Cycle of Guatemalan Film at the 32nd Biennial of Graphic Arts

 

Tuesday, 29 August, 17.00–21.00 (premiere), Švicarija Creative Centre
Sunday, 8 August, 16.00–20.00 (repeat screening), Švicarija Creative Centre

Free of charge.

The cycle of eight documentary, fiction and short films shows three views of the turbulent history of Guatemala: The period of the Civil War, the postwar period and the experimental age of Guatemalan film. The selector of the cycle is Alberto Rodríguez Collía, a participating artist in the 32nd Biennial of Graphic Arts.

Film evening programme
Mary Ellen Davis: The Devil's Dream (Las quimeras del Diablo)
Luis Argeta: Guatemalan Christmas (Navidad Guatemalteca)
Diego Sagastume: My Mom Rules
Evelyn Price in Loco González: Anatomically Correct (Anatómicamente correcto)
Julio Hernández Cordón: Dust (Polvo)                      
Teatro de los Vagos: The Intertidal Zone (La zona intertidal)
Juan Brenner in Byron Mármol: Joy Vincio
Carlos Amorales: Orellana's Fantasy

The viewing of the films is free of charge. There is one break with refreshments during the cycle.

 

THE DEVIL'S DREAM
Mary Ellen Davis
, Canada, 1992, 68'
Combining lyricism, realism and irony, this documentary explores the soul of this paradoxical country. We discover not only the beauty of the landscape, the people and their creative imagination, but also the wretched conditions of life, the spectre of violence and a pervasive sense of the absurd.
Guatemala is a society split between native and non-native, rich and poor, civil and military. Those who dare to protest, risk their lives. In this documentary, the people tell the story in their own words.

GUATEMALAN CHRISTMAS
Luis Argeta, Guatemala
, USA, 1976, 4'
In the middle of a house in ruins after the earthquake trembled, two women are preparing a ritual by killing a turkey. They proceed to serve its blood while we hear that a typewriter machine sound converts into a machine gun firing.

MY MOM RULES
Diego Sagastume
, Guatemala, 2010, 13'
On a flat roof, a bored child wanders completely alone, lurking for anything that may be a source of entertainment. Anything will work to kill the time in an almost desperate loneliness driven by abandon.

ANATOMICALLY CORRECT
Evelyn Price and Loco González
, Guatemala, 2016, 12'
This is a video that captures a non traditional theatre play that was performed in an abandoned house. Among the rubble, a woman erupts with a visceral monologue, crawls up the walls, slides on the floor trying to relieve herself of the pressure from a complicated existence lead by an oppressive society.

DUST
Julio Hernández Cordón
, Guatemala, Spain, Chile, Germany, 2012, 80'
A married couple produce a documentary about women looking for their husbands and fathers who disappeared during the Guatemalan Civil War. Amongst them, they meet Delfina and her son Juan. After sixteen years, the woman continues to search for her husband. The ghost of Juan's disappeared father chases him constantly, until he finds himself in danger of his own life and those of others.

THE INTERTIDAL ZONE
Teatro de los Vagos
, Guatemala, Salvador, 1980, 15'
A compromised teacher encourages his students to stand for what they believe in. We follow the courageous teacher in the period during the protests as he chats after class or grades students' papers alone in his quiet house. He lives close to the ocean, where the low tide sometimes reveals sombre surprises.

JOY VINCIO
Juan Brenner and Byron Mármol
, Guatemala, 2011, 14'
Through an intricate, complex and stylish perception, ten stories from the 1990s in Guatemala are reinterpreted. Some stories had a profound impact on a generation, others, on just a single person. Teenage sex tapes, an aristocrat murderer, or a magician hiding his sexual preferences to his family, are among the stories.

ORELLANA'S FANTASY
Carlos Amorales
, Mexico, 2013, 6'
Joaquín Orellana is a contemporary musician, his work spans for more than 50 years. He is renowned for creating very singular instruments that require a precise way of performing on them. He also had to create a new way of writing and reading music, a new method needed for a correct interpretation of his music. The vigorous and simplistic traces of this new alphabet, combined with its performance, remind of a beautiful choreographed dance.

