S. M. S.

Presentation of six S. M. S. portfolios from the MGLC collection

MGLC Study Room, September 2012–July 2013

S. M. S. comprises six volumes of a heterogeneous journal/magazine type of publication, a portfolio of multiples, a collection of artworks of various genres and mediums, a collective work and experience of artists, among whom we find some of the most important names of the 20th century. They were published by The Letter Edged in Black Press I.n.c. in 1968. 

The project’s initiator was American surrealist William N. Copley (1919–1996). Inspired by the Fluxus movement, he saw S. M. S. as an opportunity to go beyond traditional art forms and bring art closer to everyday life. The project provided the artists, who gathered in an apartment on the Upper West Side of Manhattan in New York, a place to work and publish a series of multiples, which they sold directly to collectors. The S. M. S. magazine was published every two months for a year. The volumes, following the art directions of pop art and dada, included different art mediums from photographs, drawings, texts to audio recordings. From the total of seventy-three artworks, most are visual and textual, and some include sound in the form of vinyl records and magnetic tape.

S. M. S. – an abbreviation for Shit Must Stop – illustrates the pulse of the 1960s, the wish of artists to be liberated from the dictates of galleries, curators, critics and individual art genres.

The S. M. S. portfolios include works by numerous artists: Christo, Marchel Duchamp, Walter de Maria, James Lee Byars, Meret Oppenheim, Ray Johnson, Man Ray, Joseph Kosuth, On Kawara, Lawrence Weiner, Roy Lichenstein, Claes Oldenburg, Yoko Ono, Dieter Roth, Richard Artschwager, etc. 

The volumes of S. M. S. magazine, which will be on view in the Study Room, are part of the MGLC collection. The curator of the present exhibition is mag. Breda Škrjanec. 

View the exhibition

MGLC Study Room, From Monday to Friday, 9.00–14.00. The exhibition in the Study Room is available to view by prior arrangement.

To book an appointment please call +386 (0)1 2413 805, or send an e-mail to breda.skrjanec@mglc-lj.si.

No. 1

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Contributors: Irving Petlin, Su Braden, James Lee Byars, Christo, Walter de Maria, Richard Hamilton, Kaspar Koening, Julien Levy, Sol Mednick, Nancy Reitkopf, La Monte Young & Marian Zazeela

No. 2

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Contributors: Marcel Duchamp, Nicolas Calascm, Bruce Conner, Marcia Herscovitz, Alain Jacquet, Ray Johnson, Lee Lozano, Meret Oppenheim, Bernard Pfreim, George Reavey, Clovis Trouille

No. 3

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Contributors: John Battan, Aftograf, Enrico Baj, William Bryant, Dick Higgins, Joseph Kosuth, Ronnie Landfield, Roland Penrose, Man Ray, H.C. Westermann, Hannah Weiner, Terry Riley

No. 4

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Contributors: Robert Stanley, Arman, Paul Bergtold, John Cage, Hollis Frampton, On Kawara, Roy Lichtenstein, Lil Picard, Domenico Rotella, Robert Watts, Princess Winifred, La Monte Young, Marian Zazeela

No. 5

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Contributors: Congo, William Anthony, Wall Batterton, William Copley, Edward Fitzgerald, Neil Jenney, Angus MacLise, Bruce Nauman, Yoko Ono, Mel Ramos, Robert Rohm, William Schwedler, Diane Wakoski, Lawrence Weiner

No. 6

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Contributors: Richard Artschwager, Ed Bereal, Dieter Roth, Betty Dodson, Ronoldo Ferri, John Giorno, Toby Mussman, Adrian Nutbeem, Claes Oldenburg, Mischa Petrov, Jean Reavey, Bernar Venet

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Watch out! Wet print! #12

Ivian Kan Mujezinović
Interference 3/1

6. 2.–5. 3. 2018

Opening: Tuesday, 6 February, at 5 pm
TAM-TAM Street Gallery at Vegova ulica (opposite Glasbena matica)

Ivian Kan Mujezinović, designer, photographer, member of the Ee Grupa design group, bass player and vocalist of the Čao Portorož music group. He is the recipient of many prizes and awards for providing integral design solutions,


Ivian Kan Mujezinović:
Interference 3/1.

