The 32nd Biennial of Graphic Arts: Birth as Criterion

16. 6.–29. 10. 2017

The 32nd Biennial of Graphic Arts is open until 5 November.

The 32nd edition of the Biennial of Graphic Arts, in collaboration and in co-production with many partners, once again delivers an extensive array of exhibitions and events. The main exhibition entitled Birth as Criterion, which will be on display at MGLC (Tivoli Mansion) and in the newly renovated Švicarija Creative Centre, was this time subjected to an interesting experiment through which the main Biennial exhibition was gradually drawn up in its selection of artists. A simple mechanism was used: the recipients of the Grand Prize of the past five Biennial editions – Jeon Joonho (2007), Justseeds (2009), Regina José Galindo (2011), María Elena González (2013) and Ištvan Išt Huzjan (2015) – were invited to propose one artist to participate in this year's event. These artists were then invited to nominate the next five participating artists. The process consisted of five more rounds and at the end, the 32nd Biennial was supplied by the names of about thirty participating artists. By doing so, the thirty-second Biennial edition sets a transgressive moment for its biennial starting point, aiming to radically transform – not only the content of the event, but also its structure. This is already suggested by its title Birth as Criterion, which alludes to the poem of modernist twentieth century poet Jure Detela – a poem that provided the surge for self-reflection, which the Biennial has subjected itself to. Or in other words, even when the 32nd Biennial of Graphic Arts rejects the framework of a thematic exhibition, it stems from a poem. Yet, this is such that it resists to provide a leading theme to the exhibition, but calls for a break with its radical questioning of all polarity. The break introduced by Jure Detela's poem resonates in the rhizomatic structure of this year's Biennial, which – without the central figure of the curator – instead functions as an entity that produces its own self. By leaving its comfort zone, whether in terms of biennial tradition or established protocols of conceiving contemporary art exhibitions, Birth as Criterion foregrounds a diversity of relationships – a multiplicity that does not possess a single common concept, but instead exists as a continuous flow of meaning, offering a multitude of potential connections and interactions among the artworks.

In addition to the main exhibition Birth as Criterion (MGLC, Švicarija and ŠKUC Gallery), the thirty-second Biennial also presents the traditional exhibition of the winner of the Grand Prize of the previous Biennial, this time Ištvan Išt Huzjan, a presentation of work by Peter Gidal, winner of the Lifetime Achievement Award of the 31st Biennial, a project by the winner of the Audience Award of the 31st Biennial of Graphic Arts, Meta Grgurevič, a Maria Bonomi retrospective at the Jakopič Gallery, as well as a vibrant discursive programme with an international symposium. As far as other projects are concerned, there is also the international billboard project a good neighbour in cooperation with the Istanbul Biennial, the book presenting the work of Argentinean poet Alejandra Pizarnik, as well as the print portfolio of the artists included in the 32nd Biennial of Graphic Arts on display at the Kresija Gallery.

 

Biennial TOP 10 Guided tours

11. 7. at 19.00: in English and Slovene (in front of Švicarija Creative Centre)
18. 7. at 19.00: in Italian and Slovene (in front of Švicarija Creative Centre)
25. 7. at 19.00: in German and Slovene (in front of Švicarija Creative Centre)
1. 8. at 17.00: in English and Slovene (in front of MGLC)
8. 8. at 17.00: in German and Slovene (in front of MGLC)
15. 8. at 17.00: in Slovene (in front of MGLC)
22. 8. at 17.00: in English and Slovene (in front of MGLC)

Artists of the 32nd Biennial of Graphic Arts

Michelle Andrade / Leo Junsuk Bang / Stephanie Brooks / Erica Ferrari / Riley Harmon / Jarrett Key / Jon Key /
Eric Khoo / Gabriel Kuri / Moon Kyungwon / Jelsen Lee Innocent / Carlos Monroy / Ebecho Muslimova /
Christopher Myers / Asuka Ohsawa / Alejandro Paz / Josse Pyl / Alberto Rodríguez Collía / Gabriel Rodríguez Pellecer / Kaitlynn Redell / Mario Santizo / Jennifer Schmidt / Slavs and Tatars / Johanne Teigen / Nora Turato / Jess X. Snow / Oli Watt

