Become A FRIEND OF THE BIENNIAL
A FRIEND OF THE BIENNIAL receives the following benefits in 2018:
• Free admission to all exhibitions.
• Free expert excursion to the centre of Slovenia, where we will also stop at the Museum of Too Modern Art. The idea for the museum concept was born in 1998 when the works of Oliver Marčeti were returned to the artist by an eminent Ljubljana gallery with the justification that they were too modern. We will take a look at the current exhibition and the permanent exhibition of the protagonists of the Too Modern Movement in the company of the ideological head of the museum. We will then proceed to the geometric centre of Slovenia – Vače, see the replica of the famous Vače situla and other archaeological finds from the 5th and 6th centuries before Christ. Our journey will conclude at Bogenšperk Castle, where Johann Weichard von Valvasor lived and worked. He was inspired by German topographical painting in conceiving his ambitious publishing programme. Since there were no printing companies in Carniola at the time that could prepare the visual material for his planned topographic works, he set up a printmaking and copper-plate engraving workshop and printer's himself: "I was also – without bragging – the first to introduce copper-plate printing to this famous duchy. Yes, here at Bogenšperk, I made such a workshop myself in 1678, keeping copper engravers and printers with me at the castle for several years." (The Glory of the Duchy of Carniola, vol. 11, p. 620)
• Viewing of a selected artist's printmaking studio.
This time, Zora Stančič has invited us to her studio. If you ask Zora Stančič whether she is a visual artist or a graphic artist, she will reply that she is a visual artist. "My work is produced in various mediums, so I say that I am a visual artist. Still, I can say that I think printmaking is the most exciting." Her works are held in the permanent collections of the Museum of Modern Art in Ljubljana, the Albertina in Vienna, the Fonds national d'art contemporain/National Foundation for Contemporary Art in Paris and the Zimmerli Art Museum in New Brunswick, New Jersey, USA. She also works in other fields such as architecture, design and film.
• Pre-festive workshop making original New Year's greeting cards. The workshop is conducted by Admir Ganić, printing master.
• New Year's greeting card – a small fine art graphic print by an invited artist.
• 30% discount on all MGLC publications
• 15% discount on all workshops and courses
• 15% discount on purchases of fine art graphic prints.
• A fine art graphic print from the MGLC Print Studios upon the recommendation and signing up of a new member.
• 10% discount on the renewal of membership.
• A welcome gift when signing up.
• 12-month membership fee: 25 €
• 12-month membership fee for those aged 60 years and over, 14 years and under, pupils and students: 15 €
You can join the Club of the Friends of the Biennial of the International Centre of Graphic Arts by filling in the Membership Form and presenting your identity card and pupil/student ID card at the MGLC Ticket Office and paying the appropriate membership fee. Your Membership Card will be sent to you within 14 days of joining, or can alternatively be picked up at the MGLC Ticket Office. The membership card is valid for one year from the date of joining.
ALEJANDRA PIZARNIK, NOCTURNAL SINGER
The book Cantora nocturna / Nocturnal Singer, which presents the work of the cult Argentinian poet Alejandra Pizarnik (1936–1972) in a bilingual Spanish-Slovenian edition, has been published. The book was one of the projects of the 32nd Biennial of Graphic Art: Birth as Criterion.
It offers a representative selection of the poet’s work from all her poetry collections and from the poems that had not yet been collected into books, her essential prose Bloody Countess and notes in which she spoke about her work.
The editor of the book is Miklavž Komelj; its translators are Nada Kavčič and Miklavž Komelj. The essays on the poet and her creations have been contributed by Nada Kavčič, Miklavž Komelj and Yucef Merhi. The book was designed by Ivian Kan Mujezinović.
EVENING WITH MANCA KOŠIR: STORIES ABOUT BOOKS AND PEOPLE
Tuesday, 11 December, at 6 pm
Guests: multimedia artist Eva Petrič, scientist dr Miha Kos and translator Luka Krek
Music: duo Čemomka
Milton Glaser, Posters
23. 11. 2018–3. 3. 2019
opening: Friday 23 November, at 1 pm
The artist and his posters will be presented at the opening by the expert of visual communications, Petra Černe Oven, PhD.
Milton Glaser (1929, New York) is one of most important graphic designers in the world, who has designed hundreds of corporate images, magazines, newspapers, books, LP covers, and has created thousands of posters during his career spanning over fifty years. He has been inscribed into the world history of design with his iconic “I love NY” logo. Milton Glaser has decided to donate thirty-five original posters (created between 1966 and 2016) to the City of Ljubljana, which will enrich the collection of the International Centre of Graphic Arts after the exhibition.
A special thanks on the occasion of the exhibition goes to Mirko Ilić, who came up with the idea for the donation in 2017, when he was hosted at the Festival of Tolerance as a lecturer and the author of the TOLERANCE exhibition. The show is organised every year by Mini teater and the Ljubljana Jewish Cultural Centre with the support of the City of Ljubljana (MOL).
GUIDED TOUR OF THE EXHIBITION BY Nathalie Du Pasquier
Tuesday, 18 December, at 5 pm
admission payable to view the exhibition, guided tour free of charge
The guided tours are conducted in Slovenian (beginning at 5 pm) and in English (beginning at 5.30 pm), led by Museum Information Officer, Gregor Dražil.
Photo: Urška Boljkovac. MGLC Archive.
30. 11. 2018–3. 3. 2019
opening: Friday November 30, at 1 pm
The opening will be accompanied by a guided tour given by the artist Nathalie Du Pasquer and the curator of the exhibition Kate Sutton.
Nathalie Du Pasquier’s compositions transform the interiors of the International Centre of Graphic Arts into a series of immersive microenvironments, sampling from over three decades of the artist’s paintings, prints, drawings and murals, as well as a new series of silkscreen prints, which was produced precisely in the screen-printing studio of the International Centre of Graphic Arts in Ljubljana.
Du Pasquier first made her name with vibrant, eye-catching graphics and textile prints shaped by the artist’s eclectic influences, boundless imagination and impulse towards experimentation. Since the late 1980s, she has focused primarily on painting, building up a tremendous body of work, much of which has yet to be exhibited publicly. Fair Game shuns a chronological ordering in favor of forging more intuitive formal affinities between the various series. Assorted elements or objects appear and reappear in different compositional configurations, like a card in a deck that takes on new powers and limitations with each hand dealt. This visual vocabulary is distilled in a new series of silkscreen printed modules – or as the artist calls it, “virtual furniture.”
Curator of the exhibition is Kate Sutton.
Nathalie Du Pasquier: Mensola piena, 2011, oil on canvas.