The 32nd Biennial of Graphic Arts - Artist Talks  

The Artist Talks series presents some of the participating artists of the 32nd Biennial of Graphic Arts. The series aims to introduce the art practice of a particular artist to the broader public, as well as to encourage a dialogue between the artist and the local cultural protagonists. The setting of the Artist Talks invites informal discussion on the presented art practice, but also ways of making connections between the visiting artists and the local context.

ARTIST TALK WITH CARLOS MONROY

Tuesday, 25 April, at 6 pm, Lecture Room (MGLC ground floor)

His work is mainly based on performance, within which he explores the potential of the body that turns into a political and aesthetic tool at the moment it becomes conscious of its own revolutionary potential to criticize, praise and reveal the ways in which the state, capital and violence, as well as social pressure, affect our lives. Carlos Monroy develops work in various mediums with these notions in mind. He lives and works torn between Bogotá and São Paolo.

      

Photos/ Carlos Monroy: Latino Love 2, Sabedoria. Courtesy of the artist.

ARTIST TALK WITH ALEJANDRO PAZ

Wednesday, 5 April, at 6 pm, Lecture Room (ground floor)

Alejandro Paz, one of the visiting artists of the 32nd Biennial of Graphic Arts, will present his art practice as part of the programme. Because of the open structure of this year's Biennial, Alejandro Paz is currently in Ljubljana exploring the context within which he will position his work for the Biennial.

Alejandro Paz is an artist and architect who lives and works in Guatemala. He has carried out projects within the field of architecture and design in the United States, Guatemala and Central America. His art practice deals with the political and social aspects of constructing individual and collective identities. He often expresses himself through socially sensitive performances and installations, carried out in the public space. For his performance Guardaespaldas (April 2002), he hired a bodyguard to protect a tramp during his "work day" on the streets of Guatemala City. He has exhibited in solo and group exhibitions, at the Biennial in Havana and São Paulo. Alejandro Paz was chosen to participate in the 32nd Biennial of Graphic Arts by Regina Jose Galindo, winner of the 29th Biennial of Graphic Arts.

Photos: Alejandro Paz: Guardaespaldas (2002). Courtesy of the artist.

 

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ALEJANDRA PIZARNIK, NOCTURNAL SINGER

The book Cantora nocturna / Nocturnal Singer, which presents the work of the cult Argentinian poet Alejandra Pizarnik (1936–1972) in a bilingual Spanish-Slovenian edition, has been published. The book was one of the projects of the 32nd Biennial of Graphic Art: Birth as Criterion.

It offers a representative selection of the poet’s work from all her poetry collections and from the poems that had not yet been collected into books, her essential prose Bloody Countess and notes in which she spoke about her work.

The editor of the book is Miklavž Komelj; its translators are Nada Kavčič and Miklavž Komelj. The essays on the poet and her creations have been contributed by Nada Kavčič, Miklavž Komelj and Yucef Merhi. The book was designed by Ivian Kan Mujezinović.

EVENING WITH MANCA KOŠIR: STORIES ABOUT BOOKS AND PEOPLE

Tuesday, 11 December, at 6 pm

Guests: multimedia artist Eva Petrič, scientist dr Miha Kos and translator Luka Krek
Music: duo Čemomka

 

Milton Glaser, Posters

23. 11. 2018–3. 3. 2019
opening: Friday 23 November, at 1 pm

The artist and his posters will be presented at the opening by the expert of visual communications, Petra Černe Oven, PhD.

Milton Glaser (1929, New York) is one of most important graphic designers in the world, who has designed hundreds of corporate images, magazines, newspapers, books, LP covers, and has created thousands of posters during his career spanning over fifty years. He has been inscribed into the world history of design with his iconic “I love NY” logo. Milton Glaser has decided to donate thirty-five original posters (created between 1966 and 2016) to the City of Ljubljana, which will enrich the collection of the International Centre of Graphic Arts after the exhibition.

A special thanks on the occasion of the exhibition goes to Mirko Ilić, who came up with the idea for the donation in 2017, when he was hosted at the Festival of Tolerance as a lecturer and the author of the TOLERANCE exhibition. The show is organised every year by Mini teater and the Ljubljana Jewish Cultural Centre with the support of the City of Ljubljana (MOL).

GUIDED TOUR OF THE EXHIBITION BY Nathalie Du Pasquier

Tuesday, 18 December, at 5 pm
admission payable to view the exhibition, guided tour free of charge

The guided tours are conducted in Slovenian (beginning at 5 pm) and in English (beginning at 5.30 pm), led by Museum Information Officer, Gregor Dražil.


Photo: Urška Boljkovac. MGLC Archive.

30. 11. 2018–3. 3. 2019
opening: Friday November 30, at 1 pm

The opening will be accompanied by a guided tour given by the artist Nathalie Du Pasquer and the curator of the exhibition Kate Sutton.

Nathalie Du Pasquier’s compositions transform the interiors of the International Centre of Graphic Arts into a series of immersive microenvironments, sampling from over three decades of the artist’s paintings, prints, drawings and murals, as well as a new series of silkscreen prints, which was produced precisely in the screen-printing studio of the International Centre of Graphic Arts in Ljubljana.

Du Pasquier first made her name with vibrant, eye-catching graphics and textile prints shaped by the artist’s eclectic influences, boundless imagination and impulse towards experimentation. Since the late 1980s, she has focused primarily on painting, building up a tremendous body of work, much of which has yet to be exhibited publicly. Fair Game shuns a chronological ordering in favor of forging more intuitive formal affinities between the various series. Assorted elements or objects appear and reappear in different compositional configurations, like a card in a deck that takes on new powers and limitations with each hand dealt. This visual vocabulary is distilled in a new series of silkscreen printed modules – or as the artist calls it, “virtual furniture.”

Curator of the exhibition is Kate Sutton.


Nathalie Du Pasquier: Mensola piena, 2011, oil on canvas.