Biennial collective: Irena Borić, Miklavž Komelj, Yasmín Martín Vodopivec, Nevenka Šivavec, Breda Škrjanec, Lili Šturm, Vladimir Vidmar, Asta Vrečko, Božidar Zrinski

 

THE VOID PRINT PORTFOLIO (16. 6.–6. 7. 2017)

The concept of the print portfolio is based on the Biennial's structure, as the invited artists are the representatives of the five groups that were formed within the rhizomatic structure of the Biennial. The Void questions the conditions and implications of the situation in which artists find themselves upon being asked to invite another artist.

Artists: Jarrett Key, Moon Kyungwon, Ebecho Muslimova, Alberto Rodríguez Collía and Jennifer Schmidt
Curator: Tevž Logar
Venue: Kresija Gallery

 
Photo: Jaka Babnik. MGLC Archive.


THIS IS NOT A NAME (16. 6.–16. 7. 2017)

THIS IS NOT A NAME is an exhibition that raises questions on how to think about art outside the protocols of contemporary art. It seeks to provide a fresh perspective on the experimental format of this year's Biennial, while at the same time insisting on works that can not be fully captured by any context.

Artists: Anonimus Artist, 1st century AD, Viktor Bernik, Dragica Čadež, Karel Destovnik - Kajuh, Jure Detela, Athanasius Kircher, Marko Pogačnik, Marko Ristić & Koča Popović, Tomaž Šalamun 
Curators: Miklavž Komelj, Yasmín Martín Vodopivec, Nevenka Šivavec and Vladimir Vidmar
Venue: Škuc Gallery


Photo: Jaka Babnik. MGLC Archive.

Exhibitions of award recipients

IŠTVAN IŠT HUZJAN: MEASURES (16. 6.–17. 9. 2017)

The recipient of the Grand Prize of the previous Biennial sets out to consider journeys in the exhibition, where the motif of walking remains a constancy in the artist’s questioning of the social system and relations between individuals. The second part of the exhibition, on the other hand, presents pieces made in the haven of the artist's studio, which are interwoven into the narrative of his recording of reality.

Curator: Alenka Gregorič
Co-production: MGML – Museum and Galleries of Ljubljana, City Art Gallery Ljubljana
Venue: City Art Gallery Ljubljana
 

  
Photo: Urška Boljkovac. MGLC Archive.

 
Meta Grgurevič: SILENZIO, ETERNAL LOOPHOLES AND BRAIDED LINES (16 JUNE 2017)

The recipient of the Audience Award of the 31st Biennial of Graphic Arts presents herself with a project in which sculpture and its movement expand into performance. Through a choreography, the individual parts – gestures, sound and the spoken word – assemble themselves and pass into a state of harmony.

Curator: Michele Drascek
Artistic overview and text: JAŠA
Choreography: Sanja Nešković Peršin
Music: BOWRAIN
Co-producer: Slovene National Opera and Ballet Theatre
Venue: Švicarija Creative Centre


Photo: Urška Boljkovac. MGLC Archive.

PETER GIDAL: EXHAUSTED MEANING (16. 6.–29. 10. 2017)

The Lifetime Achievement Award of the previous Biennial was given to film director Peter Gidal. The exhibition Exhausted Meaning pays tribute to Gidal’s experimental film practice and documents his several decades-long interest in the work processes that lead to the final appearance of every film.

Films: Room (Double Take), 1967; Upside Down Feature, 1967–1972; Epilogue, 1968; Clouds, 1969; Focus, 1971; Guilt, 1988; Flare Out, 1992; No Night No Day, 1997; Assumption, 1997; Coda 1, 2013; Coda 2, 2013
Curator: Irena Borić
Venue: Švicarija Creative Centre


Photo: Jaka Babnik. MGLC Archive.

