The collection

The largest Slovene collection of fine art prints and original publications produced after the Second World War, and the only public collection of modernist prints, contains more than 10,000 pieces. 

The majority of the collection is represented by the works of artists that have exhibited at the International Biennials of Graphic Arts. Among these are the members of the École de Paris, (Jean Arp, Osip Zadkin, Pierre Soulages, Hans Hartung, Serge Poliakoff, Zao Wou-Ki, Victor Vasarely), representatives of the COBRA avant-garde movement (Corneille, Karel Appel, Asger Jorn), artists of Eastern Europe, as well as other internationally acclaimed artists: Nancy Spero, Damien Hirst, Bill Morris, Max Bill, Emilio Vedova, Günther Uecker, Robert Rauschenberg, Pablo Picasso, Dóra Maurer, Görgy Galántai, Mangelos, Ivan Kožarić and Ivan Picelj. The collection also contains the complete or partial oeuvres of some of the most prominent Slovene artists working in printmaking like Vladimir Makuc, Janez Bernik, Danilo Jejčič, Bogdan Borčić, Jože Ciuha, Lojze Spacal, Andrej Jemec, Tinca Stegovec, as well as others.

An important part of the collection is composed of art publications, which accounts for about 4,000 pieces – artists’ books, book works, art journals and magazines, newspaper projects, posters and invites, photographic publications, postcards, stamps, stickers, prints, photocopies, sound art CDs, as well as accompanying literature in the form of theoretical pieces and catalogues. The collection began to form in 2001. This is when the Institut Français loaned MGLC 378 works by the avant-garde artists of the 1960s and 1970s, which included works by Daniel Buren, Christian Boltanski, Marcel Broodthaers, Sophie Calle, Henri Chopin, Hanne Darboven, Robert Filliou, Jochen Gerz, Anette Messager, Roman Opalka, Roland Topor and Ben Vautier, as well as issues of the prominent art journals Agentzia, Chorus, Humidité, Opus International, VH 101. The donation set off a systematic collecting of all genres, and with the revitalization of the Biennial, MGLC became more excited by all types of art printing as well as purchases and donations, which grew significantly after the success of the 25th Graphic Arts Biennial, acquiring to date an impressive number of works by authors such as Vito Acconci, George Brecht, Daniel Buren, Christian Boltanski, Marcel Broodthaers, James Lee Byars, Sophie Calle, Hanne Darboven, Jan Dibbets, Hans-Peter Feldmann, Robert Filliou, the Fischli-Weiss duo, Jochen Gerz, Roni Horn, Sanja Iveković, Alfredo Jaar, Ilja Kabakov, Thomas Kapielski, Allan Kaprow, Sol LeWitt, Richard Long, Mangelos, Miha Maleš, Anette Messager, OHO, Roman Opalka, Iztok Osojnik, Raymond Pettibon, Dušan Pirih Hup, Sigmar Polke, Dieter Roth, Edward Ruscha, Jean Tinguely, Roland Topor, Ben Vautier, Petra Varl, Andy Warhol, Lawrence Weiner, Franz West, Emmett Williams and Franci Zagoričnik, as well as the collection of original newspaper projects which also included museum in progress from Vienna, published in Der Standard newspaper between 1990 and 2002.

Important museum and study materials are also represented by the FV archive donated to MGLC in 2006 by Neven Korda, the archive of The Scarecrow Statelet, a donation by Milena Kosec, the extensive archive of the events of the Zagreb art scene between 1970–1990 collected over the years by Darko Šimičić, the extensive archive of Bernard Villers’ self-published Éditions du Remorquer (1978–2008), and most of the issues of the Point d'Ironie hybrid periodical (1997–2010).

