25th International Biennial of Graphic Arts

From the Cradle to the Grave, Selected Drawings by Damien Hirst

10 June−28 September 2003



25th International Biennial of Graphic Arts at Moderna galerija, installation view.
Photo: Bojan Salaj.

Christophe Cherix, curator of the Graphic Arts Cabinet of the Museum of Art and History in Geneva, conceived the Biennial as a complex display including an exhibition of contemporary graphic work, a documentary exhibition about the history of the International Biennial of Graphic Arts from 1955 to date, prepared by Breda Škrjanec, and a symposium entitled "The Producers," led by Lionel Bovier, on the relationship between publishers and artists.
The exhibition of contemporary graphic work wass based on the importance of the multiplied image as a means of communication. The common feature of the exhibited works − artists' books, newspapers and magazines, photocopies, posters, newspaper interventions and projects, and prints − was the fact that they document the artists' ideas about their realized or unrealized, past or future projects.

Artists and projects:
John M Armleder, Art & Project, Vesna Bukovec, Vidya Gastaldon, Isa Genzken, Liam Gillick, Fabrice Gygi, Pierre Huyghe & Philippe Parreno, Irwin, Ivana Keser, Antinomian Press (Ben Kinmont), Kiosk, Ivan Kožarić, Polonca Lovšin, M/M, Lucy McKenzie, Robert Morris, Gianni Motti, museum in progress, Onestar Press, Raymond Pettibon, Permanent Food (Maurizio Cattelan & Dominique Gonzalez-Foerster), Seth Price, Tadej Pogačar & P.A.R.A.S.I.T.E. Museum of Contemporary Art, Allen Ruppersberg, Anamarija Šmajdek, Josh Smith, Erik Steinbrecher, Xavier Veilhan, Dan Walsh.

Locations:
International Centre of Graphic Arts, Moderna Galerija, the Gallery at Cankarjev Dom, The National Museum of Slovenia, Park Tivoli, the billboards of Proreklam-Europlakata, the newspapers Dnevnik, Delo and Der Standard.

The catalogue of the 25th Biennial of Graphic Arts

The 25th Biennial of Graphic Arts was accompained by a catalogue in Slovene and English which received the prize for the most beautiful book in Switzerland in 2005.


From the Cradle to the Grave, Selected Drawings by Damien Hirst

As the award winner of the 24th International Biennial of Graphic Arts in 2001, Damien Hirst had a solo exhibition at the 25th Biennial. He exhibited a comprehensive volume of his drawings, ranging from the humorous ones made for friends to preparatory sketches for his installations and paintings. Over one hundred works, loaned from public and private collections, as well as the artist himself, were on view. This was the first presentation ever of Hirst's drawings and his first personal exhibition since he took a break in 2000.

A catalogue in the form of a newspaper was published to accompany the exhibition.
The exhibition was organized by the British Council. Producer: International Centre of Graphic Arts 
Biennial is supported by: Adria Airways, AFAA, Autocommerce, British Council, Cultura 2000, Delo, Dnevnik, Embajada de Espana, Gorenje, Institut français Charles Nodier, Istituto Italiano di Cultura in Slovenia, Lek, Ministarstvo za kulturu Republike Hrvatske, Mlinotest, Mondrian Stiftung, Österreichisches Kulturforum, Petrol, Ljubljana, Prohelvetia, Proreklam-Europlakat, RTV Slovenija, Samex, Schweizerische Botschaft.

 

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Tadej Vaukman: Heaven is a place on Earth

11. 5.–5. 6. 2017, the TAM-TAM Street Gallery at Vegova (opposite Glasbena matica)

opening event: Thursday, 11 May,
at 5 pm

Tadej Vaukman is a photographer in the right sense of the word. He lives with the camera and for photography. He loves chaos, truth and daily reality. While strolling around town, driving a car or riding a bike, during a concert, in his living room, or when visiting his grandma and grandpa, he always finds time to take pictures of naked reality. He shoots exactly what he sees without any subsequent corrections and unnecessary comments. 

Tadej Vaukman, installation view on exhibition Zines!, Contemporary zin production.
Photo: Jaka Babnik. MGLC Archive.

32nd Biennial of Graphic Arts: Birth as Criterion

16 June – 29 October 2017

In addition to the main exhibition Birth as Criterion (MGLC, Švicarija and ŠKUC Gallery), the 32nd Biennial of Graphic Arts also presents the traditional exhibition of the winner of the Grand Prize of the previous Biennial, this time Ištvan Išt Huzjan, a presentation of work by Peter Gidal, winner of the Lifetime Achievement Award of the 31st Biennial, a project by the winner of the Audience Award of the 31st Biennial of Graphic Arts, Meta Grgurevič, a Maria Bonomi retrospective at the Jakopič Gallery, as well as a vibrant discursive programme with an international symposium. As far as other projects are concerned, there is also the international billboard project a good neighbour in cooperation with the Istanbul Biennial, the book presenting the work of Argentinean poet Alejandra Pizarnik, as well as the print portfolio of the artists included in the 32nd Biennial of Graphic Arts on display at the Kresija Gallery.

 

 

The 32nd Biennial of Graphic Arts: Birth as Criterion

You are invited to participate in creating the 32nd Biennial of Graphic Arts as part of the project To whom does this architecture belong? by artist Erica Ferrari!

This is an invitation to write your thoughts about the the city of Ljubljana, the public treatment of the architecture, heritage, sculptures, tourism. What do you think about how the city is evolving/changing? How does this affect you, your relation with the city, your daily routine. 

The sentences will be part of an artistic project by a Brazilian artist at the 32nd Biennial of Graphic Arts and will be written on the facade of Tivoli Mansion.

Please answer back this e-amil with one or more sentences it will stay in total anonimity you can write in english or slovenian.

We count with your thoughts! Thank you