S. M. S.

Presentation of six S. M. S. portfolios from the MGLC collection

MGLC Study Room, September 2012–July 2013

S. M. S. comprises six volumes of a heterogeneous journal/magazine type of publication, a portfolio of multiples, a collection of artworks of various genres and mediums, a collective work and experience of artists, among whom we find some of the most important names of the 20th century. They were published by The Letter Edged in Black Press I.n.c. in 1968. 

The project’s initiator was American surrealist William N. Copley (1919–1996). Inspired by the Fluxus movement, he saw S. M. S. as an opportunity to go beyond traditional art forms and bring art closer to everyday life. The project provided the artists, who gathered in an apartment on the Upper West Side of Manhattan in New York, a place to work and publish a series of multiples, which they sold directly to collectors. The S. M. S. magazine was published every two months for a year. The volumes, following the art directions of pop art and dada, included different art mediums from photographs, drawings, texts to audio recordings. From the total of seventy-three artworks, most are visual and textual, and some include sound in the form of vinyl records and magnetic tape.

S. M. S. – an abbreviation for Shit Must Stop – illustrates the pulse of the 1960s, the wish of artists to be liberated from the dictates of galleries, curators, critics and individual art genres.

The S. M. S. portfolios include works by numerous artists: Christo, Marchel Duchamp, Walter de Maria, James Lee Byars, Meret Oppenheim, Ray Johnson, Man Ray, Joseph Kosuth, On Kawara, Lawrence Weiner, Roy Lichenstein, Claes Oldenburg, Yoko Ono, Dieter Roth, Richard Artschwager, etc. 

The volumes of S. M. S. magazine, which will be on view in the Study Room, are part of the MGLC collection. The curator of the present exhibition is mag. Breda Škrjanec. 

View the exhibition

MGLC Study Room, From Monday to Friday, 9.00–14.00. The exhibition in the Study Room is available to view by prior arrangement.

To book an appointment please call +386 (0)1 2413 805, or send an e-mail to breda.skrjanec@mglc-lj.si.

No. 1

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Contributors: Irving Petlin, Su Braden, James Lee Byars, Christo, Walter de Maria, Richard Hamilton, Kaspar Koening, Julien Levy, Sol Mednick, Nancy Reitkopf, La Monte Young & Marian Zazeela

No. 2

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Contributors: Marcel Duchamp, Nicolas Calascm, Bruce Conner, Marcia Herscovitz, Alain Jacquet, Ray Johnson, Lee Lozano, Meret Oppenheim, Bernard Pfreim, George Reavey, Clovis Trouille

No. 3

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Contributors: John Battan, Aftograf, Enrico Baj, William Bryant, Dick Higgins, Joseph Kosuth, Ronnie Landfield, Roland Penrose, Man Ray, H.C. Westermann, Hannah Weiner, Terry Riley

No. 4

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Contributors: Robert Stanley, Arman, Paul Bergtold, John Cage, Hollis Frampton, On Kawara, Roy Lichtenstein, Lil Picard, Domenico Rotella, Robert Watts, Princess Winifred, La Monte Young, Marian Zazeela

No. 5

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Contributors: Congo, William Anthony, Wall Batterton, William Copley, Edward Fitzgerald, Neil Jenney, Angus MacLise, Bruce Nauman, Yoko Ono, Mel Ramos, Robert Rohm, William Schwedler, Diane Wakoski, Lawrence Weiner

No. 6

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Contributors: Richard Artschwager, Ed Bereal, Dieter Roth, Betty Dodson, Ronoldo Ferri, John Giorno, Toby Mussman, Adrian Nutbeem, Claes Oldenburg, Mischa Petrov, Jean Reavey, Bernar Venet

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ARCHIVE

PLATEAURESIDUE: Sub Persona

25. 10.–29. 12. 2019

MGLC – Švicarija

 

You are invited to attend the opening of the exhibition by the PLATEAURESIDUE duo (Aljaž Celarc & Eva Pavlič Seifert) on Friday, 25 October 2019, at 19.00, presenting their new Sub Persona research and exhibition project. The exhibition is part of the year-long programme of Švicarija pursuing the motto community, art and nature, which in 2019 focuses on the analysis of the state of independent journalism and the right of the public to information. The artists, whose practice usually interlaces ecology and art, this time examine the state of forest ecosystems and the human impact on them due to past and present forest management. They will present their multimedia installation for the first time, which promotes the development of sensory thinking and questions the contemporary understanding of the environment and man’s attitude towards it.

