On the European Cultural Heritage Days 2017, we invite you to join us in Tivoli Park at the Švicarija Creative Centre for a lecture on the history of this historic building and guided tour of the 32nd Biennial of Graphic Arts.

Saturday, 30 September, 11.00–13.00, Švicarija Creative Centre, admission free

Švicarija –Ljubljana’s “nest of art” 

In 1835, the Ljubljana Kazina Society opened a guesthouse on the hill above Tivoli Mansion, which became known as Švicarija (Ger. Schweizerhaus). In 1909, the guesthouse, which today remains in memory only on old postcards, was replaced by Hotel Tivoli, built following the plans of the famous Ljubljana architect Ciril Metod Koch. Hotel Tivoli soon became a gathering place for the bohemians, artists and citizens of Ljubljana, and on 1st May, also the workers. Until the very end of the First World War, the hotel offered walkers and visitors a comfortable respite and an opportunity for tasty refreshments. After the October Revolution, it was settled by Russian immigrants. Even before the Second World War, artists worked in Švicarija, the most famous of which was the sculptor Ivan Zajec, who created the Prešeren monument in Ljubljana. After the Second World War, many other well-known Slovenian artists resided and created there, until 2012, when the last one moved out due to a complete planned renovation of Švicarija. Today, the renovated Švicarija Creative Centre houses about twenty residential work studios meant for Slovenian artists working in Ljubljana as well as residing artists from abroad. The renovated Švicarija is managed by the International Centre of Graphic Arts, whose home is located in Tivoli Mansion. Both buildings together form a new cultural, educational and social centre in Tivoli Park, which is also this year's host to the main exhibition of the 32nd Biennial of Graphic Arts: Birth as Criterion.

The history of the so-called Švicarija will be presented by Tatjana Adamič and Aleksandra Renčelj Škedelj, conservators of the Ljubljana Unit of the Slovenian Cultural Heritage Protection Institute (ZVKDS), which also actively participated in the renovation of the building.

The lecture will be followed by a guided tour of the main exhibition of the 32nd Biennial of Graphic Arts: Birth as Criterion in the company of art historian Gregor Dražil.

The Little Biennial Dwarf Children's Corner is open during the lecture and guided tour. We provide creative art animation combined with day care, and are counting the days to the start of school. Children and accompanying adults are invited to join us free of charge.

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ANNOUNCING A NEW EXHIBITION

Nataša Berk: 1st Unlimited Edition

2. 4.–19. 5. 2019

Opening:
2 April, at 7 pm
Švicarija

The exhibition is part of the year-long programme of Švicarija, which in 2019 focuses on the analysis of the state of independent journalism and the right of the public to information in pursuit of the slogan community, art and nature. The participating artists question the credibility of images and their meanings at a time of the oversaturation with visual impulses and analyse the ambiguity of media messages on the world wide web.

The spatial intervention by Nataša Berk and the group of artists at Švicarija presents their diverse visual production, which usually takes place in the virtual space of the world wide web and social networks. On this occasion, it has moved into a physical space. Together, they explore the phenomenology of the image within public circulation and its impact on the perception of reality. In ironic ways, they address the norms of the advertising industry, the tendencies of the mass media, voyeurism and the social convention of the individual’s appearance. Thus, works devoted to the consideration of the nature of the image in everyday life are presented as part of the exhibition. In such a way, photographs, videos and collages open up the questions of understanding visual culture in an era when the public space has become saturated with contents and images, questions about the manipulation of the image and the ambivalence of its meanings.    

Curator: Miha Colner


Photo: Nataša Berk.

THE 1ST GUIDED TOUR OF THE EXHIBITION

TODAY

Photographic Images and Matter: Japanese Prints of the 1970s and
Japan, Yugoslavia and the Biennial of Graphic Arts: Documents of Collaboration

Tuesday, March 26, at 5.30 pm
in English
at 5 pm in Slovenian

Admission for the exhibition, the guided tour is free.
Conducted by Gregor Dražil, Museum Information Officer.

Warmly welcome!

Opening of the exhibition

Photographic Images and Matter: Japanese Prints of the 1970s and
Japan, Yugoslavia and the Biennial of Graphic Arts: Documents of Collaboration

opening:
Friday, March 22, at 6 pm

22. 3.–19. 5. 2019

The exhibition is made up of two sections. The first, bearing the title Photographic Images and Matter: Japanese Prints of the 1970s, is dedicated to Japanese printmaking of the 1970s and was organised by the Japan Foundation, while the second, the documentary section, is entitled Japan, Yugoslavia and the Biennial of Graphic Arts: Documents of Collaboration and has been prepared by the International Centre of Graphic Arts.

The travelling exhibition Photographic Images and Matter, with a selection of the most representative artists, presents the orientations within Japanese printmaking of the 1970s, which was the golden age of the print medium in Japan. The curator of the exhibition Kyoji Takizawa has made an attractive selection of artists, who have received many awards within the international arena and form the core of the modernist and avant-garde scene of the 1970s.

The documentary exhibition Japan, Yugoslavia and the Biennial of Graphic Arts: Documents of Collaboration, on the other hand, illuminates one of the many socio-artistic chapters tied to the history of the Biennial of Graphic Arts in Ljubljana. Through the selection of pictorial, archival, photographic and other material, it aims to show the communication between the geographically and politically disparate countries as part of an ambitious international art event like the Ljubljana Biennial of Graphic Arts. Exhibition authors are Nevenka Šivavec and Gregor Dražil.

The exhibition is accompanied by an international symposium under the same title, taking place in the month of May.

Exhibition design: Ivian Kan Mujezinović and Mina Fina.


Tetsuya Noda: Diary, September 11, '68 (woodcut and silkscreen).