Other projects:

Maria Bonomi: PRINTMAKING FOREVER (16. 6.–29. 10. 2017)

The work of Maria Bonomi establishes printmaking as a means of expression, where paper is no longer a physical boundary of a medium, but serves as an endless source for experimentation. She skilfully creates contrasts between the intrepid abstract image in strong colours, and the thin fine rice paper which colours filter through, creating transparent colour veils.

Curators: Barbara Savenc and Breda Škrjanec
Co-producer: MGML – Museum and Galleries of Ljubljana, Jakopič Gallery
Venue: Jakopič Gallery


Photo: Jaka Babnik. MGLC Archive.

 
Alejandra Pizarnik: NIGHT SINGER

The book Night Singer contains a greater part of Alejandra Pizarnik's poetic oeuvre, the piece of prose entitled The Blood Countess, as well as her statements about her own poetry. The book also includes some previously unpublished material: drawings and a self-presentation, which she wrote in her letters to Djuna Barnes.

Edited by: Miklavž Komelj
Translated by: Nada Kavčič and Miklavž Komelj
Accompanying essays: Nada Kavčič, Miklavž Komelj and Yucef Merhi
Cover: Yucef Merhi

 
A GOOD NEIGHBOUR – INTERNATIONAL BILLBOARD PROJECT (JULY–AUGUST)

This year's 15th Istanbul Biennial entitled a good neighbour has been presenting its international billboard project with the theme of a good neighbour since February 2017 across many of the world's cities. Now, the project is also being hosted by the Biennial in Ljubljana.

Location: TAM-TAM city billboards


Photo: Jaka Babnik. MGLC Archive.

The jury of the 32nd Biennial of Graphic Arts
Anne Barlow 
Mike Cooter
Bige Örer
Maruša Sagadin

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CALL FOR APPLICATIONS FOR VISUAL ARTISTS AT THE ŠVICARIJA CREATIVE CENTRE

The Švicarija Creative Centre and MGLC are looking for a visual artist, who will attend a one-month residency programme in Ljubljana. The candidate we are seeking ideally works across different mediums and genres, touches upon the notions of “community, nature and art” in their work, and/or whose practice is focused on the themes of social engagement, right to information and/or independent journalism.

Call for applications - full text

The deadline for applications is 18 February 2019.

The period of the residency is 1–30 November 2019.

Additional information:
miha.colner@mglc-lj.si or
+386 (0)30 708 469

CALL FOR APPLICATIONS FOR ART CRITICS / CULTURAL JOURNALISTS AT THE Švicarija Creative Centre

Švicarija Creative Centre and MGLC Ljubljana are looking for an art critic or cultural journalist, who is active in writing and publishing reviews and/or other forms of art writing in an international context. We are therefore aiming to host a critic or journalist, who has an interest in the vibrant art scene of Ljubljana and who is able to produce at least two (2) pieces of writing (reviews, interviews, columns, etc.) on selected artworks or art events in Ljubljana over the course of the residency. The articles are to be published in the English language in a relevant magazine (printed or online), radio, television or personal blog. We will select the candidate, who will provide the best possible outreach for the articles produced during the one-month “critic in residency” period in Ljubljana.

Call for applications - full text

Deadline for applications is 18 February 2019.

The period of the residency is 1–31 October 2019.

Additional information:
miha.colner@mglc-lj.si or
+386 (0)30 708 469


Foto: Jaka Babnik. Arhiv  MGLC.

Call for applications for an artist residency in Norway

MGLC/Švicarija Creative Centre and NKD/Nordic Artists’ Centre Dale are publishing a call for submissions for an artist residency in Norway in 2019.

