S. M. S.

Presentation of six S. M. S. portfolios from the MGLC collection

MGLC Study Room, September 2012–July 2013

S. M. S. comprises six volumes of a heterogeneous journal/magazine type of publication, a portfolio of multiples, a collection of artworks of various genres and mediums, a collective work and experience of artists, among whom we find some of the most important names of the 20th century. They were published by The Letter Edged in Black Press I.n.c. in 1968. 

The project’s initiator was American surrealist William N. Copley (1919–1996). Inspired by the Fluxus movement, he saw S. M. S. as an opportunity to go beyond traditional art forms and bring art closer to everyday life. The project provided the artists, who gathered in an apartment on the Upper West Side of Manhattan in New York, a place to work and publish a series of multiples, which they sold directly to collectors. The S. M. S. magazine was published every two months for a year. The volumes, following the art directions of pop art and dada, included different art mediums from photographs, drawings, texts to audio recordings. From the total of seventy-three artworks, most are visual and textual, and some include sound in the form of vinyl records and magnetic tape.

S. M. S. – an abbreviation for Shit Must Stop – illustrates the pulse of the 1960s, the wish of artists to be liberated from the dictates of galleries, curators, critics and individual art genres.

The S. M. S. portfolios include works by numerous artists: Christo, Marchel Duchamp, Walter de Maria, James Lee Byars, Meret Oppenheim, Ray Johnson, Man Ray, Joseph Kosuth, On Kawara, Lawrence Weiner, Roy Lichenstein, Claes Oldenburg, Yoko Ono, Dieter Roth, Richard Artschwager, etc. 

The volumes of S. M. S. magazine, which will be on view in the Study Room, are part of the MGLC collection. The curator of the present exhibition is mag. Breda Škrjanec. 

View the exhibition

MGLC Study Room, From Monday to Friday, 9.00–14.00. The exhibition in the Study Room is available to view by prior arrangement.

To book an appointment please call +386 (0)1 2413 805, or send an e-mail to breda.skrjanec@mglc-lj.si.

No. 1

sms_no_1.jpg

Contributors: Irving Petlin, Su Braden, James Lee Byars, Christo, Walter de Maria, Richard Hamilton, Kaspar Koening, Julien Levy, Sol Mednick, Nancy Reitkopf, La Monte Young & Marian Zazeela

No. 2

sms_no_2.jpg

Contributors: Marcel Duchamp, Nicolas Calascm, Bruce Conner, Marcia Herscovitz, Alain Jacquet, Ray Johnson, Lee Lozano, Meret Oppenheim, Bernard Pfreim, George Reavey, Clovis Trouille

No. 3

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Contributors: John Battan, Aftograf, Enrico Baj, William Bryant, Dick Higgins, Joseph Kosuth, Ronnie Landfield, Roland Penrose, Man Ray, H.C. Westermann, Hannah Weiner, Terry Riley

No. 4

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Contributors: Robert Stanley, Arman, Paul Bergtold, John Cage, Hollis Frampton, On Kawara, Roy Lichtenstein, Lil Picard, Domenico Rotella, Robert Watts, Princess Winifred, La Monte Young, Marian Zazeela

No. 5

1993_no_5.jpg

Contributors: Congo, William Anthony, Wall Batterton, William Copley, Edward Fitzgerald, Neil Jenney, Angus MacLise, Bruce Nauman, Yoko Ono, Mel Ramos, Robert Rohm, William Schwedler, Diane Wakoski, Lawrence Weiner

No. 6

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Contributors: Richard Artschwager, Ed Bereal, Dieter Roth, Betty Dodson, Ronoldo Ferri, John Giorno, Toby Mussman, Adrian Nutbeem, Claes Oldenburg, Mischa Petrov, Jean Reavey, Bernar Venet

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ARCHIVE

OPEN CALL!, CRITIC IN RESIDENCE PROGRAMME 2020

MGLC Švicarija in collaboration with the Igor Zabel Association for Culture and Theory, both based in Ljubljana, Slovenia, invites art critics or cultural journalists to apply for a fully-funded, one-month residency in Ljubljana in October 2020.

Deadline for applications: 17 February 2020

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Photo: Jaka Babnik. MGLC Arhive.

 

Openning of the exhibition

Helena Tahir, Somewhere Near

Friday, 31 January, at 1 pm, MGLC

The opening will include a guided tour by the artist Helena Tahir and the exhibition curator Božidar Zrinski.


Helena Tahir: Print (4),
from the series In the Whirl
(90 x 65 cm, linocut, 2017).

Helena Tahir represents the youngest generation of artists to deliberately explore the properties of classic printmaking techniques both in terms of form and content, hence actively co-creating the image of contemporary graphic creativity on the Slovenian art scene. The exhibition presents drawings and prints made over the recent years, some of which are here presented to the public for the first time. Helena Tahir’s graphic prints are characterised by the loquacious interweaving of various images stemming from the imagination, brimming with meaningful associations and historical references that must be carefully observed in order to make them easier to understand.

The 12th Bobri Ljubljana Festival of Culture and Art Education programme in MGLC

Experimental print workshops accompanying the exhibition From the Biennial Prize Winners Collection: Shifts in the Canon. Suitable for organised groups of children from kindergarten and the first three-year age range of primary school. In cooperation with the Department of Art Education, Faculty of Education, University of Ljubljana.
Monday to Friday, 20.–24. January and
27.–30. January, 10.00–12.00, MGLC 

Bookings to lili.sturm@mglc-lj.si

How do we cure a sick artwork? The workshop on basic restorative technology is suitable for organised groups of children from the first and second three-year age range of primary school. Conducted by mag. Boge Dimovski
Tuesday, 21. January, 10.00–11.00, MGLC Švicarija

Bookings to lili.sturm@mglc-lj.si

FAMILY FOLD’R THE SECRET LIFE
OF ART

We have again prepared a Family Fold’r for you, which you receive free of charge when you purchase a family ticket to view the exhibition From the Biennial Prize Winners Collection: Shifts in the Canon.

You are invited to join us for a graphic adventure discovering the interesting stories as told by the works in the exhibition. And you won’t get lost, there is a pencil and a map of the gallery rooms to help you along.