Pilar Quinteros: Cathedral of Freedom

Starting point: the boat barrier on the Ljubljanica River at the Mortuary Bridge
Course of navigation: Mortuary Bridge – Butchers’ Bridge – Mortuary Bridge
Saturday, 25 July, at 10 am

In 1947, during the time of Yugoslavia, Slovenian architect Jože Plečnik proposed a draft for a new Slovenian Parliament in Ljubljana called the Plečnik Parliament or the Cathedral of Freedom, which is also the title of the project by Chilean artist Pilar Quinteros at the 31st Biennial of Graphic Arts. However, his proposal was rejected due to financial, logistic and stylistic reasons. A new open call for submissions was released in order to find the final form and the building of the Slovenian Parliament as we know it today became the winning project. Nevertheless, Plečnik’s draft remained enshrined in the collective memory and can today be seen on the Slovenian 10 cent coin, even though the project was never developed.

The project by Pilar Quinteros tries to reconstruct the model of Plečnik’s draft using lightweight materials (such as cardboard), covered with waterproof materials. Cathedral of Freedom will be installed on a raft produced by the artist herself, which she will release on the Ljubljanica River. Hence the building will not only be the first volumetric presence in the city, but will also “visit” different places without having to be anywhere for too long, since there is no room for it in the city’s urban plan. The raft, which the artists produced in Ljubljana in its entirety, is made from wood and recycled plastic bottles.

As the artist says: “My project is about a building with no space to be that, moving aimlessly across the waters of Ljubljana.”

Pilar Quinteros

In cooperation with the Ljubljana Association of River Captains.

Biography Pilar Quinteros

Pilar Quinteros was born in 1988 in Santiago, Chile. She studied Art at the Pontificia Universidad Católica de Chile gaining her degree in 2011. She has been working at the same institution for the past few years as a teaching assistant on a number of courses including Colour, Drawing and the Thesis Workshop.
She is a co-founder and active member of the MICH (International Museum of Chile) art collective, which is a multidisciplinary collective dedicated to generating reflective projects, art spaces and artwork. She is the winner of the Jean-Claude Reynal Scholarship (2012) for artists working in paper awarded by the Fondation de France and the Fine Arts Museum of Bordeaux, the third place winner of the CCU Art Scholarship (2013), and the finalist for the Future Generation Art Prize awarded by PinchukArtCentre, Kiev, Ukraine (2014).

She has shown her work in venues such as the National Fine Arts Museum (Media Arts Biennial, Santiago, Chile, 2013), the Museum of Contemporary Art (Santiago, Chile, 2010), ArteBA (Buenos Aires, Argentina 2012), Casa de las Américas (Havana, Cuba, 2013), PinchukArtCentre (Kiev, Ukraine, 2014) and Carlos/Ishikawa Gallery (London, UK, 2015).
In her work, Pilar Quinteros uses building materials such as cardboard, wood, fibreglass and plastic, among others, many of which have been discarded, to create volumes by hand. The latter represents an important aspect of her work, as she values the thinking and understanding that emerge from a direct relationship to the production processes. By involving herself both mentally and physically in the process of creation, the result is ultimately the product of her daily routine and a full life experience. At the same time, the artist turns to video to record the actions and interventions that she undertakes in diverse contexts (public spaces, uninhabited sites, etc.) as a way of sharing with others.
Her work is dedicated to understanding our immediate universe and the transformations it undergoes over time. This has led her to think and analyze how all the things that we are used to (cities, objects, cultural imaginaries of all kinds) change with the passing of the years. Her aesthetic and visual analysis of these transformations takes as its point of departure the idea that the collective imaginary is a construction in the widest sense of the word, able not only to create fictions, but also to believe them.

Enter your e-mail:
ARCHIVE

CALL FOR APPLICATIONS FOR VISUAL ARTISTS AT THE ŠVICARIJA CREATIVE CENTRE

The Švicarija Creative Centre and MGLC are looking for a visual artist, who will attend a one-month residency programme in Ljubljana. The candidate we are seeking ideally works across different mediums and genres, touches upon the notions of “community, nature and art” in their work, and/or whose practice is focused on the themes of social engagement, right to information and/or independent journalism.

Call for applications - full text

The deadline for applications is 18 February 2019.

The period of the residency is 1–30 November 2019.

Additional information:
miha.colner@mglc-lj.si or
+386 (0)30 708 469

CALL FOR APPLICATIONS FOR ART CRITICS / CULTURAL JOURNALISTS AT THE Švicarija Creative Centre

Švicarija Creative Centre and MGLC Ljubljana are looking for an art critic or cultural journalist, who is active in writing and publishing reviews and/or other forms of art writing in an international context. We are therefore aiming to host a critic or journalist, who has an interest in the vibrant art scene of Ljubljana and who is able to produce at least two (2) pieces of writing (reviews, interviews, columns, etc.) on selected artworks or art events in Ljubljana over the course of the residency. The articles are to be published in the English language in a relevant magazine (printed or online), radio, television or personal blog. We will select the candidate, who will provide the best possible outreach for the articles produced during the one-month “critic in residency” period in Ljubljana.

