ŠVICARIJA CREATIVE CENTRE

The International Centre of Graphic Arts received the Švicarija Creative Centre into its care on 9 May 2017. The renovated building was the venue of the 32nd Biennial of Graphic Arts, and its first users moved into the art studios at the end of last year.

The Švicarija Creative Centre represents an extension of the central institution, both in terms of space and content. With the newly acquired unit, possibilities are being opened up for the International Centre of Graphic Arts to establish new ways of communicating with visitors as well as presenting and interpreting new artistic expressions. Contemporary art, which is at the International Centre of Graphic Arts considered in all its forms that intertwine with the printmaking medium, has with the Švicarija Creative Centre gained new leverage for further intensive development. The presence of artists, whether in the studio, workshops or expert meetings, promotes a direct and two-way flow of knowledge and experience between creators and visitors.

The Švicarija Creative Centre residency programme is closely linked to the location and history of the building, which already held an operative role as a production space in the past decades. Today, it once again provides a temporary studio space to thirteen Slovenian artists (Nika Autor, Anja Jerčič, Neža Knez, Damijan Kracina, Silvan Omerzu, Tanja Pak, Silvester Plotajs Sicoe, Marija Mojca Pungerčar, Ana Sluga, Zora Stančič, Martina Štirn, Miha Štrukelj, Veljko Zejak), while introducing an international residency programme for which three live-in studios are intended that will host several foreign artists and other arts professionals every year. Various types of residency programmes are planned to this end, lasting from two weeks to six months, while guest residents are selected according to various principles: artists working with MGLC in the concept and implementation of the programme, those selected in an open call, or guests who are part of inter-institutional exchanges.

The vision of the newly acquired unit and its activities is based on an understanding of the specific socio-historical contexts within which Švicarija took on its various roles. Through the historical perspective, it outlines itself as a space of hospitality, welcome, coexistence, exchange and transformation. By thinking of the needs of the present time, the Švicarija Creative Centre continues and develops these ideas and values. It is our wish for a new cultural, educational and social centre in Ljubljana to be born at the crossroads between the International Centre of Graphic Arts and the Švicarija Creative Centre.

 

Photo: Urška Boljkovac, MGLC Archive.

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ALEJANDRA PIZARNIK, NOCTURNAL SINGER

The book Cantora nocturna / Nocturnal Singer, which presents the work of the cult Argentinian poet Alejandra Pizarnik (1936–1972) in a bilingual Spanish-Slovenian edition, has been published. The book was one of the projects of the 32nd Biennial of Graphic Art: Birth as Criterion.

It offers a representative selection of the poet’s work from all her poetry collections and from the poems that had not yet been collected into books, her essential prose Bloody Countess and notes in which she spoke about her work.

The editor of the book is Miklavž Komelj; its translators are Nada Kavčič and Miklavž Komelj. The essays on the poet and her creations have been contributed by Nada Kavčič, Miklavž Komelj and Yucef Merhi. The book was designed by Ivian Kan Mujezinović.

EVENING WITH MANCA KOŠIR: STORIES ABOUT BOOKS AND PEOPLE

Tuesday, 11 December, at 6 pm

Guests: multimedia artist Eva Petrič, scientist dr Miha Kos and translator Luka Krek
Music: duo Čemomka

 

Milton Glaser, Posters

23. 11. 2018–3. 3. 2019
opening: Friday 23 November, at 1 pm

The artist and his posters will be presented at the opening by the expert of visual communications, Petra Černe Oven, PhD.

Milton Glaser (1929, New York) is one of most important graphic designers in the world, who has designed hundreds of corporate images, magazines, newspapers, books, LP covers, and has created thousands of posters during his career spanning over fifty years. He has been inscribed into the world history of design with his iconic “I love NY” logo. Milton Glaser has decided to donate thirty-five original posters (created between 1966 and 2016) to the City of Ljubljana, which will enrich the collection of the International Centre of Graphic Arts after the exhibition.

A special thanks on the occasion of the exhibition goes to Mirko Ilić, who came up with the idea for the donation in 2017, when he was hosted at the Festival of Tolerance as a lecturer and the author of the TOLERANCE exhibition. The show is organised every year by Mini teater and the Ljubljana Jewish Cultural Centre with the support of the City of Ljubljana (MOL).

GUIDED TOUR OF THE EXHIBITION BY Nathalie Du Pasquier

Tuesday, 18 December, at 5 pm
admission payable to view the exhibition, guided tour free of charge

The guided tours are conducted in Slovenian (beginning at 5 pm) and in English (beginning at 5.30 pm), led by Museum Information Officer, Gregor Dražil.


Photo: Urška Boljkovac. MGLC Archive.

30. 11. 2018–3. 3. 2019
opening: Friday November 30, at 1 pm

The opening will be accompanied by a guided tour given by the artist Nathalie Du Pasquer and the curator of the exhibition Kate Sutton.

Nathalie Du Pasquier’s compositions transform the interiors of the International Centre of Graphic Arts into a series of immersive microenvironments, sampling from over three decades of the artist’s paintings, prints, drawings and murals, as well as a new series of silkscreen prints, which was produced precisely in the screen-printing studio of the International Centre of Graphic Arts in Ljubljana.

Du Pasquier first made her name with vibrant, eye-catching graphics and textile prints shaped by the artist’s eclectic influences, boundless imagination and impulse towards experimentation. Since the late 1980s, she has focused primarily on painting, building up a tremendous body of work, much of which has yet to be exhibited publicly. Fair Game shuns a chronological ordering in favor of forging more intuitive formal affinities between the various series. Assorted elements or objects appear and reappear in different compositional configurations, like a card in a deck that takes on new powers and limitations with each hand dealt. This visual vocabulary is distilled in a new series of silkscreen printed modules – or as the artist calls it, “virtual furniture.”

Curator of the exhibition is Kate Sutton.


Nathalie Du Pasquier: Mensola piena, 2011, oil on canvas.