From Biennial to Biennial

Books presentation, symposium, exhibition
28 – 30 November
International Centre of Graphic Arts and Švicarija Creative Centre

Book presentation
Nocturnal Singer (selection of works of Argentinian poet Alejandra Pizarnik (1936–1972)
Selected Poems by Jure Detela (1951–1992)
Wednesday, 28 November, at 6 pm
International Centre of Graphic Arts

Symposium
The Irrational in a Biennial
Thursday, 29 November, 10 am – 6 pm
Švicarija Creative Centre
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Exhibition opening
Fair Game, Nathalie Du Pasquier, curator Kate Sutton
Friday, 30 November, at 1 pm
International Centre of Graphic Arts

The three-day event entitled From Biennial to Biennial is a postponed reflection on the 32nd Biennial of Graphic Arts: Birth as Criterion. It is composed of a presentation of the book Nocturnal Singer by Alejandra Pizarnik and Selected Poems by Jure Detela, an international symposium, The Irrational in a Biennial that opens up questions on the traditional biennial structure and critique, and a solo exhibition by Nathalie Du Pasquier entitled Fair Game. The book presentation, symposium and exhibition as diverse mediums of perception invite reflection on the phenomenon of the biennial.

The book Nocturnal Singer brings a selection of works by the Argentinian poet Alejandra Pizarnik (1936–1972). The extensive monograph contains a major part of her poetic oeuvre, the prose Bloody Countess, and the poet’s own reflection on her poetry. What makes the edition particularly special are her drawings and two unpublished letters to Djuna Barnes. The works have been selected and translated by Miklavž Komelj and Nada Kavčič, who are also the authors of the accompanying essays. A text on Alejandra Pizarnik’s relationship to colour has been contributed by artist Yucef Merhi, who is the author of the digital art prints published in the book for the first time. The publication was created as part of the project of the 32nd Biennial of Graphic Arts.

Jure Detela (1951–1992) was not only one of the most important poets in the Slovenian language, we have recently been discovering just how outstanding his poetry – which tried to establish new possibilities for communication between people and the “beings from foreign worlds” – is also by world measure. This printed edition, which consists of two books and is accompanied by extensive notes, includes his entire collection of poetry on 1800 pages edited by Miklavž Komelj. The vast majority of the poems and fragments have been published in this edition for the first time.

All the artists invited to participate in the 32nd Biennial of Graphic Arts: Birth as Criterion in Ljubljana received the poem Birth as Criterion by Jure Detela with the desire to trigger something along with their invitation.

The book was published by Beletrina Publishing Institute in 2018.

Nathalie Du Pasquier established herself with her striking graphics and textile prints, whereas she has focused primarily on painting since the late 1980s. The exhibition Fair Game looks for the intuitive formal links between the individual parts of her oeuvre. Assorted elements or objects appear and reappear in different compositional configurations, like a card in a deck that takes on new powers and limitations with each hand dealt. The compositions in which the artist uses the motifs from her paintings, prints, drawings and murals, transform the gallery space into a set of microenvironments that immerse the visitor.

The starting point of The Irrational in a Biennial symposium is an experiment – the process of selecting the artists of the 32nd Biennial of Graphic Arts: Birth as Criterion, which can be regarded as a departure from the academicism of the curatorial practices due to its hint of the irrational. The symposium will try to address the problematic nature of the biennial structure and at the same time present concrete examples of biennials that have managed to go beyond the established methods of selection. The event also acts as the announcement of the next, 33rd Biennial of Graphic Arts, which will be curated by the Slavs and Tatars collective. The focal point of the biennial will be the idea of ​​satire as a distinctly visual language, with the “graphic” that marks the history of this event being understood and questioned in the broad field of the expressive, uninhibited, even lurid.

With contributions by Zasha Colah (Clark House Initiative, Bombay), Ana Dević (WHW – What, How and for Whom collective, Zagreb), Anselm Franke (Haus der Kulturen der Welt, Berlin), Gerardo Mosquera (independent curator and critic, Madrid), Christian Oxenius (freelance curator, author and researcher, Athens), Viktorija Rybakova (artist and architect, Brussels), Slavs and Tatars (artists, curators of the 33rd Biennial of Graphic Arts), Nevenka Šivavec (director, International Centre of Graphic Arts, Ljubljana), Vladimir Vidmar (curator, ŠKUC Gallery, Ljubljana) and ŠUM (art theory collective, Ljubljana).

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ARCHIVE

NATAŠA BERK: 1ST UNLIMITED EDITION

2. 4.–19. 5. 2019

Opening:
2 April, at 7 pm
Švicarija

The exhibition is part of the year-long programme of Švicarija, which in 2019 focuses on the analysis of the state of independent journalism and the right of the public to information in pursuit of the slogan community, art and nature. The participating artists question the credibility of images and their meanings at a time of the oversaturation with visual impulses and analyse the ambiguity of media messages on the world wide web.

The spatial intervention by Nataša Berk and the group of artists at Švicarija presents their diverse visual production, which usually takes place in the virtual space of the world wide web and social networks. On this occasion, it has moved into a physical space. Together, they explore the phenomenology of the image within public circulation and its impact on the perception of reality. In ironic ways, they address the norms of the advertising industry, the tendencies of the mass media, voyeurism and the social convention of the individual’s appearance. Thus, works devoted to the consideration of the nature of the image in everyday life are presented as part of the exhibition. In such a way, photographs, videos and collages open up the questions of understanding visual culture in an era when the public space has become saturated with contents and images, questions about the manipulation of the image and the ambivalence of its meanings.    

Curator: Miha Colner


Photo: Nataša Berk.

