THE PRIZES OF THE 32nd BIENNIAL OF GRAPHIC ARTS 

The Grand Prize winner of the 32nd Biennial of Graphic Arts is Alejandro Paz.

Research Residency Award was given to Carlos Monroy.

The jury of the 32nd Biennial of Graphic Arts: Anne Barlow, Mike Cooter, Bige Örer in Maruša Sagadin.

 

Grand Prize of the 32nd Biennial of Graphic Arts: Alejandro Paz

In his project for the 32nd Biennial of Graphic Arts, Alejandro Paz engages with the patches of paint removal and analysis that reveal the layers of history contained within the fabric of the architecture housing MGLC’s galleries. Paz’s subtle interventions overlay these fragments with partial images of the tattooed skin of Guatemalan prisoners – itself a set of complex registrations of class, social status and gang membership that is concealed by the architecture of state power. By striking a compelling balance between graphic photographic imagery and a poetic evocation of the registrations of history layered in the skins of bodies both architectural and physical, Paz’s work for the 32nd Biennial of Graphic Arts is a powerful rumination on the interwoven social, architectural and political factors that constitute individual and collective identity. On the strength of this work, within a larger practice that encompasses art and architecture, performance and installation, the jury was delighted to select Alejandro Paz as the winner of the 2017 Grand Prix.

Work on the Biennial: Hypodermic (2017, intervention), made for the 32nd Biennial of Graphic Arts.


Photo: Jaka Babnik. MGLC Archive.

 

Research Residency Award: Carlos Monroy

Carlos Monroy’s work for the Biennial impressively staged and overlaid a number of folk narratives of rebirth and regeneration in nature. Inspired by the Slovenian carnival figure of the kurent, Monroy initiated performances of a number of costumed representations of mythical figures that are at once the focus and embodiment of these folk celebrations. By engaging with Slovenian history (Monroy includes a woodcut by France Mihelič from 1955 depicting the kurent in his installation) and performers from the Contemporary Dance Studio (Ljubljana), Monroy produced an atmospheric video installation of these comparative, curiously solitary and mysterious rites being performed through the city at night. By using the body as a political and aesthetic tool, Monroy’s work raises interesting questions about the performance of ritual across cultures, research that the Jury believes would benefit greatly from the engagement with Ljubljana offered by the award of the Jury Prize and residency.

Work on the Biennial: Baphomet. One single birth made incarnate. (2017, performance and video installation), made for the 32nd Biennial of Graphic Arts.


Photo: Jaka Babnik. MGLC Archive.

 

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ARCHIVE

Drop-in zine workshop with Hamja Ahsan

Saturday, 28 September, 10.00–18.00, DobraVaga

Hamja Ahsan is an artist, activist and curator, who lives and works in London. He is the author of Shy Radicals: Antisystemic Politics of the Militant Introvert and the founder of the DIY Cultures festival of creative activism, fanzines and independent publishing. He is presenting himself at the Biennial with a referendum and inviting visitors to the venues of the Ljubljana Biennial to vote for these zones to join the seceded Aspergistan Federation. He will be conducting a drop-in (fan)zine workshop with visitors over the age of 18, which will reflect the message of the Biennial exhibition.

Advance bookings are appreciated, to be made to petra.derganc@mglc-lj.si.

Free of charge.

Foto: Urška Boljkovac. Archive: MGLC.

WE WISH YOU GOOD MORNING AT MULTIVISION!

As part of the Multivision project (www.multivizija.si), which explores the diversity of identities through multimedia creation, we are organising relaxed morning conversations with interesting dialogue partners to talk about identities, otherness as an experience of social exclusion, and socially engaged creation in response to the social challenges of contemporary society.

We invite you to join us for relaxed morning conversations with three interesting women over tea or coffee at Švicarja in Tivoli, in the inspiring ambience of the Batič Sculpture Studio, from 10.30 to 11.00.

On 7 August 2019, with singer-songwriter, researcher, mentor and publicist Katarina Juvančič, who will take us through the musical creation of stories about women.

On 21 August 2019, with researcher and scientist Mirjam Milharčič Hladnik, PhD, who will introduce us to the concept of assembled identities.

On 4 September 2019, with writer, researcher and scientist Svetlana Slapšak, PhD, who will take us into the interweavings of science and art that talk about women, identities and love.

All welcome!

The event is part of the Multivision: Multimedia, Dance and Theatre Training for Vulnerable Groups project. The project is funded by the European Union from the European Social Fund and the Ministry of Culture of the Republic of Slovenia. 

The event is organised by the APIS Institute in collaboration with the International Centre of Graphic Arts.

* The conversations will be recorded and subsequently posted on the web and the social networks.

TUESDAY GUIDED TOURS

6. 8.–27. 8. 2019  Multiple venues

Every Tuesday in August a guided tour of the galleries in the city centre will be held, starting at 18.30, meeting point at Equrna Gallery.

Guided tour with reflection on the Biennial

Tuesday, 17 September, 17.00

Guided tour starts at MGLC.

Admission payable, guided tour free of charge.

Photo: Urška Boljkovac. Arhiv: MGLC.