The Print Studios
The MGLC Print Studios are organized as a production centre, offering artists the opportunity to print in a variety of printmaking techniques. They are able to make their prints themselves or can be assisted by the masters of the craft.
In their early years, the Print Studios’ primary job was the preservation and protection of cultural heritage. During this period the reprints of works by Janez Bernik, Andrej Jemec, Veno Pilon, Riko Debenjak, Bogdan Borčić, Karel Zelenko and Marijan Tršar were produced. Later, the production in the Print Studios focused on using certain classic printmaking techniques like intaglio printing, lithography and silkscreen. But the Studios were always conceived to function as a research laboratory, where local and foreign artists can explore their visual ideas as well as further their knowledge and skills.
As a production centre, MGLC offers various ways of participation. For the production of original art prints, the board of experts selects projects every year to be financed and produced in the MGLC Print Studios. Artists may apply personally by the end of the calendar year, however, MGLC may put out a call for submissions if required, or alternately make a direct invitation to a certain artist to engage in the production of a project.
In the case of co-productions, MGLC takes care of technical and spatial requirements, and the projects are selected on the basis of artists’ proposals. In both cases, production or co-production, MGLC receives two copies of the graphic print for its permanent collection. The MGLC Print Studios are also available to hire.
MGLC offers free use of their print studios at the headquarters of MGLC to students and educators of ALUO for educational purposes.
Personal viewing and purchase of works
From Monday to Friday, 9.00–15.00
Further details: Petra Klučar, +386 (01) 24 13 808, email@example.com
No title 4
ANNOUNCING A NEW EXHIBITION
Nataša Berk: 1st Unlimited Edition
2. 4.–19. 5. 2019
2 April, at 7 pm
The exhibition is part of the year-long programme of Švicarija, which in 2019 focuses on the analysis of the state of independent journalism and the right of the public to information in pursuit of the slogan community, art and nature. The participating artists question the credibility of images and their meanings at a time of the oversaturation with visual impulses and analyse the ambiguity of media messages on the world wide web.
The spatial intervention by Nataša Berk and the group of artists at Švicarija presents their diverse visual production, which usually takes place in the virtual space of the world wide web and social networks. On this occasion, it has moved into a physical space. Together, they explore the phenomenology of the image within public circulation and its impact on the perception of reality. In ironic ways, they address the norms of the advertising industry, the tendencies of the mass media, voyeurism and the social convention of the individual’s appearance. Thus, works devoted to the consideration of the nature of the image in everyday life are presented as part of the exhibition. In such a way, photographs, videos and collages open up the questions of understanding visual culture in an era when the public space has become saturated with contents and images, questions about the manipulation of the image and the ambivalence of its meanings.
Curator: Miha Colner
Photo: Nataša Berk.
Opening of the exhibition
Photographic Images and Matter: Japanese Prints of the 1970s and
Japan, Yugoslavia and the Biennial of Graphic Arts: Documents of Collaboration
Friday, March 22, at 6 pm
22. 3.–19. 5. 2019
The exhibition is made up of two sections. The first, bearing the title Photographic Images and Matter: Japanese Prints of the 1970s, is dedicated to Japanese printmaking of the 1970s and was organised by the Japan Foundation, while the second, the documentary section, is entitled Japan, Yugoslavia and the Biennial of Graphic Arts: Documents of Collaboration and has been prepared by the International Centre of Graphic Arts.
The travelling exhibition Photographic Images and Matter, with a selection of the most representative artists, presents the orientations within Japanese printmaking of the 1970s, which was the golden age of the print medium in Japan. The curator of the exhibition Kyoji Takizawa has made an attractive selection of artists, who have received many awards within the international arena and form the core of the modernist and avant-garde scene of the 1970s.
The documentary exhibition Japan, Yugoslavia and the Biennial of Graphic Arts: Documents of Collaboration, on the other hand, illuminates one of the many socio-artistic chapters tied to the history of the Biennial of Graphic Arts in Ljubljana. Through the selection of pictorial, archival, photographic and other material, it aims to show the communication between the geographically and politically disparate countries as part of an ambitious international art event like the Ljubljana Biennial of Graphic Arts. Exhibition authors are Nevenka Šivavec and Gregor Dražil.
The exhibition is accompanied by an international symposium under the same title, taking place in the month of May.
Exhibition design: Ivian Kan Mujezinović and Mina Fina.
Tetsuya Noda: Diary, September 11, '68 (woodcut and silkscreen).