You are invited to participate in creating the 32nd Biennial of Graphic Arts as part of the project To whom does this architecture belong? by artist Erica Ferrari!

This is an invitation to write your thoughts about the the city of Ljubljana, the public treatment of the architecture, heritage, sculptures, tourism. What do you think about how the city is evolving/changing? How does this affect you, your relation with the city, your daily routine. 

The sentences will be part of an artistic project by a Brazilian artist at the 23nd Biennial of Graphic Arts and will be written on the facade of Tivoli Mansion.

Please answer back this e-amil with one or more sentences it will stay in total anonimity you can write in english or slovenian.

We count with your thoughts! Thank you

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About the artist

Erica Ferrari (1981) lives and works in São Paulo, Brazil. She graduated in Visual Arts from the University of São Paulo with a BA in Sculpture. Her work focuses on the relationships between architecture, landscape and day-to-day life in the city. This includes a study of the historic and symbolic density of architectural structures, different representations of the idea of landscape and the elements that visually compose our understanding of what is constructed and what is natural. The pieces are presented as objects or panels, usually constructed of materials commonly used in houses and furniture like wood, plaster and formica.

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About the project To whom does this architecture belong?

Phrases collected, video intervention and souvenir

Architecture and its uses model life in the city. In a metropolis like São Paulo, in constant destruction and construction of its physical configuration, transience not only reflects the usually predatory dynamics of the real estate market, but also the lack of regulation and conservation of buildings and public spaces by the government. In this context of changes, how does the population express itself and consolidate its identity? One of the most interesting ways is graffiti. From the 1960s, the practice of writing over architecture became a symbol of political protest, a manifestation of identity and expression. The practice took its own characteristics in São Paulo, with the development of a specific spelling added to the challenge of writing in the high buildings of the city. In the last year, because of the tense political situation in Brazil, graffiti with political messages have reappeared strongly, particularly in the center of the city. The same practice of expression can be observed in Ljubljana, however, with some striking differences. As the center of the city has undergone a restoration process in recent years, the graffiti are not easily found there. Messages can be seen in the surrounding areas, in specific buildings that have not yet been "embellished" or in building sidings. Many of them refer to the anti-fascist struggle and the consolidation of Slovenian identity, a country that only gained independence in 1991.

In this sense, we can think of this restoration of the center of Ljubljana as part of a global scenario of investments by governments to make cities more ecological, cultural and 'beautiful', thus becoming an attraction for private investments of all kinds and part of the tourism industry. If, on the one hand, this dynamic has immediate positive results in the economy and in the physical aspect of buildings, on the other hand, it can lead to the expulsion of the traditional inhabitants of the center and cause a lack of recognition of the population with that historical and primordial space.

In the project proposed here this context is the starting point to investigate the dubiousness of this process in the city, using the facade of the International Center of Graphic Arts - MGLC - as support. As a historical building of the XVIII century, like many other constructions of this type, the building is marked by the change of uses during its existence, being a residence of nobles, property of the Church, serving for state functions and now housing a museum. Due to its location, it can be seen in the distance in the middle of the vegetation of Tivoli Park. Taking advantage of this configuration, the facade of the building will be used as a screen for the display of phrases collected from residents of Ljubljana. This collection will be done in the most anonymous way possible, through a specific email. The idea is that the facade of historical construction becomes the vehicle of manifestation of the population's thinking about the current dynamics of the city and privileged support of claim and expression of identity. The sentences will be written in the style of the graffiti observed by the city, practice that revealing opinions using the architecture itself as a support.

Inside the MGLC, it will be possible to purchase a souvenir typical of European museums (the decorative dish) with the representation of the building with the graffiti in its facade.

 

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ARCHIVE

European Heritage Days

Uncovering the Sculptural Heritage of Tivoli Park

Sunday, 27 September, at 10.30 am,
in front of Moderna galerija

A new leaflet will be presented, providing visitors with a personal experience of uncovering the sculptural image of Tivoli, along with the many details of the park’s art heritage. The visible, but often overlooked or even invisible sculptures (disappeared or relocated), which, in addition to their aesthetic note, also illustrate the social history of this famous park area.

On the guided stroll, the authors of the leaflet – Gojko Zupan (author of the list and descriptions of the individual sculptures), Tadej Vaukman (author of the photographs) and Yasmín Martín Vodopivec (author of the conceptual draft) – will acquaint you with some interesting facts about the sculptural depictions in Tivoli Park that echo the community, art and nature ethos, which is the foundation of the mission of the cultural heritage programme at Švicarija.


Photo: Tadej Vaukman. MGLC Archive.

 

 

NEW WAVE FRENCH COMICS

Lecture and presentation of the Tinta comics festival programme

Tuesday, 29 September, at 7 pm, MGLC Švicarija
Free of charge

France, the so-called Mecca of European comics, has declared 2020 as the year of comics. The Tinta Ljubljana Comics Festival has also joined in the celebration.

A short lecture by Izar Lunaček will acquaint you with the new wave in French comics – a phenomenon that flooded and shook the Gallic comics scene at the turn of the millennium, giving rise to the key authors of the recent decades: Joann Sfar, Kerascoet, Manu Larcenet, David B, and of course Lewis Trondheim, who will be hosted on Skype this year, in a book, and through a display of original works at MSUM.

The pre-festival gathering will present the highlights of this year’s festival – promising exhibitions, talks and workshops, as well as prominent authors, including the French guests Fanny Dalle Rive and Anne Baraou.

The lecture and presentation will take place in the courtyard in front of Švicarija, and in Švicarija’s Great Hall in the case of rain.

The event is organised following the recommendations of the National Institute of Public Health (NIJZ) and visitors are asked to respect them. To participate, please give us advance notice of your attendance by writing to: stripolislovenija@gmail.com

Welcome!

Workshops accompanying the exhibition Nora Turato, eto ti na

You are invited to join us for the performance workshop and the voiceful workshop in the accompanying programme of the Nora Turato exhibition, eto ti na.

I’m not a kid anymore, give me power
performance workshop

Saturday, 10 October, 10.00–16.00, MGLC Švicarija
Executed by Katarina Stegnar, actress, mover and performer

The number of participants is limited to a maximum of 15 people. Bookings must be made by writing to lili.sturm@mglc-lj.si
Free of charge.

More


Photoarchive by Katarina Stegnar.

Moved by Voice
voice workshop

Thursday, 22 October, 17.00–20.00, MGLC Švicarija

Executed by Irena Tomažin, singer, dancer and performer.

The number of participants is limited to a maximum of 15 people. Bookings must be made by writing to lili.sturm@mglc-lj.si
The participation fee for the workshop is a paid ticket for the exhibition.

More


Festival Out of the Toolbox, Gent.