Pilar Quinteros: Cathedral of Freedom

Starting point: the boat barrier on the Ljubljanica River at the Mortuary Bridge
Course of navigation: Mortuary Bridge – Butchers’ Bridge – Mortuary Bridge
Saturday, 25 July, at 10 am

In 1947, during the time of Yugoslavia, Slovenian architect Jože Plečnik proposed a draft for a new Slovenian Parliament in Ljubljana called the Plečnik Parliament or the Cathedral of Freedom, which is also the title of the project by Chilean artist Pilar Quinteros at the 31st Biennial of Graphic Arts. However, his proposal was rejected due to financial, logistic and stylistic reasons. A new open call for submissions was released in order to find the final form and the building of the Slovenian Parliament as we know it today became the winning project. Nevertheless, Plečnik’s draft remained enshrined in the collective memory and can today be seen on the Slovenian 10 cent coin, even though the project was never developed.

The project by Pilar Quinteros tries to reconstruct the model of Plečnik’s draft using lightweight materials (such as cardboard), covered with waterproof materials. Cathedral of Freedom will be installed on a raft produced by the artist herself, which she will release on the Ljubljanica River. Hence the building will not only be the first volumetric presence in the city, but will also “visit” different places without having to be anywhere for too long, since there is no room for it in the city’s urban plan. The raft, which the artists produced in Ljubljana in its entirety, is made from wood and recycled plastic bottles.

As the artist says: “My project is about a building with no space to be that, moving aimlessly across the waters of Ljubljana.”

Pilar Quinteros

In cooperation with the Ljubljana Association of River Captains.

Biography Pilar Quinteros

Pilar Quinteros was born in 1988 in Santiago, Chile. She studied Art at the Pontificia Universidad Católica de Chile gaining her degree in 2011. She has been working at the same institution for the past few years as a teaching assistant on a number of courses including Colour, Drawing and the Thesis Workshop.
She is a co-founder and active member of the MICH (International Museum of Chile) art collective, which is a multidisciplinary collective dedicated to generating reflective projects, art spaces and artwork. She is the winner of the Jean-Claude Reynal Scholarship (2012) for artists working in paper awarded by the Fondation de France and the Fine Arts Museum of Bordeaux, the third place winner of the CCU Art Scholarship (2013), and the finalist for the Future Generation Art Prize awarded by PinchukArtCentre, Kiev, Ukraine (2014).

She has shown her work in venues such as the National Fine Arts Museum (Media Arts Biennial, Santiago, Chile, 2013), the Museum of Contemporary Art (Santiago, Chile, 2010), ArteBA (Buenos Aires, Argentina 2012), Casa de las Américas (Havana, Cuba, 2013), PinchukArtCentre (Kiev, Ukraine, 2014) and Carlos/Ishikawa Gallery (London, UK, 2015).
In her work, Pilar Quinteros uses building materials such as cardboard, wood, fibreglass and plastic, among others, many of which have been discarded, to create volumes by hand. The latter represents an important aspect of her work, as she values the thinking and understanding that emerge from a direct relationship to the production processes. By involving herself both mentally and physically in the process of creation, the result is ultimately the product of her daily routine and a full life experience. At the same time, the artist turns to video to record the actions and interventions that she undertakes in diverse contexts (public spaces, uninhabited sites, etc.) as a way of sharing with others.
Her work is dedicated to understanding our immediate universe and the transformations it undergoes over time. This has led her to think and analyze how all the things that we are used to (cities, objects, cultural imaginaries of all kinds) change with the passing of the years. Her aesthetic and visual analysis of these transformations takes as its point of departure the idea that the collective imaginary is a construction in the widest sense of the word, able not only to create fictions, but also to believe them.

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Exhibition by Prešeren Fund Award Winner Tinca Stegovec

Opening, Friday, 10 March, at 6 pm, Gallery of the Prešeren Award Winners, Kranj

10 March–15 April 2017

You are cordially invited to the opening and viewing of the exhibition of prints by Tinca Stegovec, academy-trained painter and printmaker, and Prešeren Fund Award winner for 1976. The artist and her work will be presented at the opening by dr. Milček Komelj and mag. Breda Škrjanec. The exhibition includes 45 fine art graphic prints from the period between 1964 and 1984.

The exhibition was produced in cooperation with the International Centre of Graphic Arts on the occasion of the artist's life jubilee.

Tinca Stegovec is a Slovene painter and printmaker, a follower of the Ljubljana School of Graphic Arts. In 2010, she donated her entire printmaking oeuvre together with matrices and four drawings, as well as a large portion of her specialist library, to MGLC. The exhibition Tinca Stegovec, Prints and Drawings from the MGLC Collection followed a year after that, which was the first comprehensive presentation of the artist's printmaking oeuvre, placing her in the historical canon of modern Slovenian printmaking, within which the excellence of her colour aquatints had not come to full force in the past. In addition to her aquatints, the display also included woodcuts, lithographs, etchings, soft-ground etchings, matrices and drawings.

Tinca Stegovec: In the Harbour, 1974, etching and aquatint.

WATCH OUT! WET PRINT! #2

Mina Fina: Za vse je pravi čas / If only for the joy of my sadness

4. 4.–9. 5. 2017, the TAM-TAM Street Gallery at Vegova (opposite Glasbena matica)

opening event:
Tuesday, 4 April, at 5 pm

The project Za vse je pravi čas / If only for the joy of my sadness is based on the visual density of the space formed by the artist with the silhouettes of plants and human bodies. The plants, with their pristine appearance, simplicity of form, intertwining and complexity build up impassable, overgrown and lush landscapes in a contrasting environment of light and shadow. They include the flat and empty silhouettes of human figures, stripped of detail, but with an emphasised body language, in unnatural and played-out poses.

Mina Fina: This mess we’re in.
Photo: Žiga Mihelčič. MGLC Archive.

 

 

 

Watch out! Wet print! #1

Last week to see the exhibition:

Matjaž Wenzel: Men Face Down

7. 3.–3. 4. 2017, the TAM-TAM Street Gallery at Vegova (opposite Glasbena matica)

opening event: Tuesday, 7 March, at 5 pm

The exhibition begins the third season of the TAM-TAM Street Gallery at Vegova ulica in Ljubljana. In 2017, its curatorship has been taken on by the International Centre of Graphic Arts. Through our selection of artists and works, we are highlighting contemporary printed art. The cycle has been curated by Božidar Zrinski. In the past two years, twenty-five artists have been presented as part of the By The Way cycle under the auspices of Kino Šiska. On this occasion, a concluding catalogue to the project, Street Gallery LJ2016, will also be available to view.

The photographic project Men Face Down explores the phenomenon of the human figure lying-down in the public space and its effect within it, as the figure omits to take the usual vertical/standing pose, but finds itself in a horizontal – lying-down position. The depicted subjects include anonyms as well as carefully selected people from the public and cultural life. Their attitude towards the environment is expressed within an intimate, hermetic relationship in some cases, and as a recognizable commentary in others. The selection of the locations of the stagings stems either from the artist's suggestion or the choice of the subject, who experiences the chosen space as a place invested with an emotional or intellectual relationship.

Matjaž Wenzel (1973) is an artist working in the field of photography, video and graphic design. He has designed many books and book covers. He was the recipient of the best book design award in 2007 and 2016, and the Glazer Award in 2011. His photographic works have been presented in several solo and selected group exhibitions at home and abroad, and he was also a finalist for the OHO Award in 2007. He lives and works in Maribor. He is currently also showing his work in the Zines!, Contemporary Zine Production exhibition.

In co-operation with TAM-TAM Company.