Cycle of Guatemalan Film at the 32nd Biennial of Graphic Arts

 

Tuesday, 29 August, 17.00–21.00 (premiere), Švicarija Creative Centre
Sunday, 8 August, 16.00–20.00 (repeat screening), Švicarija Creative Centre

Free of charge.

The cycle of eight documentary, fiction and short films shows three views of the turbulent history of Guatemala: The period of the Civil War, the postwar period and the experimental age of Guatemalan film. The selector of the cycle is Alberto Rodríguez Collía, a participating artist in the 32nd Biennial of Graphic Arts.

Film evening programme
Mary Ellen Davis: The Devil's Dream (Las quimeras del Diablo)
Luis Argeta: Guatemalan Christmas (Navidad Guatemalteca)
Diego Sagastume: My Mom Rules
Evelyn Price in Loco González: Anatomically Correct (Anatómicamente correcto)
Julio Hernández Cordón: Dust (Polvo)                      
Teatro de los Vagos: The Intertidal Zone (La zona intertidal)
Juan Brenner in Byron Mármol: Joy Vincio
Carlos Amorales: Orellana's Fantasy

The viewing of the films is free of charge. There is one break with refreshments during the cycle.

 

THE DEVIL'S DREAM
Mary Ellen Davis
, Canada, 1992, 68'
Combining lyricism, realism and irony, this documentary explores the soul of this paradoxical country. We discover not only the beauty of the landscape, the people and their creative imagination, but also the wretched conditions of life, the spectre of violence and a pervasive sense of the absurd.
Guatemala is a society split between native and non-native, rich and poor, civil and military. Those who dare to protest, risk their lives. In this documentary, the people tell the story in their own words.

GUATEMALAN CHRISTMAS
Luis Argeta, Guatemala
, USA, 1976, 4'
In the middle of a house in ruins after the earthquake trembled, two women are preparing a ritual by killing a turkey. They proceed to serve its blood while we hear that a typewriter machine sound converts into a machine gun firing.

MY MOM RULES
Diego Sagastume
, Guatemala, 2010, 13'
On a flat roof, a bored child wanders completely alone, lurking for anything that may be a source of entertainment. Anything will work to kill the time in an almost desperate loneliness driven by abandon.

ANATOMICALLY CORRECT
Evelyn Price and Loco González
, Guatemala, 2016, 12'
This is a video that captures a non traditional theatre play that was performed in an abandoned house. Among the rubble, a woman erupts with a visceral monologue, crawls up the walls, slides on the floor trying to relieve herself of the pressure from a complicated existence lead by an oppressive society.

DUST
Julio Hernández Cordón
, Guatemala, Spain, Chile, Germany, 2012, 80'
A married couple produce a documentary about women looking for their husbands and fathers who disappeared during the Guatemalan Civil War. Amongst them, they meet Delfina and her son Juan. After sixteen years, the woman continues to search for her husband. The ghost of Juan's disappeared father chases him constantly, until he finds himself in danger of his own life and those of others.

THE INTERTIDAL ZONE
Teatro de los Vagos
, Guatemala, Salvador, 1980, 15'
A compromised teacher encourages his students to stand for what they believe in. We follow the courageous teacher in the period during the protests as he chats after class or grades students' papers alone in his quiet house. He lives close to the ocean, where the low tide sometimes reveals sombre surprises.

JOY VINCIO
Juan Brenner and Byron Mármol
, Guatemala, 2011, 14'
Through an intricate, complex and stylish perception, ten stories from the 1990s in Guatemala are reinterpreted. Some stories had a profound impact on a generation, others, on just a single person. Teenage sex tapes, an aristocrat murderer, or a magician hiding his sexual preferences to his family, are among the stories.

ORELLANA'S FANTASY
Carlos Amorales
, Mexico, 2013, 6'
Joaquín Orellana is a contemporary musician, his work spans for more than 50 years. He is renowned for creating very singular instruments that require a precise way of performing on them. He also had to create a new way of writing and reading music, a new method needed for a correct interpretation of his music. The vigorous and simplistic traces of this new alphabet, combined with its performance, remind of a beautiful choreographed dance.

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Watch out! Wet print! #9

Pri Zlatem stegnu (Nataša and Katja Skušek): Unicorns Come and Unicorns Go

7. 11.–4. 12. 2017

opening event:
Tuesday, 7 November, at 5 pm
the TAM-TAM Street Gallery at Vegova (opposite Glasbena matica)

Pri Zlatem stegnu, they play about with taste. In fact, they play about with the taste for food and the taste for art.
Pri Zlatem stegnu is an art project by Nataša and Katja Skušek, which has been ongoing since 2004 in various forms, from spatial installations, to video works, objects, photo-collages, fine art graphic prints, drawings and performances. The project brings the questions related to food preparation and eating as the basic human need to the forefront in a humorous and light manner. 


Pri Zlatem stegnu: Unicorns Come and Unicorns Go.

Upcoming exhibition

Boris Jesih: Connections

30. 11. 2017–11. 3. 2018

Boris Jesih (1943) established himself as an artist at the end of the 1960s as part of the expressive figuration circle of painters. Under the influence of pop art, he responded to the characteristics of the spirit of the time with his geometric transformation of everyday objects, later also turning predominantly to landscape. As a printmaker, he excels in the techniques of relief printing and flat printing, with superior results in colour lithography. As a prize winner of the 13th International Biennial of Graphic Arts in 1979 (special prize for a young artist), he attracted attention with his series of lithographs, a set of which is part of the MGLC collection. Beside the lithographs, the retrospective exhibition also presents drawings, paintings and photographs, which highlight the connections between his creative process and his works. 

Boris Jesih: A Doors (1983, color lithography).

The 32nd Biennial of Graphic Arts: Birth as Criterion

THE PRIZES OF THE 32ND BIENNIAL OF GRAPHIC ARTS HAVE BEEN AWARDED

The Grand Prize winner of the 32nd Biennial of Graphic Arts is Alejandro Paz, for the work Hypodermic (2017, intervention), the work was made for the 32nd Biennial of Graphic Arts.

The recipient of the Research Residency Award is Carlos Monroy, for the work Baphomet. One single birth made incarnate. (2017, performance and video installation), the work was made for the 32nd Biennial of Graphic Arts.

The jury of the 32nd Biennial of Graphic Arts:
Anne Barlow, Mike Cooter, Bige Örer in Maruša Sagadin.

The recipient of the Audience Award of the 32nd Biennial of Graphic Arts is american artist Christopher Myers, for the work Detritus of Dreams (2016).


Alejandro Paz: Hypodermic (2017).
Photo: Jaka Babnik. MGLC Archive.