The Study Room
The Study Room was opened due to increasing public interest and as an addition to study. It is intended for in-depth research of art publications, although it can also house exhibitions.
The visitor to the Study Room can browse through the artists’ books by authors included in the collection, since in addition to prints, the MGLC collection comprises also publications of various genres, whose common denominator is reproduction technique, from artists’ books, art journals, culture magazines, to posters, sound art CDs and theoretical literature. The MGLC collection therefore contains more than 4,000 pieces.
Available to flick through are Viks art and culture magazines, most issues of the Point d'Ironie hybrid periodical, Gorgona, SMS, 0 TO 9 and Pist Prota. Housed in the collection are also posters and notices of the FV group (donated by Neven Korda), the archive of The Scarecrow Statelet (donated by Milena Kosec), an extensive archive on the events on the Zagreb art scene from the 1970s up till the 1990s, the complete archive of Bernard Villers’ self-published Éditions du Remorquer, as well as the collection of original newspaper projects museum in progress from Der Standard newspaper.
The materials from the collection can be viewed by prior arrangement.
Additional information: Breda Škrjanec, (01) 241 38 05, email@example.com
From the MGLC Collection
Christian Boltanski: Le Club Mickey
Collection of the Institut français Slovénie
The artist’s book presents a series of newspaper photos of children from the Mickey Mouse Club in moments depicting their most vulnerable periods. By cataloguing these faces as well as the membership numbers of the Mickey Mouse Club members, Boltanski reveals his own fascination with historical memory and the way in which we construct the past.
The work of French conceptual artist Christian Boltanski explores the nature of classification and inventory-making and how these relate to our need to construct the past. Death is used by the artist as a metaphor to communicate his doubts, while at the same time managing to transcend the categories of morbidity and despondency tied to it.
The book was published by Imschoot, Uitgevers in Ghent. The first edition of 400 copies was published in 1990 and the second edition, in a circulation of 600 copies, in 1991. The book has 32 pages and 148 illustrations.
WORKSHOP: MOKULITO – WOOD LITHOGRAPHY
Friday–Sunday, 6–7 June 2020 (12 hours)
Print workshop, conducted by artist Tihana Karlović
The mokulito technique is an alternative form of the classical printmaking technique of wood lithography and comes from Japan.
Photo. Urška Boljkovac. MGLC Archive.
The 2-hour workshop takes place in the Print Studio at MGLC:
Friday, 5. 6.: 17.00–20.00
Saturday, 6. 6.: 10.00–18.00
Sunday, 7. 6.: 10.00–12.00
The workshop is conducted by artist Tihana Karlović (Rijeka, Croatia) and is intended for participants with some knowledge of the graphic arts. The group is limited to a maximum of 8 people. Participants should attend the workshop from beginning to end. Participation fee: 90 EUR.
We offer a 15% discount for members of the Friends of the Biennial Club and a 10% discount for students and the unemployed.
Applications must be made using the appropriate application form outlining relevant experience and/or by submitting a portfolio.
Applications taken up till the available quota at firstname.lastname@example.org
ANDREJ ŠKUFCA: BLACK MARKET
19. 5.–16. 8. 2020
Black Market by Andrej Škufca is a sculptural installation based on modular iterations. Its body represents a futuristic animal composed of our contemporary biotechnical debris – of oil pipelines, ocean fibre optic cables, eels, exoskeletons and the earliest forms of tubular multicellular micro-organisms.
Curator: Àngels Miralda
The Black Market exhibition is on view free of charge until the end of May.
Andrej Škufca: Zero Hedge (2019),