Alejandra Pizarnik, Nocturnal Singer 
 

Cantora nocturna / Nocturnal Singer, in a bilingual Spanish-Slovenian edition presenting the work of the cult Argentinian poet Alejandra Pizarnik (1936–1972), has answered the question as to why poetry today: “We need a space in which the impossible becomes possible.” Her entire poetic oeuvre can be read as the evocation of this transformation in the battle against opaqueness and in the desire to create “a writing thick with insufferableness, to choking, yet only made of subtle ties, that would allow the innocent coexistence of subject and object at the same level, as well as the abolition of the usual boundaries that separate me, you, he, we, you, they.”

The book was published as one of the projects of the 32nd Biennial of Graphic Arts: Birth as Criterion. The idea for it was born when Venezuelan artist Yucef Merhi, one of the pioneers of digital art in Latin America and a great enthusiast of Alejandra Pizarnik, was on the MGLC residency in Ljubljana and he met the translators of her poetry into the Slovenian language.

The editor of the book is Miklavž Komelj. In the translation of Nada Kavčič and Miklavž Komelj, Nocturnal Singer offers a representative selection of the poet’s work from all her poetry collections and from the poems that had not yet been collected into books, her essential prose Bloody Countess and notes in which she spoke about her work. What makes the edition particularly special are the unpublished letters to American writer and poet Djuna Barnes, which are published in this edition for the first time. These are followed by the essays of Miklavž Komelj, Nada Kavčič and Yucef Merhi, who also contributed seven digital art prints. In addition, the visual reproductions of the manuscripts and drawings by Alejandra Pizarnik and the drawings of Silvina Ocampo are also included.

The book has 500 pages, with 150 pages of accompanying text that opens up new views of the poet. This, and all the unpublished material, could make it interesting not only for the Slovenian but also for the Spanish-speaking audience.

The book was designed by Ivian Kan Mujezinović.


Photo: Nejc Ketiš. MGLC Archive.


Yuceef Merhi: Works and Nights (1–7), prints, produced with software, 2012.

 

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ARCHIVE

SUMMER IN TIVOLI PROGRAMME

Photo: Urška Boljkovac. Archive: MGLC.

Tuesday Concerts
Every Tuesday, 7.–28. 7., 20.00, in front of Grad Tivoli

Thursday Concerts
Every Thursday, 2.–23. 7., 21.00, in front of Švicarija

Films in the Woods
Every Sunday, 26. 7.–16. 8., 21.00, in front of Švicarija

Touring the Exhibition Together
Every Tuesday, 7. 7.–11. 8., 18.00, Grad Tivoli & Švicarija

Spoon Prints
Every Thursday, 2. 7.–27. 8., 18.00, in front of MGLC

Summer in the Grass
Every Tuesday and Thursday, 2. 7.–27. 8., 15.00–20.00, in front of Švicarija

The Body in Movement
Every Wednesday, 1. 7.–26. 8., 19.00–20.00, starting point in front of MGLC

Drop-in Friday Workshops
Every Friday, 3. 7.–28. 8., 10.00–12.00, in front of Grad Tivoli and Švicarija

Puppet Night
Wednesday, 8. 7., 19.00–21.00, in front of Švicarija

PovezujeM/Tivoli Creative Circle
Monday–Friday, 24.–28. 8., 8.00–16.00, Grad Tivoli and Švicarija

Experimental Printmaking at the End of the Promenade
Monday–Friday, 17. –21. 8., 9.00–13.00, Grad Tivoli

SUMMER IN TIVOLI PRIZE-WINNING GAME

Join us and colour your summer 2020. Make it unforgettable! We invite you to post photos from the events and exhibitions Summer in Tivoli on Facebook and Instagram by adding @MGLC Ljubljana and the #poletjevtivoliju hashtag. The photos must be made public so that we can find them. Some of the participating photos will be chosen and awarded. The winners will be announced on 31 August 2020.

Photo: Urška Boljkovac. Archive: MGLC.

BLACK MARKET

19. 5.–16. 8. 2020

Black Market by Andrej Škufca is a sculptural installation based on modular iterations. Its body represents a futuristic animal composed of our contemporary biotechnical debris – of oil pipelines, ocean fibre optic cables, eels, exoskeletons and the earliest forms of tubular multicellular micro-organisms. 
Curator: Àngels Miralda


Andrej Škufca: Zero Hedge (2019),

Visitors, please be aware!

As of 25 June, wearing a mask in public enclosed spaces has again become obligatory.

We look forward to your visit and will adhere to all security measures to protect visitors and the MGLC team. We will ask you to follow the instructions for preventing the spread of infection in accordance with the instructions of the National Institute of Public Health (NIJZ) during visiting time, wear a protective mask during your visit, disinfect your hands when entering and keep the prescribed distance between yourself and others. 

We also ask you to visit only if you a free of any signs of illness.