25th International Biennial of Graphic Arts

From the Cradle to the Grave, Selected Drawings by Damien Hirst

10 June−28 September 2003



25th International Biennial of Graphic Arts at Moderna galerija, installation view.
Photo: Bojan Salaj.

Christophe Cherix, curator of the Graphic Arts Cabinet of the Museum of Art and History in Geneva, conceived the Biennial as a complex display including an exhibition of contemporary graphic work, a documentary exhibition about the history of the International Biennial of Graphic Arts from 1955 to date, prepared by Breda Škrjanec, and a symposium entitled "The Producers," led by Lionel Bovier, on the relationship between publishers and artists.
The exhibition of contemporary graphic work wass based on the importance of the multiplied image as a means of communication. The common feature of the exhibited works − artists' books, newspapers and magazines, photocopies, posters, newspaper interventions and projects, and prints − was the fact that they document the artists' ideas about their realized or unrealized, past or future projects.

Artists and projects:
John M Armleder, Art & Project, Vesna Bukovec, Vidya Gastaldon, Isa Genzken, Liam Gillick, Fabrice Gygi, Pierre Huyghe & Philippe Parreno, Irwin, Ivana Keser, Antinomian Press (Ben Kinmont), Kiosk, Ivan Kožarić, Polonca Lovšin, M/M, Lucy McKenzie, Robert Morris, Gianni Motti, museum in progress, Onestar Press, Raymond Pettibon, Permanent Food (Maurizio Cattelan & Dominique Gonzalez-Foerster), Seth Price, Tadej Pogačar & P.A.R.A.S.I.T.E. Museum of Contemporary Art, Allen Ruppersberg, Anamarija Šmajdek, Josh Smith, Erik Steinbrecher, Xavier Veilhan, Dan Walsh.

Locations:
International Centre of Graphic Arts, Moderna Galerija, the Gallery at Cankarjev Dom, The National Museum of Slovenia, Park Tivoli, the billboards of Proreklam-Europlakata, the newspapers Dnevnik, Delo and Der Standard.

The catalogue of the 25th Biennial of Graphic Arts

The 25th Biennial of Graphic Arts was accompained by a catalogue in Slovene and English which received the prize for the most beautiful book in Switzerland in 2005.


From the Cradle to the Grave, Selected Drawings by Damien Hirst

As the award winner of the 24th International Biennial of Graphic Arts in 2001, Damien Hirst had a solo exhibition at the 25th Biennial. He exhibited a comprehensive volume of his drawings, ranging from the humorous ones made for friends to preparatory sketches for his installations and paintings. Over one hundred works, loaned from public and private collections, as well as the artist himself, were on view. This was the first presentation ever of Hirst's drawings and his first personal exhibition since he took a break in 2000.

A catalogue in the form of a newspaper was published to accompany the exhibition.
The exhibition was organized by the British Council. Producer: International Centre of Graphic Arts 
Biennial is supported by: Adria Airways, AFAA, Autocommerce, British Council, Cultura 2000, Delo, Dnevnik, Embajada de Espana, Gorenje, Institut français Charles Nodier, Istituto Italiano di Cultura in Slovenia, Lek, Ministarstvo za kulturu Republike Hrvatske, Mlinotest, Mondrian Stiftung, Österreichisches Kulturforum, Petrol, Ljubljana, Prohelvetia, Proreklam-Europlakat, RTV Slovenija, Samex, Schweizerische Botschaft.

 

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ARCHIVE

The Švicarija: Community, Art and Nature Project

The Secret Life of Books, literary panel discussion

Wednesday, 23 May, at 6 pm
Švicarija Creative Centre, admission free

The literary panel discussion cycle consists of monthly meetings and debates. We touch upon current topics that are in one way or another connected to the Švicarija Creative Centre through the selected books.

Ivan Cankar also lived, created and socialised in Švicarija. This time we will present him as a political activist and thinker, but
we will also take a peek into his private life.

The following invited guests are taking part in the debate: Marjetka Krapež and Andrej Koritnik; the debate is led by: Nika Kovač.

The books selected for debate is A Bouquer of Cankar's Letters.

Photo: Urška Boljkovac. MGLC Archive.

