The collection

The largest Slovene collection of fine art prints and original publications produced after the Second World War, and the only public collection of modernist prints, contains more than 10,000 pieces. 

The majority of the collection is represented by the works of artists that have exhibited at the International Biennials of Graphic Arts. Among these are the members of the École de Paris, (Jean Arp, Osip Zadkin, Pierre Soulages, Hans Hartung, Serge Poliakoff, Zao Wou-Ki, Victor Vasarely), representatives of the COBRA avant-garde movement (Corneille, Karel Appel, Asger Jorn), artists of Eastern Europe, as well as other internationally acclaimed artists: Nancy Spero, Damien Hirst, Bill Morris, Max Bill, Emilio Vedova, Günther Uecker, Robert Rauschenberg, Pablo Picasso, Dóra Maurer, Görgy Galántai, Mangelos, Ivan Kožarić and Ivan Picelj. The collection also contains the complete or partial oeuvres of some of the most prominent Slovene artists working in printmaking like Vladimir Makuc, Janez Bernik, Danilo Jejčič, Bogdan Borčić, Jože Ciuha, Lojze Spacal, Andrej Jemec, Tinca Stegovec, as well as others.

An important part of the collection is composed of art publications, which accounts for about 4,000 pieces – artists’ books, book works, art journals and magazines, newspaper projects, posters and invites, photographic publications, postcards, stamps, stickers, prints, photocopies, sound art CDs, as well as accompanying literature in the form of theoretical pieces and catalogues. The collection began to form in 2001. This is when the Institut Français loaned MGLC 378 works by the avant-garde artists of the 1960s and 1970s, which included works by Daniel Buren, Christian Boltanski, Marcel Broodthaers, Sophie Calle, Henri Chopin, Hanne Darboven, Robert Filliou, Jochen Gerz, Anette Messager, Roman Opalka, Roland Topor and Ben Vautier, as well as issues of the prominent art journals Agentzia, Chorus, Humidité, Opus International, VH 101. The donation set off a systematic collecting of all genres, and with the revitalization of the Biennial, MGLC became more excited by all types of art printing as well as purchases and donations, which grew significantly after the success of the 25th Graphic Arts Biennial, acquiring to date an impressive number of works by authors such as Vito Acconci, George Brecht, Daniel Buren, Christian Boltanski, Marcel Broodthaers, James Lee Byars, Sophie Calle, Hanne Darboven, Jan Dibbets, Hans-Peter Feldmann, Robert Filliou, the Fischli-Weiss duo, Jochen Gerz, Roni Horn, Sanja Iveković, Alfredo Jaar, Ilja Kabakov, Thomas Kapielski, Allan Kaprow, Sol LeWitt, Richard Long, Mangelos, Miha Maleš, Anette Messager, OHO, Roman Opalka, Iztok Osojnik, Raymond Pettibon, Dušan Pirih Hup, Sigmar Polke, Dieter Roth, Edward Ruscha, Jean Tinguely, Roland Topor, Ben Vautier, Petra Varl, Andy Warhol, Lawrence Weiner, Franz West, Emmett Williams and Franci Zagoričnik, as well as the collection of original newspaper projects which also included museum in progress from Vienna, published in Der Standard newspaper between 1990 and 2002.

Important museum and study materials are also represented by the FV archive donated to MGLC in 2006 by Neven Korda, the archive of The Scarecrow Statelet, a donation by Milena Kosec, the extensive archive of the events of the Zagreb art scene between 1970–1990 collected over the years by Darko Šimičić, the extensive archive of Bernard Villers’ self-published Éditions du Remorquer (1978–2008), and most of the issues of the Point d'Ironie hybrid periodical (1997–2010).

Presentation of the collection

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Searching for Beauty


1. –18. 3. 2018

Opening on Thursday,
1 March, at 1 pm.

Using animation, the artists Michaela Čopíková and Veronika Obertová (working under the name of Ové Pictures have created several interactive installations that focus on the central motif of searching for beauty in new contexts. They make use of historical optical toys such as the zoetrope, flip book and diorama in their projects, transforming them into a more current interactive variation. The exhibition expresses the authors’ understanding of “new beauty”.