Presentation of the collection

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ARCHIVE

PLATEAURESIDUE: Sub Persona

25. 10.–29. 12. 2019

MGLC – Švicarija

 

You are invited to attend the opening of the exhibition by the PLATEAURESIDUE duo (Aljaž Celarc & Eva Pavlič Seifert) on Friday, 25 October 2019, at 19.00, presenting their new Sub Persona research and exhibition project. The exhibition is part of the year-long programme of Švicarija pursuing the motto community, art and nature, which in 2019 focuses on the analysis of the state of independent journalism and the right of the public to information. The artists, whose practice usually interlaces ecology and art, this time examine the state of forest ecosystems and the human impact on them due to past and present forest management. They will present their multimedia installation for the first time, which promotes the development of sensory thinking and questions the contemporary understanding of the environment and man’s attitude towards it.

During the preparations for the project, the artists talked to people who are directly involved in maintaining forests and have differing opinions about how they should be managed and perceived. Forests possess many functions, ranging from ecological, economic to cultural, and provide us all with a quality life on many levels. The present-day urban population often perceives forests as spaces of unspoilt nature even though they have been completely transformed by the centuries of human management. It is precisely the tradition of encroaching upon and exploiting forests that dictates the responsibility of mankind to manage them in a sustainable way, to take care of the consequences of bad practice and to eliminate the effects of climate change. The artists explore how contemporary forest management and forestry approach the goals dictated by the Pro Silva Pan-European sustainable management model, which was developed in 1989, based on the Slovenian tradition of selective felling. The goal of the Pro Silva model is to preserve all key forest functions for future generations: ecosystem, soil and climate protection, production of wood and wood products, recreation and preservation of cultural heritage.

PLATEAURESIDUE is the imaginary identity of geographer and artist Aljaž Celarc and art historian Eva Pavlič Seifert. Their practice is concerned with exploring landscape ecology and uses new media to search for new ways of raising public awareness. Accordingly, they always give a voice to the participants in their projects, natural forms such as rocks, air, organisms and other units of matter, which they reorganise into new unusual forms and new media systems. The artist duo lives and works in Novi Kot, in the hinterland of the forests of Mount Gotenica and Snežnik Plateau.

 

Plateauresidue: Sub Persona, 2019 (video still)

RogLab Open: Active Aging, exhibition of prototypes

Opening: 10 October 2019, at 7 pm

MGLC – Švicarija, Ljubljana

 

The exhibition, at the conclusion of the international project RogLab Open: Active Aging, will feature four award-winning prototypes from the proposals submitted that best addressed the problems of the elderly. The teens who triggered of Beatlemania and the hippies from the Woodstock era are now around seventy years old. RogLab points out precisely to their needs and presents solutions that allow them to live an active and independent life: an intergenerational playground toy by André Vanzolin (Brazil), a hydroponic garden for the physically disabled by Eamon Durey (Northern Ireland), additions for steps by Dušan Uršič (Slovenia) and classically tailored clothing for fashion-conscious seniors, developed by Ina Nathalie Bölsing, Kaja Čufer, Tajda Dražić and Katarina Ekart from the Faculty of Natural Sciences and Engineering under the mentorship of Alenka More (Slovenia). All these prototypes will be on view at Švicarija until 20 October 2019.

The exhibition was produced in collaboration between RogLab (MGML) and MGLC.

The project is supported by the City of Ljubljana.

Part of the partner network of the Center for Creativity, this project is co-financed by the European Union from the European Regional Development Fund and the Republic of Slovenia.

 

Dušan Uršič: additions for steps, prototypes

Marathon Guided Tour: Exhibitions are visited ON FOOT!

Photo: Urška Boljkovac. Archive: MGLC.

On Saturday, 21 September, for European Mobility Week, we have prepared the themed guided tour Exhibitions are visited ON FOOT!, whilst we also host the Biennial Doors Open Day.

You will be taken around the venues of this year's Biennial by Museum Information Officer, Gregor Dražil. The meeting point for the guided tour is in front of MGLC at 11.00, and in front of the National Gallery of Slovenia at 12.30.

The tour will be accompanied by impro interventions in collaboration with Impro liga, therefore get ready for one of the more exciting guided tours so far!

P. S.: Please wear appropriate footwear (our hedgehog has also put on his trainers).