S. M. S.

Presentation of six S. M. S. portfolios from the MGLC collection

MGLC Study Room, September 2012–July 2013

S. M. S. comprises six volumes of a heterogeneous journal/magazine type of publication, a portfolio of multiples, a collection of artworks of various genres and mediums, a collective work and experience of artists, among whom we find some of the most important names of the 20th century. They were published by The Letter Edged in Black Press I.n.c. in 1968. 

The project’s initiator was American surrealist William N. Copley (1919–1996). Inspired by the Fluxus movement, he saw S. M. S. as an opportunity to go beyond traditional art forms and bring art closer to everyday life. The project provided the artists, who gathered in an apartment on the Upper West Side of Manhattan in New York, a place to work and publish a series of multiples, which they sold directly to collectors. The S. M. S. magazine was published every two months for a year. The volumes, following the art directions of pop art and dada, included different art mediums from photographs, drawings, texts to audio recordings. From the total of seventy-three artworks, most are visual and textual, and some include sound in the form of vinyl records and magnetic tape.

S. M. S. – an abbreviation for Shit Must Stop – illustrates the pulse of the 1960s, the wish of artists to be liberated from the dictates of galleries, curators, critics and individual art genres.

The S. M. S. portfolios include works by numerous artists: Christo, Marchel Duchamp, Walter de Maria, James Lee Byars, Meret Oppenheim, Ray Johnson, Man Ray, Joseph Kosuth, On Kawara, Lawrence Weiner, Roy Lichenstein, Claes Oldenburg, Yoko Ono, Dieter Roth, Richard Artschwager, etc. 

The volumes of S. M. S. magazine, which will be on view in the Study Room, are part of the MGLC collection. The curator of the present exhibition is mag. Breda Škrjanec. 

View the exhibition

MGLC Study Room, From Monday to Friday, 9.00–14.00. The exhibition in the Study Room is available to view by prior arrangement.

To book an appointment please call +386 (0)1 2413 805, or send an e-mail to breda.skrjanec@mglc-lj.si.

No. 1

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Contributors: Irving Petlin, Su Braden, James Lee Byars, Christo, Walter de Maria, Richard Hamilton, Kaspar Koening, Julien Levy, Sol Mednick, Nancy Reitkopf, La Monte Young & Marian Zazeela

No. 2

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Contributors: Marcel Duchamp, Nicolas Calascm, Bruce Conner, Marcia Herscovitz, Alain Jacquet, Ray Johnson, Lee Lozano, Meret Oppenheim, Bernard Pfreim, George Reavey, Clovis Trouille

No. 3

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Contributors: John Battan, Aftograf, Enrico Baj, William Bryant, Dick Higgins, Joseph Kosuth, Ronnie Landfield, Roland Penrose, Man Ray, H.C. Westermann, Hannah Weiner, Terry Riley

No. 4

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Contributors: Robert Stanley, Arman, Paul Bergtold, John Cage, Hollis Frampton, On Kawara, Roy Lichtenstein, Lil Picard, Domenico Rotella, Robert Watts, Princess Winifred, La Monte Young, Marian Zazeela

No. 5

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Contributors: Congo, William Anthony, Wall Batterton, William Copley, Edward Fitzgerald, Neil Jenney, Angus MacLise, Bruce Nauman, Yoko Ono, Mel Ramos, Robert Rohm, William Schwedler, Diane Wakoski, Lawrence Weiner

No. 6

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Contributors: Richard Artschwager, Ed Bereal, Dieter Roth, Betty Dodson, Ronoldo Ferri, John Giorno, Toby Mussman, Adrian Nutbeem, Claes Oldenburg, Mischa Petrov, Jean Reavey, Bernar Venet

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ARCHIVE

Drop-in zine workshop with Hamja Ahsan

Saturday, 28 September, 10.00–18.00, DobraVaga

Hamja Ahsan is an artist, activist and curator, who lives and works in London. He is the author of Shy Radicals: Antisystemic Politics of the Militant Introvert and the founder of the DIY Cultures festival of creative activism, fanzines and independent publishing. He is presenting himself at the Biennial with a referendum and inviting visitors to the venues of the Ljubljana Biennial to vote for these zones to join the seceded Aspergistan Federation. He will be conducting a drop-in (fan)zine workshop with visitors over the age of 18, which will reflect the message of the Biennial exhibition.

Advance bookings are appreciated, to be made to petra.derganc@mglc-lj.si.

Free of charge.

Foto: Urška Boljkovac. Archive: MGLC.

WE WISH YOU GOOD MORNING AT MULTIVISION!

As part of the Multivision project (www.multivizija.si), which explores the diversity of identities through multimedia creation, we are organising relaxed morning conversations with interesting dialogue partners to talk about identities, otherness as an experience of social exclusion, and socially engaged creation in response to the social challenges of contemporary society.

We invite you to join us for relaxed morning conversations with three interesting women over tea or coffee at Švicarja in Tivoli, in the inspiring ambience of the Batič Sculpture Studio, from 10.30 to 11.00.

On 7 August 2019, with singer-songwriter, researcher, mentor and publicist Katarina Juvančič, who will take us through the musical creation of stories about women.

On 21 August 2019, with researcher and scientist Mirjam Milharčič Hladnik, PhD, who will introduce us to the concept of assembled identities.

On 4 September 2019, with writer, researcher and scientist Svetlana Slapšak, PhD, who will take us into the interweavings of science and art that talk about women, identities and love.

All welcome!

The event is part of the Multivision: Multimedia, Dance and Theatre Training for Vulnerable Groups project. The project is funded by the European Union from the European Social Fund and the Ministry of Culture of the Republic of Slovenia. 

The event is organised by the APIS Institute in collaboration with the International Centre of Graphic Arts.

* The conversations will be recorded and subsequently posted on the web and the social networks.

TUESDAY GUIDED TOURS

6. 8.–27. 8. 2019  Multiple venues

Every Tuesday in August a guided tour of the galleries in the city centre will be held, starting at 18.30, meeting point at Equrna Gallery.

Guided tour with reflection on the Biennial

Tuesday, 17 September, 17.00

Guided tour starts at MGLC.

Admission payable, guided tour free of charge.

Photo: Urška Boljkovac. Arhiv: MGLC.