ŠUM STUDY SEMINAR AT MGLC

The ŠUM Study Seminar at MGLC is a series of meetings or talks focusing on the contemporary art practices and their strategies of the mainly (but not exclusively) younger generation of artists from the local area. It is prepared by the research collective of ŠUM magazine in collaboration with the International Centre of Graphic Arts.

The theme of the seminar focuses on the systemic aspect of contemporary art and its relating issues, which are in the local arena resolved by exiting into the personal.

The close, more or less professional communities, composed of public sector institutions, non-governmental organizations and initiatives interested in the public, delineated into narrow cultural districts and with stunted funding opportunities, are increasingly becoming the space where new hybrid relations are being formed. These cut across, or at least blur the boundary between work and leisure, between the professional and the personal, replacing the once formalist cultural values with the values of belonging, familiarity and likeability.

The seminar aims to promote the reflection on seemingly unproblematic and positive aspects of this type of exit from the alienation of professionalism. In line with this, it tackles the analysis of artworks and theoretical projects that provide different approaches to the phenomenon of the personal outlined in such a way. Besides the specific issues of the works discussed, the seminar will, through the individual meetings, also address the questions of what kinds of system, processes of subjectivation, work potential and personal commitment such a cultural organization can give rise to, and, most importantly, what are the possible responses to these.

Programme of meetings
Wednesday, 8. 6. 2016
Urška Aplinc and Maja Burja: Variable

Friday, 16. 9. 2016
Andrej Škufca: 236743 and Indiference

Tuesday, 4. 10. 2016
Uroš Prah: Authenticity and Presence – On the Fetishization of the Authentic in the Literary Field (lecture)

Wednesday, 19. 10. 2016
Blaž Miklavčič: Untitled

Wednesday, 2. 11. 2016
Tomo Stanič: Still-life

Wednesday, 30. 11. 2016
Živa Božičnik Rebec: Spirit level

The seminar is coordinated by Domen Ograjenšek and Tjaša Pogačar.

The seminar takes place in the Lecture Room (ground floor), admission free.

 

Detailed presentations of each meeting will be published a few days earlier on the website www.mglc-lj.si and the facebook page mglc.ljubljana.

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Watch out! Wet print! #9

Pri Zlatem stegnu (Nataša and Katja Skušek): Unicorns Come and Unicorns Go

7. 11.–4. 12. 2017

opening event:
Tuesday, 7 November, at 5 pm
the TAM-TAM Street Gallery at Vegova (opposite Glasbena matica)

Pri Zlatem stegnu, they play about with taste. In fact, they play about with the taste for food and the taste for art.
Pri Zlatem stegnu is an art project by Nataša and Katja Skušek, which has been ongoing since 2004 in various forms, from spatial installations, to video works, objects, photo-collages, fine art graphic prints, drawings and performances. The project brings the questions related to food preparation and eating as the basic human need to the forefront in a humorous and light manner. 


Pri Zlatem stegnu: Unicorns Come and Unicorns Go.

Upcoming exhibition

Boris Jesih: Connections

30. 11. 2017–11. 3. 2018

Boris Jesih (1943) established himself as an artist at the end of the 1960s as part of the expressive figuration circle of painters. Under the influence of pop art, he responded to the characteristics of the spirit of the time with his geometric transformation of everyday objects, later also turning predominantly to landscape. As a printmaker, he excels in the techniques of relief printing and flat printing, with superior results in colour lithography. As a prize winner of the 13th International Biennial of Graphic Arts in 1979 (special prize for a young artist), he attracted attention with his series of lithographs, a set of which is part of the MGLC collection. Beside the lithographs, the retrospective exhibition also presents drawings, paintings and photographs, which highlight the connections between his creative process and his works. 

Boris Jesih: A Doors (1983, color lithography).

The 32nd Biennial of Graphic Arts: Birth as Criterion

THE PRIZES OF THE 32ND BIENNIAL OF GRAPHIC ARTS HAVE BEEN AWARDED

The Grand Prize winner of the 32nd Biennial of Graphic Arts is Alejandro Paz, for the work Hypodermic (2017, intervention), the work was made for the 32nd Biennial of Graphic Arts.

The recipient of the Research Residency Award is Carlos Monroy, for the work Baphomet. One single birth made incarnate. (2017, performance and video installation), the work was made for the 32nd Biennial of Graphic Arts.

The jury of the 32nd Biennial of Graphic Arts:
Anne Barlow, Mike Cooter, Bige Örer in Maruša Sagadin.

The recipient of the Audience Award of the 32nd Biennial of Graphic Arts is american artist Christopher Myers, for the work Detritus of Dreams (2016).


Alejandro Paz: Hypodermic (2017).
Photo: Jaka Babnik. MGLC Archive.