EVENING WITH MANCA KOŠIR: STORIES ABOUT BOOKS AND PEOPLE

Tuesday, May 14, at 6 pm

On the second Tuesday of May, on 14 May, LOVE will colour the subject of debate, starting at 6 pm. Manca’s guests will be television host Ana Tavčar Pirkovič, PhD, with the book by D. Ladinsky Love Poems from God and Željko Čurić, psychiatrist and psychotherapist, who is fascinated by the work of F. M. Dostoevsky. Saxophonist Vida Vatovec will add a musical touch to the evening.

ANIMATION WORKSHOP

Sunday, May 19, 11.00–14.00,
Švicarija

After a brief viewing of Švicarija and the exhibition by Nataša Berk, 1st Unlimited Edition, we will create a video in the world of pixelation by using our own bodies. Mentor Jelena Dragutinovič will lead us through the process.

This workshop is the last in the series of animation workshops during this school year, which are run by the Slon Society in cooperation with MGLC.

Suitable for young people aged 8+. Free of charge.

Obligatory booking; https://bit.ly/2vl5BqZ

ANNOUNCING THE 33RD LJUBLJANA BIENNIAL OF GRAPHIC ARTS: CRACK UP – CRACK DOWN

7. 6.–29. 9. 2019

Curator:
art collective Slavs and Tatars
35 artists on 9 venues in Ljubljana

Crack Up – Crack Down will take an expansive view of the genre of satire today, featuring works by historical and contemporary international artists, as well as interventions by activists, new media polemicists, performances by stand-up comedians, and others. For the 33rd edition of the Biennial, Slavs and Tatars consider ‘the graphic’ not as a medium, but as an agency. They question how graphic language engenders a form of infra-politics via irony and ridicule as a particularly resilient and contemporary form of critique. Purported to speak truth to power, satire has proven itself to be a petri dish in a world of post-truth bacteria

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POVEZUJEM/TIVOLI CREATIVE CIRCLE

The PovezujeM/Tivoli Creative Circle
programme
, which is organised by the museums around Tivoli Park, will take place again during the summer holidays.

Two time-frames are available:
8–12 July and 26–30 August,
from 8 am to 4 pm. 

Further details will be available soon!

You can pre-book your place by writing to: petra.derganc@mglc-lj.si

Part of the circle: National Museum of Slovenia, Museum of Modern Art, National Museum of Contemporary History, National Gallery of Slovenia and International Centre of Graphic Arts.

SYMPOSIUM ON THE EXHIBITION JAPAN, YUGOSLAVIA AND THE BIENNIAL OF GRAPHIC ARTS: DOCUMENTS OF COLLABORATION

Japan, Yugoslavia and the Biennial of Graphic Arts: Documents of Collaboration

Wednesday, 15 May, 14.00–18.00, 
International Centre of Graphic Arts

Symposium timeline
13:45 Introductory Speech
14:00 Gregor Dražil: An Outline of Collaboration between Japan and Slovenia in the Area of Printmaking
*14:40 Bert Winther-Tamaki: The Wood Aesthetic of the “Creative Prints” Movement of Japan, 1945 to 1965
15:20 Wiktor KomorowskiFrom Washi to Politics: Printmaking and the Cold War Japonisme
16:00–16:20 Break
16:20 Marjeta Ciglenečki: Forma Viva in Slovenia and Japanese Artists
17:00 Noriaki Sangawa: The Japanese Art Group Ryu and Its Collaboration with the Slovenian Moderna galerija and the Biennial of Graphic Arts

Visiting lecture
*Bert Winther-Tamaki: What Happens to Contemporary Art Made in Japan When Exhibited Outside of Japan?
*The lecture will take place on Monday, 13 May, at 18:00 at the Faculty of Arts, room 343. The lecture is co-organised by the Department of Art History.

The symposium will be held in English.

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Photo: Jaka Babnik. MGLC Archive.

The Family fold’r 

Dear families, you are kindly invited to explore the MGLC gallery!
We have again prepared the Family fold’r for you, which you receive free of charge when you purchase a family ticket to view the exhibition.
This time, some curious cards are waiting for you inside, and they need to find their places in the gallery with your help and the help of your children.

Good luck!

 

 


 

opening:
Friday, March 22, at 6 pm

22. 3.–19. 5. 2019

The exhibition is made up of two sections. The first, bearing the title Photographic Images and Matter: Japanese Prints of the 1970s, is dedicated to Japanese printmaking of the 1970s and was organised by the Japan Foundation, while the second, the documentary section, is entitled Japan, Yugoslavia and the Biennial of Graphic Arts: Documents of Collaboration and has been prepared by the International Centre of Graphic Arts.

The travelling exhibition Photographic Images and Matter, with a selection of the most representative artists, presents the orientations within Japanese printmaking of the 1970s, which was the golden age of the print medium in Japan. The curator of the exhibition Kyoji Takizawa has made an attractive selection of artists, who have received many awards within the international arena and form the core of the modernist and avant-garde scene of the 1970s.

The documentary exhibition Japan, Yugoslavia and the Biennial of Graphic Arts: Documents of Collaboration, on the other hand, illuminates one of the many socio-artistic chapters tied to the history of the Biennial of Graphic Arts in Ljubljana. Through the selection of pictorial, archival, photographic and other material, it aims to show the communication between the geographically and politically disparate countries as part of an ambitious international art event like the Ljubljana Biennial of Graphic Arts. Exhibition authors are Nevenka Šivavec and Gregor Dražil.

The exhibition is accompanied by an international symposium under the same title, taking place in the month of May.

Exhibition design: Ivian Kan Mujezinović and Mina Fina.


Tetsuya Noda: Diary, September 11, '68 (woodcut and silkscreen).