Curator: Mária Rišková, Design Centre in Bratislava

The exhibition is being held on the occasion of the 25th anniversary of the Independence of the Slovak Republic and the 25th anniversary of the establishment of diplomatic relations between the Slovak Republic and the Republic of Slovenia.

The exhibition is organised in cooperation with Ministry of Foreign and European Affairs of the Slovak Republic and Ministry of Culture of the Slovak Republic.

Photo: Urška Boljkovac. MGLC Archive.

The Švicarija: Community, Art and Nature Project

Tivoli Hotel between Memories and Dreams
A sensory approach to learning about cultural heritage

● Workshops take place from March to May.
● introductory sensorial workshop, Saturday 24 March,
10.00–14.00 15.00–19.00
Sunday, 25 March, 
10.00–14.00 15.00–19.00

● Summer Museum Night, 16 June, first public guided tour by the participants of the project
● Advance bookings to: or
● The closin date for application is 15 March

The art education programme includes a sensorial workshop with a final presentation for the public. In the first stage, participants are introduced into the sensory tools of communication and staging. In the second stage, we connect with the cultural heritage of Tivoli Hotel, the so-called Švicarija, which was the gathering place of the Ljubljana bourgeoisie at the beginning of the 20th century. Workshop participants explore and listen to the history of the building through various perspectives of sensory perception. In the final stage of research, visitors are taken through the originally staged snippets of its history.

Concept and implementation: Barbara Pia Jenič, founder of the Senzorium Theatre, author and director.

Photo: Urška Boljkovac. MGLC Archive.

Worskhop for children
The White Chrysanthemum or the Artist in Motion 

● Workshops are held on Saturdays in two parts, from March to May and from September to December.
● The final performance of The White Chrysanthemum is a synthesis of the workshops, Friday, 28 December.

The White Chrysanthemum is a work written by Ivan Cankar during his residence at Švicarija. The controversial essay is still surprisingly topical today. And what message does the author convey to the young people of today? 

The White Chrysanthemum or the Artist in Motion project consists of workshops for the production of movable sculptures (mobiles) lasting several months long, two guided tours of the workshop participants around the Švicarija Creative Centre and the concluding New Year's performance. The workshops connect several artistic disciplines and are based on various dimensions of creating.

●Concept and implementation: Barbara Bulatović, director and puppeteer.
●For children from 8 years of age and over.
●Free of charge.
●Advance bookings to

Spring part: From Image to Form
● Saturdays: 10 and 24 March, 7 and 21 April, 5 May, 10.00–14.00; concluding guided tour, Saturday, 12 May.

Through the creative process, children conceive a character of their own choice from the passages of The White Chrysanthemum. They approach their chosen character in various creative ways (visual, technological, dramaturgical and handcrafted) and produce moving figures that are similar to puppets, yet different.

Autumn part: Storyline in the Space
● Saturdays: 29 September, 13 and 27 October, 10 and 24 November, 10.00–14.00; concluding guided tour, Sunday, 2 December.

At the beginning of the second part, the children prepare a storyline together for The White Chrysanthemum New Year's performance. In the process of working on the interpretation of the character placed in the space, we use the manipulation, animation, dramaturgy and scenographic approach defined in the storyline.

The final performance of The White Chrysanthemum, which represents the synthesis of the year-round workshops, will be put on during the festive time, on Friday, 28 December.

The workshops are part of the Saturday Workshops programme run by RogLab, Stripburger magazine, Trajekt Institute, MGLC and the Švicarija Creative Centre.

Photo: Urška Boljkovac. MGLC Archive.

The Švicarija: Community, Art and Nature Project

Sculpture-making Course
Myths and Fantasy Captured in Sculpture

starting on 19 March
March–May, once a week on Mondays, 17.00–20.00 

The fantastic creatures of Damijan Kracina cruise between art, science and imagination. The notion of the fantastic is also the starting subject of the course. Participants learn about the basic principles of working with clay and produce their own original sculpture, inspired by mythology and fantasy. The course starts with a public lecture.

Conducted by: Damijan Kracina, sculptor and Švicarija Creative Centre studio user.
We accept a maximum of 8 participants.
Participation fee: 180 EUR.
Advance bookings to

Photo: Urška Boljkovac. MGLC Archive.