Call for applications - full text

Deadline for applications is 18 February 2019.

The period of the residency is 1–31 October 2019.

Additional information:
miha.colner@mglc-lj.si or
+386 (0)30 708 469


Foto: Jaka Babnik. Arhiv  MGLC.

Call for applications for an artist residency in Norway

MGLC/Švicarija Creative Centre and NKD/Nordic Artists’ Centre Dale are publishing a call for submissions for an artist residency in Norway in 2019.

On the basis of an inter-institutional exchange between the Švicarija Creative Centre (MGLC, Ljubljana) and the NKD Dale artist-in-residence centre (Dale, Norway), we invite visual and/or intermedia artists from Slovenia, or those that live and work here, to apply for an artist residency in Norway. The selected artist will take part in a two-month artist residency at the NKD Dale artist-in-residence centre, which operates under the auspices of the Norwegian Ministry of Culture. As part of the reciprocal exchange of residency artists between MGLC, Ljubljana and NKD Dale, a selected Norwegian artist will be staying at the residence in Ljubljana during the summer months, while an artist from Slovenia will take up their residency in Norway.

Entire call for submissions

The deadline for applications is 11 February 2019!

In all Directions

performance at the exhibition Fair Game

Sunday, February 17, at 4 pm

The Korean dancer Yong Min Cho will carry out a dance intervention at the Fair Game exhibition based on the language of the body, setting up and articulating unusual and new trajectories among the individual artworks. Nathalie Du Pasquier has designed and selected some of the accessories that will be used in the performance by Yong Min Cho. These include graphic pieces reminiscent of road signs. And it is precisely these signs that have inspired the title Tutte le Direzioni – taken from an Italian road sign, which indicates the way leading in all directions.


Yong Min ChoOther Objects,
performance at the exhibition by Nathalie Du Pasquier, Other Rooms 
(Camden Arts Center: September 2017 - January 2018). Photo by: Camden Arts Centre.

Guided tour with Kate Sutton, the curator of the exhibition
Tuesday, 26 February at 5 pm


Photo: Urška Boljkovac. MGLC Archive.

NATHALIE DU PASQUIER, FAIR GAME

30. 11. 2018–3. 3. 2019

Nathalie Du Pasquier’s compositions transform the interiors of the International Centre of Graphic Arts into a series of immersive microenvironments, sampling from over three decades of the artist’s paintings, prints, drawings and murals, as well as a new series of silkscreen prints, which was produced precisely in the screen-printing studio of the International Centre of Graphic Arts in Ljubljana.

Du Pasquier first made her name with vibrant, eye-catching graphics and textile prints shaped by the artist’s eclectic influences, boundless imagination and impulse towards experimentation. Since the late 1980s, she has focused primarily on painting, building up a tremendous body of work, much of which has yet to be exhibited publicly. Fair Game shuns a chronological ordering in favor of forging more intuitive formal affinities between the various series. Assorted elements or objects appear and reappear in different compositional configurations, like a card in a deck that takes on new powers and limitations with each hand dealt. This visual vocabulary is distilled in a new series of silkscreen printed modules – or as the artist calls it, “virtual furniture.”

Curator of the exhibition is Kate Sutton.

ACCOMPANYING PROGRAMME TO THE EXHIBITION


Nathalie Du Pasquier: Mensola piena, 2011, oil on canvas.

 

 

THE LAST GUIDED TOUR OF THE EXHIBITION MILTON GLASER, POSTERS

Tuesday, February 19, at 5.30 pm
(in Slovene at 5 pm)
admission is free

Conducted by Gregor Dražil, Museum Information Officer.

Milton Glaser: I Love NY More Than Ever, 2001.

MILTON GLASER, POSTERS

23. 11. 2018–3. 3. 2019

Milton Glaser (1929, New York) is one of most important graphic designers in the world, who has designed hundreds of corporate images, magazines, newspapers, books, LP covers, and has created thousands of posters during his career spanning over fifty years. He has been inscribed into the world history of design with his iconic “I love NY” logo. Milton Glaser has decided to donate thirty-five original posters (created between 1966 and 2016) to the City of Ljubljana, which will enrich the collection of the International Centre of Graphic Arts after the exhibition.

A special thanks on the occasion of the exhibition goes to Mirko Ilić, who came up with the idea for the donation in 2017, when he was hosted at the Festival of Tolerance as a lecturer and the author of the TOLERANCE exhibition. The show is organised every year by Mini teater and the Ljubljana Jewish Cultural Centre with the support of the City of Ljubljana (MOL).

Accompanying Programme to the Exhibition


Milton Glaser, Posters, 2018.