26th Biennial of Graphic Arts 

Thrust

23 June−2 October 2005

The title of the Biennial, Thrust, spoke to the power of the Biennial, which for fifty years had been one of the engines behind both Slovene culture and international graphic arts.
The artistic director for the 26th Biennial of Graphic Arts is the respected Slovene art historian Jure Mikuž. The concept for the show underscores the 50th anniversary of the Biennial, the wide diversity of views on contemporary graphic arts, and process as an organizational approach to staging an exhibition. He has invited eighteen prestigious institutions from all over the world to each present an exhibition that attempts to answer the question: What are the graphic arts today? Their answers give form to the artistic criteria of the cultural and geographic settings in which these institutions operate and thus help to constitute a postcolonial perspective on art. This approach underscores the great diversity of art as it exists today in our globalizing world.

The 26th Biennial of Graphic Arts began with the symposium in December 2004 at the MGLC and ended with the exhibition in June 2005 in Tobačna Ljubljana.


Grand Prix: San Juan Poly/Graphic Triennial: Latin America and the Carribean, Puerto Rico.
Photo: Tomaž Lunder.

Participating institutions and artists:

Bharat Bhavan International Print Biennial, Bhopal, India: Raj Mohammad Pathan.
Curator: Yusuf
Bibliotheque nationale de France, Paris, France: François Morellet, Paul-Armand Gette, Jean Le Gac, François Bouillon, Gérard Collin-Thiebaut, Jean-Michel Alberola, Yves Chaudouët, Françoise Petrovitch.
Curator: Marie-Cécile Miessner
Birmingham Museums and Art Gallery, Birmingham, Great Britain: Paul Coldwell, Jane Dixon, Lucian Freud, Jane Joseph, Peter Kennard & Cat Picton Phillipps, Hughie O'Donoghue, Anne Rook, Colin Self, Ian Tyson, Catherine Yass, Webproductions (Telfer Stokes, Helen Douglas).
Curator: Tessa Sidey
Brooklyn Museum, New York, USA: Devorah Sperber.
Curator: Marilyn Kushner
Calcografía Nacional, Real Academia de Bellas Artes de San Fernando, Madrid, Spain: Juan Alberto García de Cubas, Mónica Gener, Centro I+D de la Estampa Digital, Calcografía Nacional, Anish Kapoor, Jesús Pastor, Elena Jiménez.
Curators: Javier Blas and María Zozaya
Egyptian International Print Triennial, Giza, Egypt: Amira Ehsan Abdel Malek, Eman Ezzat Elshazli, Moataz Mohamed Abdallah, Mohamed Nabil Abdel Salam, Rania Wagdy AbdAlla Mahmoud, Wael A. Sabour A. Kader.
Curator: Medhad Nasr Ali
Graphica Creativa International Print Triennial, Jyväskylä, Finland: Tuija Arminen, Hanna Oinonen.
Curator:Virve Lilja
International Centre of Graphic Arts, Ljubljana, Slovenia: son:DA, Marija Starič Jenko & Almira Sadar, Annu Vertanen, Federico Pietrella, Ingrid Ledent.
Curators: Breda Škrjanec and Božidar Zrinski
International Print Triennial, Krakow, Poland: Andrzej Bednarczyk, Ksawery Kaliski.
Curator: Tomasz Gryglewicz
Istituto Nazionale per la Grafica, Rome, Italy: Massimo Bartolini.
Curator: Luigi Ficacci
National Taiwan Museum of Fine Arts, Taiwan: Shiou-ping Liao, Hsi-chi Li, Yang-che Liu, Yu-hui Chung, Chen-ping Tung, Shyh-twan Hwang, Hsueh-chin Lin, Chin-cheng Chu, Dean-e Mei, Ming-die Yang, Sheng-min Hsieh, Hung-yu Chang, Hsin-chen Chang, Ping-ho Lo, Juo-lan Kao, Ming-feng Hsu, Chao-an Lin, Yung-chin Chen, Yu-tzu Wu, Hsing-hsuen Wu, Hsiang Cheng, Chin-jui Pan, Yu-chi Wang, Hui-Lan Chang.
Curator: Judith Wan-ju Wang
Neue Galerie am Landesmuseum Joanneum, Graz, Austria: Jörg Schlick.
Curator: Elisabeth Fiedler
Novosibirsk Biennial of Contemporary Graphics, Novosibirsk, Russia: Rinat Minnebaev, Svyatoslav Ponomarev, Elena Bertollo, Vladimir Martynov, Ekaterina Rozhkova, Vladimir Nasedkin, Sergey Bryukhanov, Muratbek Djoumaliev, Gulnara Kasmalieva, Almagul Menlibaeva, Ayrat Teregulov.
Curator Vladimir Nazansky
Proyecto'ace, Buenos Aires, Argentina: Rimer Cardillo.
Curator: Alicia Candiani
San Juan Poly/Graphic Triennial: Latin America and the Caribbean, Puerto Rico: Allora & Calzadilla (Jennifer Allora, Guillerno Calzadilla), Miguel Luciano, Adál Maldonado, Antonio Martorell, Garvin J. Sierra, Mary Patierno and Natalia Munoz.
Curator: Elvis Fuentes
Sezon Museum of Modern Art, Karuizawa, Japan: Mitsuo Kano, Naoyoshi Hikosaka, Fumihiko Nishioka, Nana Shiomi, Keisuke Yamaguchi.
Curator: Sawako Ogiwara
Sofia Graphic Art International Triennial, Bulgaria: Buyan Filchev, Emil Mirazchiev, Mobile Graphic Art Room (Anastasia Panayotova, Alexander Alexov, Atanas Vassilev, Borislav Stoev, Valeri Vasilev, Valeri Chakalov, Vanko Urumov, Vesselin Damyanov, Galina Pavlova, Georgi Lechev, Gredi Assa, Darina Peeva, Dimo Kolibarov, Elena Panayotova, Zafir Yonchev, Ivan Dimov, Ivan Ninov, Kolyo Karamfilov, Kostadinka Miladinova, Maria Duhteva, Milko Pavlov, Mikhail Petkov, Plamen Monev, Plamen Penov, Plamen Solomonski, Ralitsa Nikolova, Roberto Andreev, Rumen Nechev, Rumen Rachev, Rumen Skorchev, Sasho Anastassov, Stefan Bojkov, Tedi Liho, Tihomir Manolov, Tsvetan Kazandzhiev, Yuli Minchev, Yavora Petrova, Hristo Kardzhilov).
Curator: Plamena Dimitrova-Racheva
Tallinn Print Triennial, Tallinn, Estonia: John Smith (Marko Mäetamm and Kaido Ole) and Margareete Fuks; Andres Tali and Anu Kalm, Leonhard Lapin, Silvi Liiva, Enno Ootsing, Vive Tolli, Urmas Viik; Marko Laimre and Theodor Kuul; KIWA (Jaanus Kivaste) and Kaarel Kurismaa; Kai Kaljo and Richard Kaljo; Avangard (Sandra Jogeva, Margus Tamm) and Peeter Allik.
Curators: Anders Härm and Eve Kask
The Museum of Modern Art, New York, USA/participates in the symposium only.

