The year-long programme Švicarija: Community, Art and Nature presents an event with a sensorial approach conceived by Barabara Pia Jenič.
The first public presentation takes place on Summer Museum Night, on Saturday, 16 June, at the Švicarija Creative Centre in Tivoli Park.
Švicarija, the house in Tivoli Park, has swapped many identities during the course of its existence, many people have found shelter behind its walls, and its uses have changed over time. It is a space filled with individual and collective meanings. Švicarija has, among other things, functioned as a guest house, a hotel, a residence for those on the margins, an art production centre, a material reference to the identity of its inhabitants, as well as a home. (A. Boštjančič, Identitete neke hiše [Identities of a House], 2015)
At the workshops, the participants linked the sensorial theatre language to the cultural heritage of the Tivoli Hotel: we listened to the history of the building through various perspectives of sensual perception. On Summer Museum Night, visitors will be taken through the originally conceived and staged snippets of its history.
There are 30 places available each hour to experience the sensorial guided tour of the snippets of the lives of the people in Švicarija. Reservations are released 15 minutes before the event, so please make sure that you take your ticket at the box office 15 minutes before the beginning of the event. Please leave your luggage and personal items at home. You enter the event with eyes blindfolded and with no personal luggage. We apologise for any inconvenience!
Saturday, 16 July, at 6 pm (30 places)
Saturday, 16 July, at 8 pm (30 places)
Bookings to firstname.lastname@example.org
Author and director of the event: Barbara Pia Jenič
Inspired by and modelled on: Andraž Boštjančič, Identitete neke hiše [Identities of a House], degree thesis
Texts used: Ivan Cankar, Bela krizantema [The White Chrysanthemum]; Valenčič Jožef, Vzgoja in omika ali izvir sreče [Education and Manners or the Source of Happiness], 1899
Audio interpretations of Bonton na Promenadi [Good Manners on Promenade] and Bela krizantema [The White Chrysanthemum]: Tomaž Gubenšek
Audio interpretations from the performances: Marija Nablocka
Russian and Gypsy romances: Aleksander Konjajev
Domžale March and General Maister March performed by the Slovenian Army Orchestra
Archive recordings of Nablocka, source: SLOGI Sound and Video Archive – Theatre Museum, Ljubljana
Sound effects design: Peter Penko
Costume selection: Incognito design
Costume consultation: Erna Nelc
Sensorial artists: Gloria Ana Belopavlovič, Veronika Golob, Katja Krajnc, Meta Kutin, Ana Obid, Urša Eva Pucelj, Teja Saksida, Tina Zadravec
Author and project leader: Yasmín Martín Vodopivec
Concept of education programme: Lili Šturm
Barbara Pia Jenič is the founder of the Senzorium Theatre, the author and director of many performances, as well as an actress with a master degree in Speech. Her creative engagement comprises more than 60 directed events and performances. She was also mentor and director at the BB Drama School for more than 16 years. She conducts various education programmes within the field of sensorial language, speech and acting, among others, also for medical staff through Slovenia Transplant and UKC Ljubljana. As a pioneer of sensorial theatre and language in Slovenia, and one of the few such creators in Europe and in the world, she has been leading the way over the past 20 years, exploring the field of the sensorial, interaction with the public, the multi-sensory, immersion in events, as well as artistic synesthesia.
Special thanks: Andraž Boštjančič, Flora Kastelic, Atila Boštjančič, Jaka Mihelič, Jakov Brdar, Jaka Železnikar, Slovenian Army Orchestra, Aljoša Deferri, Dean UL AGRFT Tomaž Gubenšek, SLOGI – Theatre Museum, MGL and Erna Nelc, Nataša Trtnik, Ivanka Mežan, as well as Zora Konjajev and Andrej Konjajev for the private archival recordings
The Tivoli Hotel between Memories and Dreams programme is part of the Švicarija: Community, Art and Nature project by Yasmín Martín Vodopivec. The event was made in co-production with the Senzorium Institute.