27th Biennial of Graphic Arts

6 September−28 October 2007

The 27th Biennial of Graphic Arts took as its point of departure and theme for reflection that turning point in the history of art when the ease of technical reproduction made reproducibility a new quality in the work of art and transformed the very concept of art in essential ways. At the same time, it made reference to the theses of the renowned philosopher Walter Benjamin and their subsequent development in contemporary art theory. The reproducibility of art has changed the way we understand the notions of the copy and the original. It has influenced new meanings of authorship, the roles of the artist and the technician, the link between technology and art, and so on. Reproducibility has led to multiple production, wider accessibility, and an artwork's ability to be simultaneously present in different situations and socio-political environments. Artists have welcomed reproducibility as something that gives them new and diverse possibilities for expression and content.
The exhibitions of reproducible art at the 27th Graphic Arts Biennial presented a variety of art forms, from traditional printmaking to printed matter, video, photography, and computer - and Web-based art.

Jeon Joonho, The White House, 2005−2006, computer animation, 32' 16".
Grand Prix of the 27th Biennial of Graphic Arts.
 

The Unbound Eyes of Anxiousness 

The main exhibition of the Biennial presented artists from various generations and stylistic orientations who have, in the past years and decades, marked both Slovene and international art and society. The title of the exhibition speaks of a key moment in artistic creation − i.e. when a given idea gains a visual form: the creative anxiousness present in the mind of artist thus becomes unbound, freed of "chaos", and is transformed in to a visible work of art.
Curated by Lilijana Stepančič, Breda Škrjanec, Božidar Zrinski.

 

Nancy Spero, Israeli Women Soldiers, 1993, handprinting on paper.

son:DA, wall Nr_027.psd, 2007, wall-paper.

Mikael Kihlman, Paradise Lost, 1999, drypoint.

Dan Perjovschi, The First Half Year Big Book, 2007, art project in the catalogue.

Exhibition spaces and participating artists:

Ljubljana municipal bus service, Tivoli  Park, Ljubljana Maternity Hospital, Ribji trg: Anamarija Šmajdek. Billboards, Ljubljana (Bežigrad, Center): Zora Stančič.
The catalogue of the 27th Biennial of Graphic Arts: Metka Krašovec, Dan Perjovschi, Dušan Pirih Hup, Boštjan Pucelj, Andrej Štular.
International Centre of Graphic Arts: Paweł Althamer & Artur Żmijewski, Christiane Baumgartner, Goran Bertok, Günter Brus, Peter Fuss, Dominique Gonzalez-Foerster, Peter Halley, Jeon Joonho, William Kentridge, Mikael Kihlman, Vladimir Makuc, Ivan Picelj, son:DA, Nancy Spero.
Modna hiša, Ljubljana, Mercator Center Maribor, Mercator Center Celje: Marija Mojca Pungerčar.
Maximarket, Ljubljana: Beli sladoled.
Poster sites, Ljubljana (Railway Station − Trg OF, Borštnikov trg − Ferant): Arjan Pregl.
Website www.indija.si: Društvo za domače raziskave.
Website www.jaka.org/2007/razorganizator: Jaka Železnikar.
Private apartments, Ljubljana: Danilo Jejčič, Kim Seung Yeong, Živko I. Marušič, Anamarija Šmajdek, Ben, Sašo Vrabič.


Stigma

Cankarjev Dom Gallery

It is a tradition of the Ljubljana Graphic Arts Biennial to present a solo exhibition of work by the artist who won the Grand Prix at the previous Biennial. Stigma, an exhibition of art from Puerto Rico, presented contemporary political art from Latin America and the Caribbean. The artworks on display arose out of the need to create images of the troubles facing our times and global society: war, colonialism, prejudice, technology, tourism, and unbridled violence. These problems are like stigmata - they are the bodily pain and wounds out of which artists from Puerto Rico draw their inspiration.
Curated by Marimar Benítez.

Garvin Sierra, Invasive Capitalism −Iraq, 2007, digital print on banknotes.

Participating artists: Allora & Calzadilla, Papo Colo, Miguel Luciano, Antonio Martorell, Omar Obdulio Pena Forty, Raquel Quijano, Carlos Reyes, Arnaldo Roche, Garvin Sierra, Rafael Trelles, Carlos Ruiz Valarino.

Accompanying Exhibitions/From the Sternens to the Comic Strip

Thomas Nozkowski: Works on Paper
13 August−9 September 2007, City Art Museum Ljubljana, Permanent Collection Gallery


Thomas Nozkowski, Untitled, 2007, oil on paper.

Thomas Nozkowski's paintings on paper map the terrain of the mind: its memories, delights, and histories. They are often larger than his canvases yet they are not studies; they are finished, articulate, and raw. In an increasingly isolated and digitally rootless world, Nozkowski's quirky works reassure the viewer that art can still be hand-made, touching, smart, and personal. Curated by Aleksander Bassin.


The Artist's Book: New Acquisitions by the P74 Center and Gallery
3. 9.−20. 9. 2007, P74 Center and Gallery


Zora Stančič, Nothing Special, 2007, artist's book.

