Pilar Quinteros: Cathedral of Freedom

Starting point: the boat barrier on the Ljubljanica River at the Mortuary Bridge
Course of navigation: Mortuary Bridge – Butchers’ Bridge – Mortuary Bridge
Saturday, 25 July, at 10 am

In 1947, during the time of Yugoslavia, Slovenian architect Jože Plečnik proposed a draft for a new Slovenian Parliament in Ljubljana called the Plečnik Parliament or the Cathedral of Freedom, which is also the title of the project by Chilean artist Pilar Quinteros at the 31st Biennial of Graphic Arts. However, his proposal was rejected due to financial, logistic and stylistic reasons. A new open call for submissions was released in order to find the final form and the building of the Slovenian Parliament as we know it today became the winning project. Nevertheless, Plečnik’s draft remained enshrined in the collective memory and can today be seen on the Slovenian 10 cent coin, even though the project was never developed.

The project by Pilar Quinteros tries to reconstruct the model of Plečnik’s draft using lightweight materials (such as cardboard), covered with waterproof materials. Cathedral of Freedom will be installed on a raft produced by the artist herself, which she will release on the Ljubljanica River. Hence the building will not only be the first volumetric presence in the city, but will also “visit” different places without having to be anywhere for too long, since there is no room for it in the city’s urban plan. The raft, which the artists produced in Ljubljana in its entirety, is made from wood and recycled plastic bottles.

As the artist says: “My project is about a building with no space to be that, moving aimlessly across the waters of Ljubljana.”

Pilar Quinteros

In cooperation with the Ljubljana Association of River Captains.

Biography Pilar Quinteros

Pilar Quinteros was born in 1988 in Santiago, Chile. She studied Art at the Pontificia Universidad Católica de Chile gaining her degree in 2011. She has been working at the same institution for the past few years as a teaching assistant on a number of courses including Colour, Drawing and the Thesis Workshop.
She is a co-founder and active member of the MICH (International Museum of Chile) art collective, which is a multidisciplinary collective dedicated to generating reflective projects, art spaces and artwork. She is the winner of the Jean-Claude Reynal Scholarship (2012) for artists working in paper awarded by the Fondation de France and the Fine Arts Museum of Bordeaux, the third place winner of the CCU Art Scholarship (2013), and the finalist for the Future Generation Art Prize awarded by PinchukArtCentre, Kiev, Ukraine (2014).

She has shown her work in venues such as the National Fine Arts Museum (Media Arts Biennial, Santiago, Chile, 2013), the Museum of Contemporary Art (Santiago, Chile, 2010), ArteBA (Buenos Aires, Argentina 2012), Casa de las Américas (Havana, Cuba, 2013), PinchukArtCentre (Kiev, Ukraine, 2014) and Carlos/Ishikawa Gallery (London, UK, 2015).
In her work, Pilar Quinteros uses building materials such as cardboard, wood, fibreglass and plastic, among others, many of which have been discarded, to create volumes by hand. The latter represents an important aspect of her work, as she values the thinking and understanding that emerge from a direct relationship to the production processes. By involving herself both mentally and physically in the process of creation, the result is ultimately the product of her daily routine and a full life experience. At the same time, the artist turns to video to record the actions and interventions that she undertakes in diverse contexts (public spaces, uninhabited sites, etc.) as a way of sharing with others.
Her work is dedicated to understanding our immediate universe and the transformations it undergoes over time. This has led her to think and analyze how all the things that we are used to (cities, objects, cultural imaginaries of all kinds) change with the passing of the years. Her aesthetic and visual analysis of these transformations takes as its point of departure the idea that the collective imaginary is a construction in the widest sense of the word, able not only to create fictions, but also to believe them.

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ARCHIVE

European Heritage Days

Uncovering the Sculptural Heritage of Tivoli Park

Sunday, 27 September, at 10.30 am,
in front of Moderna galerija

A new leaflet will be presented, providing visitors with a personal experience of uncovering the sculptural image of Tivoli, along with the many details of the park’s art heritage. The visible, but often overlooked or even invisible sculptures (disappeared or relocated), which, in addition to their aesthetic note, also illustrate the social history of this famous park area.

On the guided stroll, the authors of the leaflet – Gojko Zupan (author of the list and descriptions of the individual sculptures), Tadej Vaukman (author of the photographs) and Yasmín Martín Vodopivec (author of the conceptual draft) – will acquaint you with some interesting facts about the sculptural depictions in Tivoli Park that echo the community, art and nature ethos, which is the foundation of the mission of the cultural heritage programme at Švicarija.


Photo: Tadej Vaukman. MGLC Archive.

 

 

NEW WAVE FRENCH COMICS

Lecture and presentation of the Tinta comics festival programme

Tuesday, 29 September, at 7 pm, MGLC Švicarija
Free of charge

France, the so-called Mecca of European comics, has declared 2020 as the year of comics. The Tinta Ljubljana Comics Festival has also joined in the celebration.

A short lecture by Izar Lunaček will acquaint you with the new wave in French comics – a phenomenon that flooded and shook the Gallic comics scene at the turn of the millennium, giving rise to the key authors of the recent decades: Joann Sfar, Kerascoet, Manu Larcenet, David B, and of course Lewis Trondheim, who will be hosted on Skype this year, in a book, and through a display of original works at MSUM.

The pre-festival gathering will present the highlights of this year’s festival – promising exhibitions, talks and workshops, as well as prominent authors, including the French guests Fanny Dalle Rive and Anne Baraou.

The lecture and presentation will take place in the courtyard in front of Švicarija, and in Švicarija’s Great Hall in the case of rain.

The event is organised following the recommendations of the National Institute of Public Health (NIJZ) and visitors are asked to respect them. To participate, please give us advance notice of your attendance by writing to: stripolislovenija@gmail.com

Welcome!

Workshops accompanying the exhibition Nora Turato, eto ti na

You are invited to join us for the performance workshop and the voiceful workshop in the accompanying programme of the Nora Turato exhibition, eto ti na.

I’m not a kid anymore, give me power
performance workshop

Saturday, 10 October, 10.00–16.00, MGLC Švicarija
Executed by Katarina Stegnar, actress, mover and performer

The number of participants is limited to a maximum of 15 people. Bookings must be made by writing to lili.sturm@mglc-lj.si
Free of charge.

More


Photoarchive by Katarina Stegnar.

Moved by Voice
voice workshop

Thursday, 22 October, 17.00–20.00, MGLC Švicarija

Executed by Irena Tomažin, singer, dancer and performer.

The number of participants is limited to a maximum of 15 people. Bookings must be made by writing to lili.sturm@mglc-lj.si
The participation fee for the workshop is a paid ticket for the exhibition.

More


Festival Out of the Toolbox, Gent.