The Print Studios

The MGLC Print Studios are organized as a production centre, offering artists the opportunity to print in a variety of printmaking techniques. They are able to make their prints themselves or can be assisted by the masters of the craft.

In their early years, the Print Studios’ primary job was the preservation and protection of cultural heritage. During this period the reprints of works by Janez Bernik, Andrej Jemec, Veno Pilon, Riko Debenjak, Bogdan Borčić, Karel Zelenko and Marijan Tršar were produced. Later, the production in the Print Studios focused on using certain classic printmaking techniques like intaglio printing, lithography and silkscreen. But the Studios were always conceived to function as a research laboratory, where local and foreign artists can explore their visual ideas as well as further their knowledge and skills.

As a production centre, MGLC offers various ways of participation. For the production of original art prints, the board of experts selects projects every year to be financed and produced in the MGLC Print Studios. Artists may apply personally by the end of the calendar year, however, MGLC may put out a call for submissions if required, or alternately make a direct invitation to a certain artist to engage in the production of a project. 

In the case of co-productions, MGLC takes care of technical and spatial requirements, and the projects are selected on the basis of artists’ proposals. In both cases, production or co-production, MGLC receives two copies of the graphic print for its permanent collection. The MGLC Print Studios are also available to hire.
MGLC offers free use of their print studios at the headquarters of MGLC to students and educators of ALUO for educational purposes.
 

Personal viewing and purchase of works

From Monday to Friday, 9.00–15.00
Further details: Petra Klučar, +386 (01) 24 13 808, petra.klucar@mglc-lj.si

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    Karel Zelenko The lottery tickets seller
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    Laibach No title 7
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    Janez Janša Remember your first kiss.
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ARCHIVE

From Biennial to Biennial

28–30 November
International Centre of Graphic Arts and Švicarija Creative Centre

Books presentation
Nocturnal Singer by Alejandra Pizarnik (1936–1972)
Jure Detela, Selected Poems (1951–1992) 
Wednesday, November 28 at 6 pm
MGLC

A symposium
The Irrational in a Biennial
Thursday, November, 29 10.00–17.00
Švicarija Creative Center

Opening of exhibition
Nathalie du PasquierFair Game
curator: Kate Sutton
Friday, November 30, at 1 pm
MGLC

From Biennial to Biennial is a 3-day event which is a postponed reflection on the 32nd Biennial of Graphic Arts: Birth as Criterion. Composed of a presentation of a book Nocturnal Singer by Alejandra Pizarnik, an international symposium The Irrational in a Biennial that will discuss and challenge the traditional biennial structure, and a solo exhibition by Nathalie Du Pasquier: Fair Game, the event attempts to bring together diverse mediums of perception.


Photo: Urška Boljkovac. MGLC Archive.

Milton Glaser, Posters

SOON

23. 11. 2018–3. 3. 2019
opening: Friday 23 November, at 1 pm

The artist and his posters will be presented at the opening by the expert of visual communications, Petra Černe Oven, PhD.

Milton Glaser (1929, New York) is one of most important graphic designers in the world, who has designed hundreds of corporate images, magazines, newspapers, books, LP covers, and has created thousands of posters during his career spanning over fifty years. He has been inscribed into the world history of design with his iconic “I love NY” logo. Milton Glaser has decided to donate thirty-five original posters (created between 1966 and 2016) to the City of Ljubljana, which will enrich the collection of the International Centre of Graphic Arts after the exhibition.

A special thanks on the occasion of the exhibition goes to Mirko Ilić, who came up with the idea for the donation in 2017, when he was hosted at the Festival of Tolerance as a lecturer and the author of the TOLERANCE exhibition. The show is organised every year by Mini teater and the Ljubljana Jewish Cultural Centre with the support of the City of Ljubljana (MOL).


Milton Glaser, Posters, 2018.

Nathalie Du Pasquier

SOON

30. 11. 2018–3. 3. 2019
opening: Friday November 30, at 1 pm

The openin will be accompanied by a guided tour given by the artist Nathalie Du Pasquer and the curator of the exhibition Kate Sutton.

Nathalie Du Pasquier’s compositions transform the interiors of the International Centre of Graphic Arts into a series of immersive microenvironments, sampling from over three decades of the artist’s paintings, prints, drawings and murals, as well as a new series of silkscreen prints, which was produced precisely in the screen-printing studio of the International Centre of Graphic Arts in Ljubljana.

Du Pasquier first made her name with vibrant, eye-catching graphics and textile prints shaped by the artist’s eclectic influences, boundless imagination and impulse towards experimentation. Since the late 1980s, she has focused primarily on painting, building up a tremendous body of work, much of which has yet to be exhibited publicly. Fair Game shuns a chronological ordering in favor of forging more intuitive formal affinities between the various series. Assorted elements or objects appear and reappear in different compositional configurations, like a card in a deck that takes on new powers and limitations with each hand dealt. This visual vocabulary is distilled in a new series of silkscreen printed modules (“virtual furniture,” as the artist calls it), which she created in the MGLC screen-printing studio.

Curator of the exhibition is Kate Sutton.


Nathalie Du Pasquier: Mensola piena, 2011, oil on canvas.