Cycle of Guatemalan Film at the 32nd Biennial of Graphic Arts

 

Tuesday, 29 August, 17.00–21.00 (premiere), Švicarija Creative Centre
Sunday, 8 August, 16.00–20.00 (repeat screening), Švicarija Creative Centre

Free of charge.

The cycle of eight documentary, fiction and short films shows three views of the turbulent history of Guatemala: The period of the Civil War, the postwar period and the experimental age of Guatemalan film. The selector of the cycle is Alberto Rodríguez Collía, a participating artist in the 32nd Biennial of Graphic Arts.

Film evening programme
Mary Ellen Davis: The Devil's Dream (Las quimeras del Diablo)
Luis Argeta: Guatemalan Christmas (Navidad Guatemalteca)
Diego Sagastume: My Mom Rules
Evelyn Price in Loco González: Anatomically Correct (Anatómicamente correcto)
Julio Hernández Cordón: Dust (Polvo)                      
Teatro de los Vagos: The Intertidal Zone (La zona intertidal)
Juan Brenner in Byron Mármol: Joy Vincio
Carlos Amorales: Orellana's Fantasy

The viewing of the films is free of charge. There is one break with refreshments during the cycle.

 

THE DEVIL'S DREAM
Mary Ellen Davis
, Canada, 1992, 68'
Combining lyricism, realism and irony, this documentary explores the soul of this paradoxical country. We discover not only the beauty of the landscape, the people and their creative imagination, but also the wretched conditions of life, the spectre of violence and a pervasive sense of the absurd.
Guatemala is a society split between native and non-native, rich and poor, civil and military. Those who dare to protest, risk their lives. In this documentary, the people tell the story in their own words.

GUATEMALAN CHRISTMAS
Luis Argeta, Guatemala
, USA, 1976, 4'
In the middle of a house in ruins after the earthquake trembled, two women are preparing a ritual by killing a turkey. They proceed to serve its blood while we hear that a typewriter machine sound converts into a machine gun firing.

MY MOM RULES
Diego Sagastume
, Guatemala, 2010, 13'
On a flat roof, a bored child wanders completely alone, lurking for anything that may be a source of entertainment. Anything will work to kill the time in an almost desperate loneliness driven by abandon.

ANATOMICALLY CORRECT
Evelyn Price and Loco González
, Guatemala, 2016, 12'
This is a video that captures a non traditional theatre play that was performed in an abandoned house. Among the rubble, a woman erupts with a visceral monologue, crawls up the walls, slides on the floor trying to relieve herself of the pressure from a complicated existence lead by an oppressive society.

DUST
Julio Hernández Cordón
, Guatemala, Spain, Chile, Germany, 2012, 80'
A married couple produce a documentary about women looking for their husbands and fathers who disappeared during the Guatemalan Civil War. Amongst them, they meet Delfina and her son Juan. After sixteen years, the woman continues to search for her husband. The ghost of Juan's disappeared father chases him constantly, until he finds himself in danger of his own life and those of others.

THE INTERTIDAL ZONE
Teatro de los Vagos
, Guatemala, Salvador, 1980, 15'
A compromised teacher encourages his students to stand for what they believe in. We follow the courageous teacher in the period during the protests as he chats after class or grades students' papers alone in his quiet house. He lives close to the ocean, where the low tide sometimes reveals sombre surprises.

JOY VINCIO
Juan Brenner and Byron Mármol
, Guatemala, 2011, 14'
Through an intricate, complex and stylish perception, ten stories from the 1990s in Guatemala are reinterpreted. Some stories had a profound impact on a generation, others, on just a single person. Teenage sex tapes, an aristocrat murderer, or a magician hiding his sexual preferences to his family, are among the stories.

ORELLANA'S FANTASY
Carlos Amorales
, Mexico, 2013, 6'
Joaquín Orellana is a contemporary musician, his work spans for more than 50 years. He is renowned for creating very singular instruments that require a precise way of performing on them. He also had to create a new way of writing and reading music, a new method needed for a correct interpretation of his music. The vigorous and simplistic traces of this new alphabet, combined with its performance, remind of a beautiful choreographed dance.

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ARCHIVE

ANNOUNCING A NEW EXHIBITION

Nataša Berk: 1st Unlimited Edition

2. 4.–19. 5. 2019

Opening:
2 April, at 7 pm
Švicarija

The exhibition is part of the year-long programme of Švicarija, which in 2019 focuses on the analysis of the state of independent journalism and the right of the public to information in pursuit of the slogan community, art and nature. The participating artists question the credibility of images and their meanings at a time of the oversaturation with visual impulses and analyse the ambiguity of media messages on the world wide web.

The spatial intervention by Nataša Berk and the group of artists at Švicarija presents their diverse visual production, which usually takes place in the virtual space of the world wide web and social networks. On this occasion, it has moved into a physical space. Together, they explore the phenomenology of the image within public circulation and its impact on the perception of reality. In ironic ways, they address the norms of the advertising industry, the tendencies of the mass media, voyeurism and the social convention of the individual’s appearance. Thus, works devoted to the consideration of the nature of the image in everyday life are presented as part of the exhibition. In such a way, photographs, videos and collages open up the questions of understanding visual culture in an era when the public space has become saturated with contents and images, questions about the manipulation of the image and the ambivalence of its meanings.    

Curator: Miha Colner


Photo: Nataša Berk.

THE 1ST GUIDED TOUR OF THE EXHIBITION

TODAY

Photographic Images and Matter: Japanese Prints of the 1970s and
Japan, Yugoslavia and the Biennial of Graphic Arts: Documents of Collaboration

Tuesday, March 26, at 5.30 pm
in English
at 5 pm in Slovenian

Admission for the exhibition, the guided tour is free.
Conducted by Gregor Dražil, Museum Information Officer.

Warmly welcome!

Opening of the exhibition

Photographic Images and Matter: Japanese Prints of the 1970s and
Japan, Yugoslavia and the Biennial of Graphic Arts: Documents of Collaboration

opening:
Friday, March 22, at 6 pm

22. 3.–19. 5. 2019

The exhibition is made up of two sections. The first, bearing the title Photographic Images and Matter: Japanese Prints of the 1970s, is dedicated to Japanese printmaking of the 1970s and was organised by the Japan Foundation, while the second, the documentary section, is entitled Japan, Yugoslavia and the Biennial of Graphic Arts: Documents of Collaboration and has been prepared by the International Centre of Graphic Arts.

The travelling exhibition Photographic Images and Matter, with a selection of the most representative artists, presents the orientations within Japanese printmaking of the 1970s, which was the golden age of the print medium in Japan. The curator of the exhibition Kyoji Takizawa has made an attractive selection of artists, who have received many awards within the international arena and form the core of the modernist and avant-garde scene of the 1970s.

The documentary exhibition Japan, Yugoslavia and the Biennial of Graphic Arts: Documents of Collaboration, on the other hand, illuminates one of the many socio-artistic chapters tied to the history of the Biennial of Graphic Arts in Ljubljana. Through the selection of pictorial, archival, photographic and other material, it aims to show the communication between the geographically and politically disparate countries as part of an ambitious international art event like the Ljubljana Biennial of Graphic Arts. Exhibition authors are Nevenka Šivavec and Gregor Dražil.

The exhibition is accompanied by an international symposium under the same title, taking place in the month of May.

Exhibition design: Ivian Kan Mujezinović and Mina Fina.


Tetsuya Noda: Diary, September 11, '68 (woodcut and silkscreen).