 

The Švicarija: Community, Art and Nature Project

Sculpture-making Course
Myths and Fantasy Captured in Sculpture

March–May, once a week on Mondays, 17.00–20.00 (starting on 19 March)

The fantastic creatures of Damijan Kracina cruise between art, science and imagination. The notion of the fantastic is also the starting subject of the course. Participants learn about the basic principles of working with clay and produce their own original sculpture, inspired by mythology and fantasy. The course starts with a public lecture.

Conducted by: Damijan Kracina, sculptor and Švicarija Creative Centre studio user.
We accept a maximum of 8 participants.
Participation fee: 180 EUR.
Advance bookings to alenka.mikuz@mglc-lj.si

Introductory lecture on the sculpture course
About Fantasy and the Fantastic
Tuesday, 13 March, 18.00
Lecture by: Jakob J. Kenda, literary historian and translator
Open to the public. Free of charge.


Photo: Urška Boljkovac. MGLC Archive.

Worskhop for children
The White Chrysanthemum or the Artist in Motion 

● Workshops are held on Saturdays in two parts, from March to May and from September to December.
● The final performance of The White Chrysanthemum is a synthesis of the workshops, Friday, 28 December.

The White Chrysanthemum is a work written by Ivan Cankar during his residence at Švicarija. The controversial essay is still surprisingly topical today. And what message does the author convey to the young people of today? 

The White Chrysanthemum or the Artist in Motion project consists of workshops for the production of movable sculptures (mobiles) lasting several months long, two guided tours of the workshop participants around the Švicarija Creative Centre and the concluding New Year's performance. The workshops connect several artistic disciplines and are based on various dimensions of creating.

Spring part: From Image to Form
● Saturdays: 10 and 24 March, 7 and 21 April, 5 May, 10.00–14.00; concluding guided tour, Saturday, 12 May.

Through the creative process, children conceive a character of their own choice from the passages of The White Chrysanthemum. They approach their chosen character in various creative ways (visual, technological, dramaturgical and handcrafted) and produce moving figures that are similar to puppets, yet different.

Autumn part: Storyline in the Space
Saturdays: 29 September, 13 and 27 October, 10 and 24 November, 10.00–14.00; concluding guided tour, Sunday, 2 December.

At the beginning of the second part, the children prepare a storyline together for The White Chrysanthemum New Year's performance. In the process of working on the interpretation of the character placed in the space, we use the manipulation, animation, dramaturgy and scenographic approach defined in the storyline.

The final performance of The White Chrysanthemum, which represents the synthesis of the year-round workshops, will be put on during the festive time, on Friday, 28 December.

Concept and implementation: Barbara Bulatović, director and puppeteer.
For children from 8 years of age and over.
Free of charge.
Advance bookings to alenka.mikuz@mglc-lj.si

The workshops are part of the Saturday Workshops programme run by RogLab, Stripburger magazine, Trajekt Institute, MGLC and the Švicarija Creative Centre.


Photo: Urška Boljkovac. Arhiv MGLC.

The Švicarija: Community, Art and Nature Project

Sunday guided tour of the exhibition Švicarija: Community, Art and Nature in English

Sunday, 25 February, at 3 pm

One-hour long guided tour with adaptations in the Slovenian language.
Conducted by art historian Matic Ferlan.

The Švicarija: Community, Art and Nature project, by which the Švicarija Creative Centre is being introduced into the cultural life of the capital, derives from three basic elements that have marked the history of the building: community, art and nature. The project consists of an exhibition and supplementary exhibition programme inspired by the building that actualises the history of Švicarija, in such a way providing the guidelines for its activities in the future.

The multifaceted exhibition consists of four sections: History, The Stojan Batič Memorial Studio, Architecture and Art. The exhibition takes us through the history and social life of the building, it presents us with activities of the artists in it and highlights its recent renovation. These sections are connected by the artwork.


Dragica Čadež: Story of a Tree, 2018.
Photo: Urška Boljkovac. MGLC Archive.