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The Švicarija: Community, Art and Nature Project

Sunday guided tour of the exhibition
Švicarija: Community, Art and Nature in English and Slovenian, conducted by Matic Ferlan

Sunday, August 26, at 3 pm

The Švicarija: Community, Art and Nature project, by which the Švicarija Creative Centre is being introduced into the cultural life of the capital, derives from three basic elements that have marked the history of the building: community, art and nature. The project consists of an exhibition and supplementary exhibition programme inspired by the building that actualises the history of Švicarija, in such a way providing the guidelines for its activities in the future.

The multifaceted exhibition consists of four sections: HistoryThe Stojan Batič Memorial StudioArchitecture and Art. The exhibition takes us through the history and social life of the building, it presents us with activities of the artists in it and highlights its recent renovation. These sections are connected by the artwork.


Photo: Urška Boljkovac. MGLC Archive.

YOU ARE INVITED TO JOIN US IN THE CHILDREN'S STUDIO IN THE ŠVICARIJA CREATIVE CENTRE!

Creative workshops, animations and guided tours of the building are held for children every Friday. The studio operates free of charge every Friday from May to October, from 10 am to 1 pm. The activities are led by the gallery mentors Petra Derganc, Tina Boc, Petja Kolenko and Katja Kovše.

You may like to book your visit by writing to the following e-mail: petra.derganc@mglc-lj.si.

CALL FOR APPLICATIONS FOR AN ARTIST RESIDENCY IN POUGUES-LES-EAUX

MGLC/Švicarija Creative Centre and the Parc Saint Léger Contemporary Art Centre, Nievers, France, are announcing a public call for applications for an artist residency in Pougues-les Eaux in 2019. Visual and/or intermedia artists who come from Slovenia or live and work in Slovenia are invited to apply. The selected artist will attend a three-month artist residency at the Parc Saint Léger Contemporary Art Centre.

The deadline for applications is
17 September 2018!

Candidates are applying for the time frame of 1 September–30 November 2019

Additional information:
miha.colner@mglc-lj.si or
+386 (0)30 708 469.

Click here for full details of the call for applications!

Guided tour of the retrospective exhibition by Riko Debenjak

Tuesday, August 14, at 6 pm
admission payable to see the exhibition

The guided tours are conducted in Slovenian (beginning at 18.00) and in English (beginning at 18.45), led by Museum Information Officer, Gregor Dražil. Occasionally also theme-based guided tours are organised, please follow www.mglc-lj.si.

The part of the guided tour is also the presentations of the exhibition The Anonyms by Tina Mohorović.

On Wednesday, August 15, the MGLC Gallery is open (from 10 am to 6 pm).

Riko Debenjak
Retrospective exhibition

9.8.–11. 11. 2018

Riko Debenjak (1908–1987) established himself as a leading representative of contemporary colour experimental printmaking. The beginning of Debenjak's "classical" work in printmaking is marked by the year 1953. The exhibition is dedicated to the 110th anniversary of the artist's birth. Also displayed along with the graphic prints are the artist's other works: drawings, paintings, illustrations and printing plates. The exhibition was produced in cooperation with the Debenjak family, the Kanal ob Soči Riko Debenjak Gallery and the Museum of Modern Art.

Curator: Breda Škrjanec

Riko Debenjak: Traces on Plaster XII, etching and aquatint, 51 x 66 cm.

Tina Mohorović
The Anonyms

9.8.–9. 9. 2018

Tina Mohorović (1988) is devoted to the intaglio printing techniques, particularly etching, because of its special quality of line, which is produced by the resistance of the zinc plate when drawing with a needle and the subsequent manipulation with the timing and intensity of the etching process. The exhibition presents a series of fine art prints created by the artist in the most recent period as well as printed works produced in the Print Studios of the International Centre of Graphic Arts especially for the exhibition.

Curator: Božidar Zrinski


Tina Mohorović: On the Back of the World, 2018, etching, 70 cm x 50 cm.