Become A FRIEND OF THE BIENNIAL
A FRIEND OF THE BIENNIAL receives the following benefits in 2018:
• Free admission to all exhibitions.
• Free expert excursion to the centre of Slovenia, where we will also stop at the Museum of Too Modern Art. The idea for the museum concept was born in 1998 when the works of Oliver Marčeti were returned to the artist by an eminent Ljubljana gallery with the justification that they were too modern. We will take a look at the current exhibition and the permanent exhibition of the protagonists of the Too Modern Movement in the company of the ideological head of the museum. We will then proceed to the geometric centre of Slovenia – Vače, see the replica of the famous Vače situla and other archaeological finds from the 5th and 6th centuries before Christ. Our journey will conclude at Bogenšperk Castle, where Johann Weichard von Valvasor lived and worked. He was inspired by German topographical painting in conceiving his ambitious publishing programme. Since there were no printing companies in Carniola at the time that could prepare the visual material for his planned topographic works, he set up a printmaking and copper-plate engraving workshop and printer's himself: "I was also – without bragging – the first to introduce copper-plate printing to this famous duchy. Yes, here at Bogenšperk, I made such a workshop myself in 1678, keeping copper engravers and printers with me at the castle for several years." (The Glory of the Duchy of Carniola, vol. 11, p. 620)
• Viewing of a selected artist's printmaking studio.
This time, Zora Stančič has invited us to her studio. If you ask Zora Stančič whether she is a visual artist or a graphic artist, she will reply that she is a visual artist. "My work is produced in various mediums, so I say that I am a visual artist. Still, I can say that I think printmaking is the most exciting." Her works are held in the permanent collections of the Museum of Modern Art in Ljubljana, the Albertina in Vienna, the Fonds national d'art contemporain/National Foundation for Contemporary Art in Paris and the Zimmerli Art Museum in New Brunswick, New Jersey, USA. She also works in other fields such as architecture, design and film.
• Pre-festive workshop making original New Year's greeting cards. The workshop is conducted by Admir Ganić, printing master.
• New Year's greeting card – a small fine art graphic print by an invited artist.
• 30% discount on all MGLC publications
• 15% discount on all workshops and courses
• 15% discount on purchases of fine art graphic prints.
• A fine art graphic print from the MGLC Print Studios upon the recommendation and signing up of a new member.
• 10% discount on the renewal of membership.
• A welcome gift when signing up.
• 12-month membership fee: 25 €
• 12-month membership fee for those aged 60 years and over, 14 years and under, pupils and students: 15 €
You can join the Club of the Friends of the Biennial of the International Centre of Graphic Arts by filling in the Membership Form and presenting your identity card and pupil/student ID card at the MGLC Ticket Office and paying the appropriate membership fee. Your Membership Card will be sent to you within 14 days of joining, or can alternatively be picked up at the MGLC Ticket Office. The membership card is valid for one year from the date of joining.
CALL FOR APPLICATIONS FOR VISUAL ARTISTS AT THE ŠVICARIJA CREATIVE CENTRE
The Švicarija Creative Centre and MGLC are looking for a visual artist, who will attend a one-month residency programme in Ljubljana. The candidate we are seeking ideally works across different mediums and genres, touches upon the notions of “community, nature and art” in their work, and/or whose practice is focused on the themes of social engagement, right to information and/or independent journalism.
Call for applications - full text
The deadline for applications is 18 February 2019.
The period of the residency is 1–30 November 2019.
+386 (0)30 708 469
CALL FOR APPLICATIONS FOR ART CRITICS / CULTURAL JOURNALISTS AT THE Švicarija Creative Centre
Švicarija Creative Centre and MGLC Ljubljana are looking for an art critic or cultural journalist, who is active in writing and publishing reviews and/or other forms of art writing in an international context. We are therefore aiming to host a critic or journalist, who has an interest in the vibrant art scene of Ljubljana and who is able to produce at least two (2) pieces of writing (reviews, interviews, columns, etc.) on selected artworks or art events in Ljubljana over the course of the residency. The articles are to be published in the English language in a relevant magazine (printed or online), radio, television or personal blog. We will select the candidate, who will provide the best possible outreach for the articles produced during the one-month “critic in residency” period in Ljubljana.
Call for applications - full text
Deadline for applications is 18 February 2019.
The period of the residency is 1–31 October 2019.
+386 (0)30 708 469
Foto: Jaka Babnik. Arhiv MGLC.
