MGLC has the largest Slovene collection of fine art prints and original publications produced after the Second World War. It is the only public collection of modernist prints in Slovenia, containing more than 10,000 pieces.
The majority of the collection is represented by the donations of the artists that have exhibited at the International Biennials of Graphic Arts. Among them are members of the École de Paris, representatives of the COBRA avant-garde movement, artists of Eastern Europe and other internationally renowned artists. The collection also contains the complete or partial print oeuvres of Vladimir Makuc, Janez Bernik, Danilo Jejčič, Bogdan Borčić, Jože Ciuha, Lojze Spacal, Andrej Jemec, Tinca Stegovec, as well as others.
An important part is represented by the collection of art publications, which accounts for about 4,000 pieces – artists’ books, book works, art journals and magazines, newspaper projects, posters and invites, photographic publications, postcards, stamps, stickers, prints, photocopies, sound art CDs, as well as accompanying literature. The collection was formed in 2001 when the Institut Français loaned 378 works by the avant-gardes artists of the 1960s and 1970s.
MGLC also holds in its collection 425 units from the museum in progress collection of original newspaper projects published in Der Standard newspaper between 1990 and 2002.
Watch out! Wet print! #9
Pri Zlatem stegnu (Nataša and Katja Skušek): Unicorns Come and Unicorns Go
7. 11.–4. 12. 2017
Tuesday, 7 November, at 5 pm
the TAM-TAM Street Gallery at Vegova (opposite Glasbena matica)
Pri Zlatem stegnu, they play about with taste. In fact, they play about with the taste for food and the taste for art.
Pri Zlatem stegnu is an art project by Nataša and Katja Skušek, which has been ongoing since 2004 in various forms, from spatial installations, to video works, objects, photo-collages, fine art graphic prints, drawings and performances. The project brings the questions related to food preparation and eating as the basic human need to the forefront in a humorous and light manner.
Pri Zlatem stegnu: Unicorns Come and Unicorns Go.
Boris Jesih: Connections
30. 11. 2017–11. 3. 2018
Boris Jesih (1943) established himself as an artist at the end of the 1960s as part of the expressive figuration circle of painters. Under the influence of pop art, he responded to the characteristics of the spirit of the time with his geometric transformation of everyday objects, later also turning predominantly to landscape. As a printmaker, he excels in the techniques of relief printing and flat printing, with superior results in colour lithography. As a prize winner of the 13th International Biennial of Graphic Arts in 1979 (special prize for a young artist), he attracted attention with his series of lithographs, a set of which is part of the MGLC collection. Beside the lithographs, the retrospective exhibition also presents drawings, paintings and photographs, which highlight the connections between his creative process and his works.
Boris Jesih: A Doors (1983, color lithography).
The 32nd Biennial of Graphic Arts: Birth as Criterion
THE PRIZES OF THE 32ND BIENNIAL OF GRAPHIC ARTS HAVE BEEN AWARDED
The Grand Prize winner of the 32nd Biennial of Graphic Arts is Alejandro Paz, for the work Hypodermic (2017, intervention), the work was made for the 32nd Biennial of Graphic Arts.
The recipient of the Research Residency Award is Carlos Monroy, for the work Baphomet. One single birth made incarnate. (2017, performance and video installation), the work was made for the 32nd Biennial of Graphic Arts.
The jury of the 32nd Biennial of Graphic Arts:
Anne Barlow, Mike Cooter, Bige Örer in Maruša Sagadin.
The recipient of the Audience Award of the 32nd Biennial of Graphic Arts is american artist Christopher Myers, for the work Detritus of Dreams (2016).
Alejandro Paz: Hypodermic (2017).
Photo: Jaka Babnik. MGLC Archive.