Cycle of Guatemalan Film at the 32nd Biennial of Graphic Arts

 

Tuesday, 29 August, 17.00–21.00 (premiere), Švicarija Creative Centre
Sunday, 8 August, 16.00–20.00 (repeat screening), Švicarija Creative Centre

Free of charge.

The cycle of eight documentary, fiction and short films shows three views of the turbulent history of Guatemala: The period of the Civil War, the postwar period and the experimental age of Guatemalan film. The selector of the cycle is Alberto Rodríguez Collía, a participating artist in the 32nd Biennial of Graphic Arts.

Film evening programme
Mary Ellen Davis: The Devil's Dream (Las quimeras del Diablo)
Luis Argeta: Guatemalan Christmas (Navidad Guatemalteca)
Diego Sagastume: My Mom Rules
Evelyn Price in Loco González: Anatomically Correct (Anatómicamente correcto)
Julio Hernández Cordón: Dust (Polvo)                      
Teatro de los Vagos: The Intertidal Zone (La zona intertidal)
Juan Brenner in Byron Mármol: Joy Vincio
Carlos Amorales: Orellana's Fantasy

The viewing of the films is free of charge. There is one break with refreshments during the cycle.

 

THE DEVIL'S DREAM
Mary Ellen Davis
, Canada, 1992, 68'
Combining lyricism, realism and irony, this documentary explores the soul of this paradoxical country. We discover not only the beauty of the landscape, the people and their creative imagination, but also the wretched conditions of life, the spectre of violence and a pervasive sense of the absurd.
Guatemala is a society split between native and non-native, rich and poor, civil and military. Those who dare to protest, risk their lives. In this documentary, the people tell the story in their own words.

GUATEMALAN CHRISTMAS
Luis Argeta, Guatemala
, USA, 1976, 4'
In the middle of a house in ruins after the earthquake trembled, two women are preparing a ritual by killing a turkey. They proceed to serve its blood while we hear that a typewriter machine sound converts into a machine gun firing.

MY MOM RULES
Diego Sagastume
, Guatemala, 2010, 13'
On a flat roof, a bored child wanders completely alone, lurking for anything that may be a source of entertainment. Anything will work to kill the time in an almost desperate loneliness driven by abandon.

ANATOMICALLY CORRECT
Evelyn Price and Loco González
, Guatemala, 2016, 12'
This is a video that captures a non traditional theatre play that was performed in an abandoned house. Among the rubble, a woman erupts with a visceral monologue, crawls up the walls, slides on the floor trying to relieve herself of the pressure from a complicated existence lead by an oppressive society.

DUST
Julio Hernández Cordón
, Guatemala, Spain, Chile, Germany, 2012, 80'
A married couple produce a documentary about women looking for their husbands and fathers who disappeared during the Guatemalan Civil War. Amongst them, they meet Delfina and her son Juan. After sixteen years, the woman continues to search for her husband. The ghost of Juan's disappeared father chases him constantly, until he finds himself in danger of his own life and those of others.

THE INTERTIDAL ZONE
Teatro de los Vagos
, Guatemala, Salvador, 1980, 15'
A compromised teacher encourages his students to stand for what they believe in. We follow the courageous teacher in the period during the protests as he chats after class or grades students' papers alone in his quiet house. He lives close to the ocean, where the low tide sometimes reveals sombre surprises.

JOY VINCIO
Juan Brenner and Byron Mármol
, Guatemala, 2011, 14'
Through an intricate, complex and stylish perception, ten stories from the 1990s in Guatemala are reinterpreted. Some stories had a profound impact on a generation, others, on just a single person. Teenage sex tapes, an aristocrat murderer, or a magician hiding his sexual preferences to his family, are among the stories.

ORELLANA'S FANTASY
Carlos Amorales
, Mexico, 2013, 6'
Joaquín Orellana is a contemporary musician, his work spans for more than 50 years. He is renowned for creating very singular instruments that require a precise way of performing on them. He also had to create a new way of writing and reading music, a new method needed for a correct interpretation of his music. The vigorous and simplistic traces of this new alphabet, combined with its performance, remind of a beautiful choreographed dance.

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The Švicarija: Community, Art and Nature Project

The Secret Life of Books, literary panel discussion

Wednesday, 23 May, at 6 pm
Švicarija Creative Centre, admission free

The literary panel discussion cycle consists of monthly meetings and debates. We touch upon current topics that are in one way or another connected to the Švicarija Creative Centre through the selected books.

Ivan Cankar also lived, created and socialised in Švicarija. This time we will present him as a political activist and thinker, but
we will also take a peek into his private life.

The following invited guests are taking part in the debate: Marjetka Krapež and Andrej Koritnik; the debate is led by: Nika Kovač.

