galerija and the Biennial of Graphic Arts

Visiting lecture
*Bert Winther-Tamaki: What Happens to Contemporary Art Made in Japan When Exhibited Outside of Japan?
*The lecture will take place on Monday, 13 May, at 18:00 at the Faculty of Arts, room 343. The lecture is co-organised by the Department of Art History.

The symposium will be held in English.

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Photo: Jaka Babnik. MGLC Archive.

opening:
Friday, March 22, at 6 pm

The exhibition is made up of two sections. The first, bearing the title Photographic Images and Matter: Japanese Prints of the 1970s, is dedicated to Japanese printmaking of the 1970s and was organised by the Japan Foundation, while the second, the documentary section, is entitled Japan, Yugoslavia and the Biennial of Graphic Arts: Documents of Collaboration and has been prepared by the International Centre of Graphic Arts.

The travelling exhibition Photographic Images and Matter, with a selection of the most representative artists, presents the orientations within Japanese printmaking of the 1970s, which was the golden age of the print medium in Japan. The curator of the exhibition Kyoji Takizawa has made an attractive selection of artists, who have received many awards within the international arena and form the core of the modernist and avant-garde scene of the 1970s.

The documentary exhibition Japan, Yugoslavia and the Biennial of Graphic Arts: Documents of Collaboration, on the other hand, illuminates one of the many socio-artistic chapters tied to the history of the Biennial of Graphic Arts in Ljubljana. Through the selection of pictorial, archival, photographic and other material, it aims to show the communication between the geographically and politically disparate countries as part of an ambitious international art event like the Ljubljana Biennial of Graphic Arts. Exhibition authors are Nevenka Šivavec and Gregor Dražil.

The exhibition is accompanied by an international symposium under the same title, taking place in the month of May.

Exhibition design: Ivian Kan Mujezinović and Mina Fina.


Tetsuya Noda: Diary, September 11, '68 (woodcut and silkscreen).