You are invited to participate in creating the 32nd Biennial of Graphic Arts as part of the project To whom does this architecture belong? by artist Erica Ferrari!

This is an invitation to write your thoughts about the the city of Ljubljana, the public treatment of the architecture, heritage, sculptures, tourism. What do you think about how the city is evolving/changing? How does this affect you, your relation with the city, your daily routine. 

The sentences will be part of an artistic project by a Brazilian artist at the 23nd Biennial of Graphic Arts and will be written on the facade of Tivoli Mansion.

Please answer back this e-amil with one or more sentences it will stay in total anonimity you can write in english or slovenian.

We count with your thoughts! Thank you

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About the artist

Erica Ferrari (1981) lives and works in São Paulo, Brazil. She graduated in Visual Arts from the University of São Paulo with a BA in Sculpture. Her work focuses on the relationships between architecture, landscape and day-to-day life in the city. This includes a study of the historic and symbolic density of architectural structures, different representations of the idea of landscape and the elements that visually compose our understanding of what is constructed and what is natural. The pieces are presented as objects or panels, usually constructed of materials commonly used in houses and furniture like wood, plaster and formica.

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About the project To whom does this architecture belong?

Phrases collected, video intervention and souvenir

Architecture and its uses model life in the city. In a metropolis like São Paulo, in constant destruction and construction of its physical configuration, transience not only reflects the usually predatory dynamics of the real estate market, but also the lack of regulation and conservation of buildings and public spaces by the government. In this context of changes, how does the population express itself and consolidate its identity? One of the most interesting ways is graffiti. From the 1960s, the practice of writing over architecture became a symbol of political protest, a manifestation of identity and expression. The practice took its own characteristics in São Paulo, with the development of a specific spelling added to the challenge of writing in the high buildings of the city. In the last year, because of the tense political situation in Brazil, graffiti with political messages have reappeared strongly, particularly in the center of the city. The same practice of expression can be observed in Ljubljana, however, with some striking differences. As the center of the city has undergone a restoration process in recent years, the graffiti are not easily found there. Messages can be seen in the surrounding areas, in specific buildings that have not yet been "embellished" or in building sidings. Many of them refer to the anti-fascist struggle and the consolidation of Slovenian identity, a country that only gained independence in 1991.

In this sense, we can think of this restoration of the center of Ljubljana as part of a global scenario of investments by governments to make cities more ecological, cultural and 'beautiful', thus becoming an attraction for private investments of all kinds and part of the tourism industry. If, on the one hand, this dynamic has immediate positive results in the economy and in the physical aspect of buildings, on the other hand, it can lead to the expulsion of the traditional inhabitants of the center and cause a lack of recognition of the population with that historical and primordial space.

In the project proposed here this context is the starting point to investigate the dubiousness of this process in the city, using the facade of the International Center of Graphic Arts - MGLC - as support. As a historical building of the XVIII century, like many other constructions of this type, the building is marked by the change of uses during its existence, being a residence of nobles, property of the Church, serving for state functions and now housing a museum. Due to its location, it can be seen in the distance in the middle of the vegetation of Tivoli Park. Taking advantage of this configuration, the facade of the building will be used as a screen for the display of phrases collected from residents of Ljubljana. This collection will be done in the most anonymous way possible, through a specific email. The idea is that the facade of historical construction becomes the vehicle of manifestation of the population's thinking about the current dynamics of the city and privileged support of claim and expression of identity. The sentences will be written in the style of the graffiti observed by the city, practice that revealing opinions using the architecture itself as a support.

Inside the MGLC, it will be possible to purchase a souvenir typical of European museums (the decorative dish) with the representation of the building with the graffiti in its facade.

 

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ARCHIVE

Watch out! Wet print! #12

Ivian Kan Mujezinović
Interference 3/1

6. 2.–5. 3. 2018

Opening: Tuesday, 6 February, at 5 pm
TAM-TAM Street Gallery at Vegova ulica (opposite Glasbena matica)

Ivian Kan Mujezinović, designer, photographer, member of the Ee Grupa design group, bass player and vocalist of the Čao Portorož music group. He is the recipient of many prizes and awards for providing integral design solutions,


Ivian Kan Mujezinović:
Interference 3/1.

 

ŠVICARIJA: COMMUNITY, ART AND NATURE

8. 2. 2018–6. 1. 2019

Opening, 8 February, at 12 noon

The Švicarija: Community, Art and Nature project takes us through the prism of cultural history, architecture and visual art into the past of the building, revealing the recent renovations and presenting the activities of the artists working there. The multifaceted exhibition is complemented by a variety of educational activities for children, young people, adults and families with an inclusive, innovative and engaging approach to visitors. We are bringing Švicarija's heritage to the fore through lectures, guided tours, talks and other events, in such a way becoming a part of its new life.

Slovenian Cultural Holiday and Švicarija Creative Centre Day

Thursday, 8 February, 12.00–20.00
12.00 Opening of the Švicarija: Community, Art and Nature project
Musical-visual backdrop: VJ Ticho Pixel.
13.00 Viewing of the exhibition Švicarija: Community, Art and Nature with studio open day and socialising with the artists – studio users in the Švicarija Creative Centre.

The exhibition and studios will be open until 8 pm on that day.
Free of charge.

Photo: Jaka Babnik. MGLC Archive.

The Švicarija: Community, Art and Nature Project

Švicarija in Time and Space
(Theme-based Saturday public tours)

Maruša Zorec, Transformation of Švicarija in Ljubljana

Saturday, 17 February, at 4.30 pm, admission fee: 2 eur

The former hotel on the outskirts of the city has undergone countless transformations in over a hundred years of existence. At the guided tour we will see the most exciting corners of the building and get to know the different images of its transformation over time.


Photo: Urška Boljkovac. MGLC Archive.