THE PRIZES OF THE 32nd BIENNIAL OF GRAPHIC ARTS 

The Grand Prize winner of the 32nd Biennial of Graphic Arts is Alejandro Paz.

Research Residency Award was given to Carlos Monroy.

The jury of the 32nd Biennial of Graphic Arts: Anne Barlow, Mike Cooter, Bige Örer in Maruša Sagadin.

 

Grand Prize of the 32nd Biennial of Graphic Arts: Alejandro Paz

In his project for the 32nd Biennial of Graphic Arts, Alejandro Paz engages with the patches of paint removal and analysis that reveal the layers of history contained within the fabric of the architecture housing MGLC’s galleries. Paz’s subtle interventions overlay these fragments with partial images of the tattooed skin of Guatemalan prisoners – itself a set of complex registrations of class, social status and gang membership that is concealed by the architecture of state power. By striking a compelling balance between graphic photographic imagery and a poetic evocation of the registrations of history layered in the skins of bodies both architectural and physical, Paz’s work for the 32nd Biennial of Graphic Arts is a powerful rumination on the interwoven social, architectural and political factors that constitute individual and collective identity. On the strength of this work, within a larger practice that encompasses art and architecture, performance and installation, the jury was delighted to select Alejandro Paz as the winner of the 2017 Grand Prix.

Work on the Biennial: Hypodermic (2017, intervention), made for the 32nd Biennial of Graphic Arts.


Photo: Jaka Babnik. MGLC Archive.

 

Research Residency Award: Carlos Monroy

Carlos Monroy’s work for the Biennial impressively staged and overlaid a number of folk narratives of rebirth and regeneration in nature. Inspired by the Slovenian carnival figure of the kurent, Monroy initiated performances of a number of costumed representations of mythical figures that are at once the focus and embodiment of these folk celebrations. By engaging with Slovenian history (Monroy includes a woodcut by France Mihelič from 1955 depicting the kurent in his installation) and performers from the Contemporary Dance Studio (Ljubljana), Monroy produced an atmospheric video installation of these comparative, curiously solitary and mysterious rites being performed through the city at night. By using the body as a political and aesthetic tool, Monroy’s work raises interesting questions about the performance of ritual across cultures, research that the Jury believes would benefit greatly from the engagement with Ljubljana offered by the award of the Jury Prize and residency.

Work on the Biennial: Baphomet. One single birth made incarnate. (2017, performance and video installation), made for the 32nd Biennial of Graphic Arts.


Photo: Jaka Babnik. MGLC Archive.

 

Enter your e-mail:
ARCHIVE

Programme of the Švicarija: Community, Art and Nature Project in June

Sunday guided tour of the exhibition
Švicarija: Community, Art and Nature in English and Slovenian, conducted by Matic Ferlan
Sunday, June 24, at 3 pm

theme-based guided tour
Jože Plečnik and Tivoli Park
conducted by Darja Pergovnik
Thursday, June 21, at 4.30 pm

Photo: Nejc Ketiš. MGLC Archive.

Cycle of films by David Lynch at The Slovenian Cinematheque to accompany the exhibition Fire on Stage

The art of living with David Lynch

Thursday to Thursday, 21–28 June, The Slovenian Cinematheque (Miklošičeva 28)

Opening projection:
Thursday, 21 June, 21.00
In Slovenia for the first time!

David Lynch: The Art Life
Directed by: Rick Barnes, Jon Nguyen, Olivia Neergaard-Holm, USA, 2016, colour, 98'
Biographical documentary about David Lynch as a multifaceted artist.

Programme

Blue Velvet, 1986, 120', sp, Friday, 22 June, 20.00

Blue Velvet Revisited, documentary, Friday, 22 June, 22.15 
Directed by: Peter Braatz, Germany/Slovenia, 2016, 85', sp

Inland Empire, 2006, 180', sp, Saturday, 23 June, 20.00

Twin Peaks: Fire Walk with Me, 1992, 135', sp, Sunday, 24 June, 20.00
Before the projection: Mirt Komel: The Golden Circle of Appetite and Satisfaction, lecture

Lost Highway, 1997, 135', sp, Tuesday, 26 June, 21.00

Dune, 1984, 140', sp, Wednesday, 27 June, 20.00

Eraserhead, 1977, 89', sp, Thursday, 28 June, 21.00

Admission payable

A ticket to the David Lynch exhibition comes with free admission to a chosen projection in the David Lynch film cycle. The holders of The Slovenian Cinematheque tickets for a film from the David Lynch cycle receive a 50% discount on the purchase of a ticket for the David Lynch exhibition.


Courtesy by Film Constellation and Slovenka kinoteka

David Lynch: Fire on Stage

Tuesday guided tours of the exhibition

Tuesday, June 26, at 6 pm

Every Tuesday in May and June
at 6 pm.
Every Tuesday in July at 7 pm.

Guided tours in Slovenian and English, conducted by Museum Information Officer, Gregor Dražil.
Admission payable.

Occasionally also guided tours by curators and guests; please follow www.mglc-lj.si.


Photo: Urška Boljkovac. MGLC Archive.

RABBITS
puppet show

Friday, 29 June, 21.00

The gallery is open till 9 pm on that day.
Admission 5 EUR (ticket for the exhibition)

Rabbits are a conceptual puppet interpretation of Lynch's comedy-horror-sitcom internet TV series Rabbits (David Lynch, 2002).

Author: Patricija Šošter
Puppets: Barbara Stupica
Set: Marko Turkuš
Directed by: Mirt Komel


Photo: Patricija Šoštar.

EXHIBITION: BLUE VELVET REVISITED

The photographs from the film Blue Velvet are back on view at Kinodvor from 1 June.

To accompany the exhibition
David Lynch: Fire on Stage you are invited to the Kinodvor Gallery, where the photographs from the shooting of the film Blue Velvet taken by Peter Braatz will be on view again.


Photo: Peter Braatz.