Call for applications for an artist residency in Norway
MGLC/Švicarija Creative Centre and NKD/Nordic Artists’ Centre Dale are publishing a call for submissions for an artist residency in Norway in 2019.
On the basis of an inter-institutional exchange between the Švicarija Creative Centre (MGLC, Ljubljana) and the NKD Dale artist-in-residence centre (Dale, Norway), we invite visual and/or intermedia artists from Slovenia, or those that live and work here, to apply for an artist residency in Norway. The selected artist will take part in a two-month artist residency at the NKD Dale artist-in-residence centre, which operates under the auspices of the Norwegian Ministry of Culture. As part of the reciprocal exchange of residency artists between MGLC, Ljubljana and NKD Dale, a selected Norwegian artist will be staying at the residence in Ljubljana during the summer months, while an artist from Slovenia will take up their residency in Norway.
Entire call for submissions
The deadline for applications is 11 February 2019!
In all Directions
performance at the exhibition Fair Game
Sunday, February 17, at 4 pm
The Korean dancer Yong Min Cho will carry out a dance intervention at the Fair Game exhibition based on the language of the body, setting up and articulating unusual and new trajectories among the individual artworks. Nathalie Du Pasquier has designed and selected some of the accessories that will be used in the performance by Yong Min Cho. These include graphic pieces reminiscent of road signs. And it is precisely these signs that have inspired the title Tutte le Direzioni – taken from an Italian road sign, which indicates the way leading in all directions.
Yong Min Cho: Other Objects,
performance at the exhibition by Nathalie Du Pasquier, Other Rooms
(Camden Arts Center: September 2017 - January 2018). Photo by: Camden Arts Centre.
Guided tour with Kate Sutton, the curator of the exhibition
Tuesday, 26 February at 5 pm
Photo: Urška Boljkovac. MGLC Archive.
NATHALIE DU PASQUIER, FAIR GAME
30. 11. 2018–3. 3. 2019
Nathalie Du Pasquier’s compositions transform the interiors of the International Centre of Graphic Arts into a series of immersive microenvironments, sampling from over three decades of the artist’s paintings, prints, drawings and murals, as well as a new series of silkscreen prints, which was produced precisely in the screen-printing studio of the International Centre of Graphic Arts in Ljubljana.
Du Pasquier first made her name with vibrant, eye-catching graphics and textile prints shaped by the artist’s eclectic influences, boundless imagination and impulse towards experimentation. Since the late 1980s, she has focused primarily on painting, building up a tremendous body of work, much of which has yet to be exhibited publicly. Fair Game shuns a chronological ordering in favor of forging more intuitive formal affinities between the various series. Assorted elements or objects appear and reappear in different compositional configurations, like a card in a deck that takes on new powers and limitations with each hand dealt. This visual vocabulary is distilled in a new series of silkscreen printed modules – or as the artist calls it, “virtual furniture.”
Curator of the exhibition is Kate Sutton.
ACCOMPANYING PROGRAMME TO THE EXHIBITION
Nathalie Du Pasquier: Mensola piena, 2011, oil on canvas.
THE LAST GUIDED TOUR OF THE EXHIBITION MILTON GLASER, POSTERS
Tuesday, February 19, at 5.30 pm
(in Slovene at 5 pm)
admission is free
Conducted by Gregor Dražil, Museum Information Officer.
Milton Glaser: I Love NY More Than Ever, 2001.
MILTON GLASER, POSTERS
23. 11. 2018–3. 3. 2019
Milton Glaser (1929, New York) is one of most important graphic designers in the world, who has designed hundreds of corporate images, magazines, newspapers, books, LP covers, and has created thousands of posters during his career spanning over fifty years. He has been inscribed into the world history of design with his iconic “I love NY” logo. Milton Glaser has decided to donate thirty-five original posters (created between 1966 and 2016) to the City of Ljubljana, which will enrich the collection of the International Centre of Graphic Arts after the exhibition.
A special thanks on the occasion of the exhibition goes to Mirko Ilić, who came up with the idea for the donation in 2017, when he was hosted at the Festival of Tolerance as a lecturer and the author of the TOLERANCE exhibition. The show is organised every year by Mini teater and the Ljubljana Jewish Cultural Centre with the support of the City of Ljubljana (MOL).
Accompanying Programme to the Exhibition
Milton Glaser, Posters, 2018.