Sunday guided tour of the exhibition Švicarija: Community, Art and Nature in English

Sunday, 27 May at 3 pm

One-hour long guided tour with adaptations in the Slovenian language.
Conducted by art historian Matic Ferlan
admission: 2 eur

The Švicarija: Community, Art and Nature project, by which the Švicarija Creative Centre is being introduced into the cultural life of the capital, derives from three basic elements that have marked the history of the building: community, art and nature. The project consists of an exhibition and supplementary exhibition programme inspired by the building that actualises the history of Švicarija, in such a way providing the guidelines for its activities in the future.

The multifaceted exhibition consists of four sections: History, The Stojan Batič Memorial Studio, Architecture and Art. The exhibition takes us through the history and social life of the building, it presents us with activities of the artists in it and highlights its recent renovation. These sections are connected by the artwork.

Warmly invited!


Photo: Urška Boljkovac. MGLC Archive.

 

LEARNING ABOUT PROFESSIONS THROUGH THE CAMERA

22. 5.–3. 6. 2018

Lecture Room (MGLC ground floor)

The photographic exhibition Learning about Professions through the Camera arose as part of the photographic project Through My Eyes, organised for the fourth year in a row by the City Association of Friends of Youth Ljubljana under the guidance of Tanja Povšič and in cooperation with photographers Tina Ramujkić and Polona Ponikvar.

 

David Lynch: Fire on Stage

TOMORROW

David Lynch is a Slovenian
Round table on the influence of David Lynch on the Slovenian identity.

Tuesday, 24 May, at 6 pm
Švicarija Creative Centre
admission free

When the whispers started in public that MGLC was organising an exhibition of David Lynch in Ljubljana and, in fact, his first presentation as a visual artist in Slovenia, the first and foremost question was: Is he coming? At one of the preparatory meetings, we also presented the project to Marcel Štefančič Jr, who, among other things, immediately found the answer to the frequently asked question: But, he's already here! In an instant, the idea was born that David Lynch was actually a Slovenian. So, how much of the Slovenian is there in Lynch, and how much of Lynch is there in the Slovenian?

We will discuss this and similar questions in a talk with the following participating guests: Marcel Štefančič, Jr, film critic, television presenter and publicist; Mirt Komel, philosopher, sociologist and writer; Stojan Pelko, philosopher and sociologist, and Ana Jovanovič, philosopher and sociologist.

Tuesday guided tours of the exhibition

Tuesday, May 29, at 6 pm.

Every Tuesday in May and June
at 6 pm.
Every Tuesday in July at 7 pm.

Guided tours in Slovenian and English, conducted by Museum Information Officer, Gregor Dražil.

Occasionally also guided tours by curators and guests; please follow www.mglc-lj.si.

Admission payable

David Lynch: Fire on Stage

13. 4.–29. 7. 2018

The first presentation of the American film director, scriptwriter, photographer, painter, musician and printmaker David Lynch in Slovenia. The Fire on Stage show offers a selection of seventy fine art graphic prints produced in the lithography technique. The presentation is rounded off by paintings from private collections, watercolours, as well as a selection of experimental and animated films. What all the displayed works have in common is the intertwining of the surrealistic, expressive and grotesque, by which a Lynchian atmosphere is established. This is followed in the exhibition set-up with a stage-like feel conjured up by set designer Branko Hojnik.

Curator: Božidar Zrinski.


Photo: Urška Boljkovac. MGLC Archive.

(Psychodrama) Encounter with Lynch

Sunday, 27 May, 11.00–16.00

The workshop is part of the programme of the exhibition David Lynch, Fire on Stage.

The experiential workshop involves becoming acquainted with the main ideas about creativity from Lynch's book Catching the Big Fish along with psychodrama techniques. It is intended to actively explore one's own creativity through enactment. Would you like to (as you put yourself into their role) meet with your own ocean as well as the big and small creative fish in it, or perhaps even with Lynch himself?

The workshop is conducted by Tomi Janežič, theatre director and associate professor at the Academy of Theatre, Radio, Film and Television (AGRFT).

The workshop will be held in two parts with one break. Participants must be present from beginning to end. The number of applicants is limited. Advance bookings taken up till the available quota at lili.sturm@mglc-lj.si.

Admission fee: 5 EUR (ticket to view the exhibition)

Welcome!


Photo: Urška Boljkovac. MGCL Archive.

International Museum Day 

Friday, 18 May, 10.00–18.00

Free entrance on the exhibition
David Lynch, Fire on Stage.