On the basis of an inter-institutional exchange between the Švicarija Creative Centre (MGLC, Ljubljana) and the NKD Dale artist-in-residence centre (Dale, Norway), we invite visual and/or intermedia artists from Slovenia, or those that live and work here, to apply for an artist residency in Norway. The selected artist will take part in a two-month artist residency at the NKD Dale artist-in-residence centre, which operates under the auspices of the Norwegian Ministry of Culture. As part of the reciprocal exchange of residency artists between MGLC, Ljubljana and NKD Dale, a selected Norwegian artist will be staying at the residence in Ljubljana during the summer months, while an artist from Slovenia will take up their residency in Norway.

Entire call for submissions

The deadline for applications is 11 February 2019!

In all Directions

performance at the exhibition Fair Game

Sunday, February 17, at 4 pm

The Korean dancer Yong Min Cho will carry out a dance intervention at the Fair Game exhibition based on the language of the body, setting up and articulating unusual and new trajectories among the individual artworks. Nathalie Du Pasquier has designed and selected some of the accessories that will be used in the performance by Yong Min Cho. These include graphic pieces reminiscent of road signs. And it is precisely these signs that have inspired the title Tutte le Direzioni – taken from an Italian road sign, which indicates the way leading in all directions.


Yong Min ChoOther Objects,
performance at the exhibition by Nathalie Du Pasquier, Other Rooms 
(Camden Arts Center: September 2017 - January 2018). Photo by: Camden Arts Centre.

Guided tour with Kate Sutton, the curator of the exhibition
Tuesday, 26 February at 5 pm


Photo: Urška Boljkovac. MGLC Archive.

NATHALIE DU PASQUIER, FAIR GAME

30. 11. 2018–3. 3. 2019

Nathalie Du Pasquier’s compositions transform the interiors of the International Centre of Graphic Arts into a series of immersive microenvironments, sampling from over three decades of the artist’s paintings, prints, drawings and murals, as well as a new series of silkscreen prints, which was produced precisely in the screen-printing studio of the International Centre of Graphic Arts in Ljubljana.

Du Pasquier first made her name with vibrant, eye-catching graphics and textile prints shaped by the artist’s eclectic influences, boundless imagination and impulse towards experimentation. Since the late 1980s, she has focused primarily on painting, building up a tremendous body of work, much of which has yet to be exhibited publicly. Fair Game shuns a chronological ordering in favor of forging more intuitive formal affinities between the various series. Assorted elements or objects appear and reappear in different compositional configurations, like a card in a deck that takes on new powers and limitations with each hand dealt. This visual vocabulary is distilled in a new series of silkscreen printed modules – or as the artist calls it, “virtual furniture.”

Curator of the exhibition is Kate Sutton.

ACCOMPANYING PROGRAMME TO THE EXHIBITION


Nathalie Du Pasquier: Mensola piena, 2011, oil on canvas.

 

 

THE LAST GUIDED TOUR OF THE EXHIBITION MILTON GLASER, POSTERS

Tuesday, February 19, at 5.30 pm
(in Slovene at 5 pm)
admission is free

Conducted by Gregor Dražil, Museum Information Officer.

Milton Glaser: I Love NY More Than Ever, 2001.

MILTON GLASER, POSTERS

23. 11. 2018–3. 3. 2019

Milton Glaser (1929, New York) is one of most important graphic designers in the world, who has designed hundreds of corporate images, magazines, newspapers, books, LP covers, and has created thousands of posters during his career spanning over fifty years. He has been inscribed into the world history of design with his iconic “I love NY” logo. Milton Glaser has decided to donate thirty-five original posters (created between 1966 and 2016) to the City of Ljubljana, which will enrich the collection of the International Centre of Graphic Arts after the exhibition.

A special thanks on the occasion of the exhibition goes to Mirko Ilić, who came up with the idea for the donation in 2017, when he was hosted at the Festival of Tolerance as a lecturer and the author of the TOLERANCE exhibition. The show is organised every year by Mini teater and the Ljubljana Jewish Cultural Centre with the support of the City of Ljubljana (MOL).

Accompanying Programme to the Exhibition


Milton Glaser, Posters, 2018.