THE PRIZES OF THE 31ST Biennial of Graphic Arts 

The Grand Prize winner of the 31st Biennial of Graphic Arts is Ištvan Išt Huzjan.
The award of the jury (research residency) was given to Declan Clarke, the special mention of the jury to Pilar Quinteros and Peter Gidal received the lifetime achievement award.

The XXXI edition of the Biennale of Graphic Arts expands the very concepts of print making, graphic work, reproduction and circulation by including installations, films, archival materials, public interventions, sculptures and drawing. Nicola Lees successfully managed to create in each room a convincing dialogue between different works, problematizing both the history of the Biennale and the potentiality of new commission. The exhibition brings together young artists and historical figures, and its breath explores the state of the printing medium in many challenging directions.

Grand Prix: Ištvan Išt Huzjan
Istvan Ist Huzjan’s installation reflects – both literally and metaphorically – a complex web of historical references and formal devices in all their stratifications. The work is a polyphony of nature and memory, art history and the artist’s intimate responses to official narratives. The jury acknowledged the artist’s capacity to create a multi-layered structure that brings together locality and globality.
The work in the Biennial: Earth Reflections (2015) and Exchange Banner – OHO and Walter de Maria (2015). The work was made for the 31st Biennial of Graphic Arts.

   

Jury Prize (research residency): Declan Clarke
The jury proposes to award a residency to Declan Clarke, whose film explores time and politics, the materiality of information and the physicality of the borders in a fascinating way. The work successfully incorporates graphic elements and the stillness of images, and in so doing it exemplify the curatorial strategy to expend the formal and conceptual framework of the Biennale. The work problematizes the tension between personal memories and the wider socio-political context in Europe.
The work in the Biennial: Group Portrait with Explosives (2014)

Jury special mention: Pilar Quinteros
Recognising the Biennale as an important platform for young and emerging artists. The special mention goes to Pilar Quinteros for the energy and intelligence that she brought to her commission.
The work in the Biennial: Cathedral of Freedom (2015). The work was made for the 31st Biennial of Graphic Arts.

Life Achievement Award: Peter Gidal
The jury wishes to express its admiration for a life-long commitment to restless experimentation. Peter Gidal’s participation in the Biennial symbolizes the curatorial inclusion of multi-faced practices capable to explore and surpass the boundaries between literature and visual arts, experimental cinema and photography, representation, technology, conservation and dissemination.
The works in the Biennial: Index Books (1993– ), Ten Rare Lost Books; A Book Dealer's Nightmare (2011)

Photos. MGLC Archive. Photo: Jaka Babnik.

 

 

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CALL FOR APPLICATIONS FOR visual artists AT THE Švicarija Creative Centre

The Švicarija Creative Centre and MGLC are looking for a visual artist, who will attend a one-month residency programme in Ljubljana. The candidate we are seeking ideally works across different mediums and genres, touches upon the notions of “community, nature and art” in their work, and/or whose practice is focused on the themes of social engagement, right to information and/or independent journalism.

Call for applications - full text

The deadline for applications is 18 February 2019.

The period of the residency is 1–30 November 2019.

Additional information:
miha.colner@mglc-lj.si or
+386 (0)30 708 469

CALL FOR APPLICATIONS FOR ART CRITICS / CULTURAL JOURNALISTS AT THE Švicarija Creative Centre

Švicarija Creative Centre and MGLC Ljubljana are looking for an art critic or cultural journalist, who is active in writing and publishing reviews and/or other forms of art writing in an international context. We are therefore aiming to host a critic or journalist, who has an interest in the vibrant art scene of Ljubljana and who is able to produce at least two (2) pieces of writing (reviews, interviews, columns, etc.) on selected artworks or art events in Ljubljana over the course of the residency. The articles are to be published in the English language in a relevant magazine (printed or online), radio, television or personal blog. We will select the candidate, who will provide the best possible outreach for the articles produced during the one-month “critic in residency” period in Ljubljana.

Call for applications - full text

Deadline for applications is 18 February 2019.

The period of the residency is 1–31 October 2019.

Additional information:
miha.colner@mglc-lj.si or
+386 (0)30 708 469


Foto: Jaka Babnik. Arhiv  MGLC.

Call for applications for an artist residency in Norway

MGLC/Švicarija Creative Centre and NKD/Nordic Artists’ Centre Dale are publishing a call for submissions for an artist residency in Norway in 2019.

On the basis of an inter-institutional exchange between the Švicarija Creative Centre (MGLC, Ljubljana) and the NKD Dale artist-in-residence centre (Dale, Norway), we invite visual and/or intermedia artists from Slovenia, or those that live and work here, to apply for an artist residency in Norway. The selected artist will take part in a two-month artist residency at the NKD Dale artist-in-residence centre, which operates under the auspices of the Norwegian Ministry of Culture. As part of the reciprocal exchange of residency artists between MGLC, Ljubljana and NKD Dale, a selected Norwegian artist will be staying at the residence in Ljubljana during the summer months, while an artist from Slovenia will take up their residency in Norway.

Entire call for submissions

The deadline for applications is 11 February 2019!

Nathalie Du Pasquier, Fair Game

30. 11. 2018–3. 3. 2019

Nathalie Du Pasquier’s compositions transform the interiors of the International Centre of Graphic Arts into a series of immersive microenvironments, sampling from over three decades of the artist’s paintings, prints, drawings and murals, as well as a new series of silkscreen prints, which was produced precisely in the screen-printing studio of the International Centre of Graphic Arts in Ljubljana.

Du Pasquier first made her name with vibrant, eye-catching graphics and textile prints shaped by the artist’s eclectic influences, boundless imagination and impulse towards experimentation. Since the late 1980s, she has focused primarily on painting, building up a tremendous body of work, much of which has yet to be exhibited publicly. Fair Game shuns a chronological ordering in favor of forging more intuitive formal affinities between the various series. Assorted elements or objects appear and reappear in different compositional configurations, like a card in a deck that takes on new powers and limitations with each hand dealt. This visual vocabulary is distilled in a new series of silkscreen printed modules – or as the artist calls it, “virtual furniture.”

Curator of the exhibition is Kate Sutton.

ACCOMPANYING PROGRAMME TO THE EXHIBITION


Nathalie Du Pasquier: Mensola piena, 2011, oil on canvas.

 

 

GUIDED TOUR OF THE EXHIBITION MILTON GLASER, POSTERS

Tuesday, January 22, at 5.30 pm
(in Slovene at 5 pm)

admission is free
Conducted by Gregor Dražil, Museum Information Officer.

Warmly welcome!


Foto: Nejc Ketiš. MGLC Archive.

Milton Glaser, Posters
23. 11. 2018–3. 3. 2019

Milton Glaser (1929, New York) is one of most important graphic designers in the world, who has designed hundreds of corporate images, magazines, newspapers, books, LP covers, and has created thousands of posters during his career spanning over fifty years. He has been inscribed into the world history of design with his iconic “I love NY” logo. Milton Glaser has decided to donate thirty-five original posters (created between 1966 and 2016) to the City of Ljubljana, which will enrich the collection of the International Centre of Graphic Arts after the exhibition.

A special thanks on the occasion of the exhibition goes to Mirko Ilić, who came up with the idea for the donation in 2017, when he was hosted at the Festival of Tolerance as a lecturer and the author of the TOLERANCE exhibition. The show is organised every year by Mini teater and the Ljubljana Jewish Cultural Centre with the support of the City of Ljubljana (MOL).

Accompanying Programme to the Exhibition


Milton Glaser, Posters, 2018.