During the preparations for the project, the artists talked to people who are directly involved in maintaining forests and have differing opinions about how they should be managed and perceived. Forests possess many functions, ranging from ecological, economic to cultural, and provide us all with a quality life on many levels. The present-day urban population often perceives forests as spaces of unspoilt nature even though they have been completely transformed by the centuries of human management. It is precisely the tradition of encroaching upon and exploiting forests that dictates the responsibility of mankind to manage them in a sustainable way, to take care of the consequences of bad practice and to eliminate the effects of climate change. The artists explore how contemporary forest management and forestry approach the goals dictated by the Pro Silva Pan-European sustainable management model, which was developed in 1989, based on the Slovenian tradition of selective felling. The goal of the Pro Silva model is to preserve all key forest functions for future generations: ecosystem, soil and climate protection, production of wood and wood products, recreation and preservation of cultural heritage.

PLATEAURESIDUE is the imaginary identity of geographer and artist Aljaž Celarc and art historian Eva Pavlič Seifert. Their practice is concerned with exploring landscape ecology and uses new media to search for new ways of raising public awareness. Accordingly, they always give a voice to the participants in their projects, natural forms such as rocks, air, organisms and other units of matter, which they reorganise into new unusual forms and new media systems. The artist duo lives and works in Novi Kot, in the hinterland of the forests of Mount Gotenica and Snežnik Plateau.

 

Plateauresidue: Sub Persona, 2019 (video still)

RogLab Open: Active Aging, exhibition of prototypes

Opening: 10 October 2019, at 7 pm

MGLC – Švicarija, Ljubljana

 

The exhibition, at the conclusion of the international project RogLab Open: Active Aging, will feature four award-winning prototypes from the proposals submitted that best addressed the problems of the elderly. The teens who triggered of Beatlemania and the hippies from the Woodstock era are now around seventy years old. RogLab points out precisely to their needs and presents solutions that allow them to live an active and independent life: an intergenerational playground toy by André Vanzolin (Brazil), a hydroponic garden for the physically disabled by Eamon Durey (Northern Ireland), additions for steps by Dušan Uršič (Slovenia) and classically tailored clothing for fashion-conscious seniors, developed by Ina Nathalie Bölsing, Kaja Čufer, Tajda Dražić and Katarina Ekart from the Faculty of Natural Sciences and Engineering under the mentorship of Alenka More (Slovenia). All these prototypes will be on view at Švicarija until 20 October 2019.

The exhibition was produced in collaboration between RogLab (MGML) and MGLC.

The project is supported by the City of Ljubljana.

Part of the partner network of the Center for Creativity, this project is co-financed by the European Union from the European Regional Development Fund and the Republic of Slovenia.

 

Dušan Uršič: additions for steps, prototypes

Marathon Guided Tour: Exhibitions are visited ON FOOT!

Photo: Urška Boljkovac. Archive: MGLC.

On Saturday, 21 September, for European Mobility Week, we have prepared the themed guided tour Exhibitions are visited ON FOOT!, whilst we also host the Biennial Doors Open Day.

You will be taken around the venues of this year's Biennial by Museum Information Officer, Gregor Dražil. The meeting point for the guided tour is in front of MGLC at 11.00, and in front of the National Gallery of Slovenia at 12.30.

The tour will be accompanied by impro interventions in collaboration with Impro liga, therefore get ready for one of the more exciting guided tours so far!

P. S.: Please wear appropriate footwear (our hedgehog has also put on his trainers).