The 26th Biennial of Graphic Arts is accompanied by three exhibitions installed in the galleries of the International Graphic Arts Center:
Raymond Pettibon
American contemporary artist, winner of the Grand Prize d'Honneur of the 25th Ljubljana Biennial of Graphic Arts.
The Most Beautiful Graphic Artworks
Slovene Graphic Arts over the Past Fifty Years.
The First Line
Avant-Garde and Alternative Printers and Presses in Slovenia from Conceptualism to the Present.

 

The catalogue of the 26th Biennial of Graphic Arts

The 26th Biennial of Graphic Arts was accmpained by two catalogues: 26th Biennial of Graphic Arts − Thrust and Accompanying Exhibitions − Raymond Pettibon, The Most Beautiful Graphic Artworks and The First Line.
Both catalogues are sold out.


Producer: International Centre of Graphic Arts
Co-producers: Cankarjev dom, Cultural and Congress Center, Tobačna Ljubljana
The Biennial was supported by:
Autocommerce, Europlakat, Gorenje, Imos, Lek, Marand, Mobitel, Petrol, RTV Slovenija, SGP Graditelj, AFAA, British Council, Embajada de Espana, Embassy of Finland Ljubljana, Embassy of the United States of America Ljubljana, Institut français Charles Nodier, Istituto Italiano di Cultura in Slovenia, Japan Foundation, Kulturforums der Österreichischen Botschaft
Adria Airways, Aerodrom Ljubljana, Hestia pro, Prevent Global, Tam – Tam.
Sponsor: Tobačna Ljubljana.

 

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Watch out! Wet print! #9

Pri Zlatem stegnu (Nataša and Katja Skušek): Unicorns Come and Unicorns Go

7. 11.–4. 12. 2017

opening event:
Tuesday, 7 November, at 5 pm
the TAM-TAM Street Gallery at Vegova (opposite Glasbena matica)

Pri Zlatem stegnu, they play about with taste. In fact, they play about with the taste for food and the taste for art.
Pri Zlatem stegnu is an art project by Nataša and Katja Skušek, which has been ongoing since 2004 in various forms, from spatial installations, to video works, objects, photo-collages, fine art graphic prints, drawings and performances. The project brings the questions related to food preparation and eating as the basic human need to the forefront in a humorous and light manner. 


Pri Zlatem stegnu: Unicorns Come and Unicorns Go.

Upcoming exhibition

Boris Jesih: Connections

30. 11. 2017–11. 3. 2018

Boris Jesih (1943) established himself as an artist at the end of the 1960s as part of the expressive figuration circle of painters. Under the influence of pop art, he responded to the characteristics of the spirit of the time with his geometric transformation of everyday objects, later also turning predominantly to landscape. As a printmaker, he excels in the techniques of relief printing and flat printing, with superior results in colour lithography. As a prize winner of the 13th International Biennial of Graphic Arts in 1979 (special prize for a young artist), he attracted attention with his series of lithographs, a set of which is part of the MGLC collection. Beside the lithographs, the retrospective exhibition also presents drawings, paintings and photographs, which highlight the connections between his creative process and his works. 

Boris Jesih: A Doors (1983, color lithography).

The 32nd Biennial of Graphic Arts: Birth as Criterion

THE PRIZES OF THE 32ND BIENNIAL OF GRAPHIC ARTS HAVE BEEN AWARDED

The Grand Prize winner of the 32nd Biennial of Graphic Arts is Alejandro Paz, for the work Hypodermic (2017, intervention), the work was made for the 32nd Biennial of Graphic Arts.

The recipient of the Research Residency Award is Carlos Monroy, for the work Baphomet. One single birth made incarnate. (2017, performance and video installation), the work was made for the 32nd Biennial of Graphic Arts.

The jury of the 32nd Biennial of Graphic Arts:
Anne Barlow, Mike Cooter, Bige Örer in Maruša Sagadin.

The recipient of the Audience Award of the 32nd Biennial of Graphic Arts is american artist Christopher Myers, for the work Detritus of Dreams (2016).


Alejandro Paz: Hypodermic (2017).
Photo: Jaka Babnik. MGLC Archive.