Every Tuesday in July

Exhibition

The 32nd Biennial of Graphic Arts, Birth as Criteron

Biennial TOP 10: Guided tours* of selected works of the 32nd Biennial of Graphic Arts Birth as Criterion, concerts in the MGLC Gallery and exhibition on the street

4 July: 

17.00: Watch out! We print! #5 freštreš, the TAM-TAM Street Gallery at Vegova 
20.00: concert: Maja Založnik Moonshine trio, pop, soul

11. July: 

19.00–20.00: Biennial TOP 10: guided tour in Slovene and English
20.00: concert: The Erič Brothers (Wacky Blues Professors), blues, rock, country 

18. July: 

19.00–20.00: Biennial TOP 10: guided tour in Slovene and Italian
20.00: concert: Teo Collori and Metod Banko, poetry put to music 

25. July: 

19.00–20.00: Biennial TOP 10: guided tour in Slovene and German
20.00: concert: The TAH and Le Baron, pop 

 

* The one-hour guided tours of selected works of the 32nd Biennial of Graphic Arts Birth as Criterion take place from 7 pm to 8 pm in foreign languages and are adapted for Slovenian-speaking visitors. Meeting point in front of the Švicarija Creative Centre. Free admission with a Biennial ticket or the Urbana tourist card.

***

The exhibition is on Tuesdays view till 21.00, free admission can be enjoyed from 20.00 to 21.00. There is no charge for the events, activities and workshops.

More: http://www.mglc-lj.si/files/data/summer_at_mglc_2017.pdf

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Watch out! Wet print! #9

Pri Zlatem stegnu (Nataša and Katja Skušek): Unicorns Come and Unicorns Go

7. 11.–4. 12. 2017

opening event:
Tuesday, 7 November, at 5 pm
the TAM-TAM Street Gallery at Vegova (opposite Glasbena matica)

Pri Zlatem stegnu, they play about with taste. In fact, they play about with the taste for food and the taste for art.
Pri Zlatem stegnu is an art project by Nataša and Katja Skušek, which has been ongoing since 2004 in various forms, from spatial installations, to video works, objects, photo-collages, fine art graphic prints, drawings and performances. The project brings the questions related to food preparation and eating as the basic human need to the forefront in a humorous and light manner. 


Pri Zlatem stegnu: Unicorns Come and Unicorns Go.

Upcoming exhibition

Boris Jesih: Connections

30. 11. 2017–11. 3. 2018

Boris Jesih (1943) established himself as an artist at the end of the 1960s as part of the expressive figuration circle of painters. Under the influence of pop art, he responded to the characteristics of the spirit of the time with his geometric transformation of everyday objects, later also turning predominantly to landscape. As a printmaker, he excels in the techniques of relief printing and flat printing, with superior results in colour lithography. As a prize winner of the 13th International Biennial of Graphic Arts in 1979 (special prize for a young artist), he attracted attention with his series of lithographs, a set of which is part of the MGLC collection. Beside the lithographs, the retrospective exhibition also presents drawings, paintings and photographs, which highlight the connections between his creative process and his works. 

Boris Jesih: A Doors (1983, color lithography).

The 32nd Biennial of Graphic Arts: Birth as Criterion

THE PRIZES OF THE 32ND BIENNIAL OF GRAPHIC ARTS HAVE BEEN AWARDED

The Grand Prize winner of the 32nd Biennial of Graphic Arts is Alejandro Paz, for the work Hypodermic (2017, intervention), the work was made for the 32nd Biennial of Graphic Arts.

The recipient of the Research Residency Award is Carlos Monroy, for the work Baphomet. One single birth made incarnate. (2017, performance and video installation), the work was made for the 32nd Biennial of Graphic Arts.

The jury of the 32nd Biennial of Graphic Arts:
Anne Barlow, Mike Cooter, Bige Örer in Maruša Sagadin.

The recipient of the Audience Award of the 32nd Biennial of Graphic Arts is american artist Christopher Myers, for the work Detritus of Dreams (2016).


Alejandro Paz: Hypodermic (2017).
Photo: Jaka Babnik. MGLC Archive.