The books selected for debate is A Bouquer of Cankar's Letters.

Photo: Urška Boljkovac. MGLC Archive.

Sunday guided tour of the exhibition Švicarija: Community, Art and Nature in English

Sunday, 27 May at 3 pm

One-hour long guided tour with adaptations in the Slovenian language.
Conducted by art historian Matic Ferlan
admission: 2 eur

The Švicarija: Community, Art and Nature project, by which the Švicarija Creative Centre is being introduced into the cultural life of the capital, derives from three basic elements that have marked the history of the building: community, art and nature. The project consists of an exhibition and supplementary exhibition programme inspired by the building that actualises the history of Švicarija, in such a way providing the guidelines for its activities in the future.

The multifaceted exhibition consists of four sections: History, The Stojan Batič Memorial Studio, Architecture and Art. The exhibition takes us through the history and social life of the building, it presents us with activities of the artists in it and highlights its recent renovation. These sections are connected by the artwork.

Warmly invited!


Photo: Urška Boljkovac. MGLC Archive.

 

LEARNING ABOUT PROFESSIONS THROUGH THE CAMERA

22. 5.–3. 6. 2018

Lecture Room (MGLC ground floor)

The photographic exhibition Learning about Professions through the Camera arose as part of the photographic project Through My Eyes, organised for the fourth year in a row by the City Association of Friends of Youth Ljubljana under the guidance of Tanja Povšič and in cooperation with photographers Tina Ramujkić and Polona Ponikvar.

 

David Lynch: Fire on Stage

TOMORROW

David Lynch is a Slovenian
Round table on the influence of David Lynch on the Slovenian identity.

Tuesday, 24 May, at 6 pm
Švicarija Creative Centre
admission free

When the whispers started in public that MGLC was organising an exhibition of David Lynch in Ljubljana and, in fact, his first presentation as a visual artist in Slovenia, the first and foremost question was: Is he coming? At one of the preparatory meetings, we also presented the project to Marcel Štefančič Jr, who, among other things, immediately found the answer to the frequently asked question: But, he's already here! In an instant, the idea was born that David Lynch was actually a Slovenian. So, how much of the Slovenian is there in Lynch, and how much of Lynch is there in the Slovenian?

We will discuss this and similar questions in a talk with the following participating guests: Marcel Štefančič, Jr, film critic, television presenter and publicist; Mirt Komel, philosopher, sociologist and writer; Stojan Pelko, philosopher and sociologist, and Ana Jovanovič, philosopher and sociologist.

Tuesday guided tours of the exhibition

Tuesday, May 29, at 6 pm.

Every Tuesday in May and June
at 6 pm.
Every Tuesday in July at 7 pm.

Guided tours in Slovenian and English, conducted by Museum Information Officer, Gregor Dražil.

Occasionally also guided tours by curators and guests; please follow www.mglc-lj.si.

Admission payable

David Lynch: Fire on Stage

13. 4.–29. 7. 2018

The first presentation of the American film director, scriptwriter, photographer, painter, musician and printmaker David Lynch in Slovenia. The Fire on Stage show offers a selection of seventy fine art graphic prints produced in the lithography technique. The presentation is rounded off by paintings from private collections, watercolours, as well as a selection of experimental and animated films. What all the displayed works have in common is the intertwining of the surrealistic, expressive and grotesque, by which a Lynchian atmosphere is established. This is followed in the exhibition set-up with a stage-like feel conjured up by set designer Branko Hojnik.

Curator: Božidar Zrinski.


Photo: Urška Boljkovac. MGLC Archive.

(Psychodrama) Encounter with Lynch

Sunday, 27 May, 11.00–16.00

The workshop is part of the programme of the exhibition David Lynch, Fire on Stage.

The experiential workshop involves becoming acquainted with the main ideas about creativity from Lynch's book Catching the Big Fish along with psychodrama techniques. It is intended to actively explore one's own creativity through enactment. Would you like to (as you put yourself into their role) meet with your own ocean as well as the big and small creative fish in it, or perhaps even with Lynch himself?

The workshop is conducted by Tomi Janežič, theatre director and associate professor at the Academy of Theatre, Radio, Film and Television (AGRFT).

The workshop will be held in two parts with one break. Participants must be present from beginning to end. The number of applicants is limited. Advance bookings taken up till the available quota at lili.sturm@mglc-lj.si.

Admission fee: 5 EUR (ticket to view the exhibition)

Welcome!


Photo: Urška Boljkovac. MGCL Archive.

International Museum Day 

Friday, 18 May, 10.00–18.00

Free entrance on the exhibition
David Lynch, Fire on Stage.