An artist's book is an idea of a book that is entirely conceived by an artist, and is a work of art. P74 Center and Gallery acquired the first artists books in 2003. The exhibition accompanying the 27th Biennial of Graphic Arts presented works gathered through public calls in 2004, 2005, and 2006, as well as other new acquisitions of the P74 Center and Gallery. Curated by Urška Jurman.
Participating artists: Andrejka Čufer, Dejan Habicht, Jure Engelsberger, Wiebke Loeper, Katerine Seda, Zora Stančič, Mladen Stilinović, Matej Stupica, Jaka Železnikar, Temporary Services, Goran Trbuljak etc.


First Impressions: The Beginnings of the Modern Art Print in Slovenia
4 September−14 October 2007, National Gallery of Slovenia − National House Gallery

Rozalija Klein-Sternen, Making an Etching, 1920, etching.

Between 1900 and 1920, we witnessed sporadic and spontaneous attempts in the field of art prints and printmaking in Slovenia. These were conceived by some Slovene artists who, under the influence of living through the problematics of painting, and the rise increasingly intensive visual communications, sought new possibilities for their creativity in the graphic arts and printmaking. Their work had the quality of research and experimentation; it also remained predominantly unknown to the public.
Curated by Andrej Smrekar.
Participating artists: Božidar Jakac, Rozalija Klein-Sternen, Tone Kralj, Veno Pilon, Hinko Smrekar, Matej Sternen, Saša Šantel, Helena Vurnik.

Musée Ferraille
4 September−16 September 2007, Kapelica Gallery

Les Requins Marteaux, Mr. Ferraille, from the museum's archives.

The iron robot Mr. Ferraille made his first appearance in the newspapers in 1924, and praised the elixir of eternal youth. So began the story of his success. The Musée Ferraille is a museum type exhibition that introduced the viewer to the history of comics character Mr. Ferraille, his rise and fall, his mutations through time as well as those of his makers − Waltshluss and Gonz. The Museum was established in 2003 by the French society Les Requins Marteaux. It first went on public display at the international comics festival Angouleme 2003.
Production: Stripburger/Forum Ljubljana
Supported by Institut Francais Charles Nodier
More on www.ljudmila.org/stripcore/mf/


3500 cm²: Art Poster Project
5 September−20 September 2007, Alkatraz Gallery

Vadim Fiškin, poster, 2007.

The point of departure of this project was a poster from which the artist createe an artwork. Thus, and on the one hand, the poster is a mass object that disseminates images. On the other hand, however, the poster is also an author's print. As such it represents an alternative cultural platform that broadens the communicative possibilities of art. It is a modular project that can be adapted to, and developed in, different circumstances. The single most important aim of the project was to create a constant dialogue with the public. Curated by Lorenzo Benedetti.
Participating artists: Carla Accardi, Nicoletta Agostini, Maria Thereza Alves, Mark Bain, Kuba Bakowski, Massimo Bartolini, Elisabetta Benassi, Wolfgang Berkowski, Dafne Boggeri, Sarra Brill & Chiara Graziani, Alessandro Bulgini, Pedro Cabrita Reis, Chiara, Paolo Chiasera, Marco Fedele di Catrano, Jimmie Durham, Davide D'elia, Vadim Fiškin, Parastou Forouhar, Stefania Galegati, Rainer Ganahl, Mario Garcia Torres, Christoph Girardet, Stanislao Di Giugno, Globalgroove, Luis Gonzales Palma, Laurent Grasso, Heidrun Holzfeind, Silvia Iorio, Yun-Fei Ji, Rob Johannesma, Marco Klefisch, Gabriel Lester, Chi Wo Leung, Alon Levin, Robert Lippok, Giuliano Lombardo, Flavio de Marco, Jeannette Montgomery Barron, Liliana Moro, Vlan Nanca, Elena Nemkova, Carsten Nicolai, Olaf Nicolai, Dennis Oppenheim, Laura Palmieri, Mikael Paananen & Linda Tallroth, Jorge Peris, Alessandro Piangiamore, Federico Pietrella, Giuseppe Pietroniro, Cesare Pietroiusti, Ph.on (Dario D'aronco & Roberto Gammone), Riccardo Previdi, Emilio Prini, Rä di Martino, Philippe Rahm, Marco Raparelli, Annie Ratti, Max Renkel, Luigi Rizzo, Guendalina Salini, Andrea Salvino, Corrado Sassi, Maurizio Savini, Donatella Spaziani, Paolo William Tamburella, Luca Trevisani, Costa Vece, Luca Vitone, Emiliano Zelada, Italo Zuffi.
Supported by Foto Tivoli d.o.o.

Printed at MGLC
5 September−21 September 2007, Kresija Gallery

Karel Zelenko, The Hermit, 1988, etching.

From its beginnings in 1986, the International Centre of Graphic Arts has hosted, published and printed in its print studios the works of many artists. Quite a few among them gave their graphic oeuvres to the Centre, and quite a lot of prints made through such cooperation have received various international prizes. This exhibition presented a selection of works printed in the techniques of aquatint, etching, dry-point and whetstone. The artworks on display were on sale. Supported by Vinska klet Berce.

Coordinator: Petra Klučar
Participating artists: Getulio Alviani, Richard Anuszkiewicz, Janez Bernik, Bogdan Borčić, Andreas Christen, Jože Ciuha, Vesna Črnivec, Anthony Hill, Drago Hrvacki, Andrej Jemec, Janusz Kapusta, Julije Knifer, Metka Krašovec, Laibach, Edoardo Landi, Lojze Logar, Peter Lowe, Vladimir Makuc, Manfredo Massironi, Almir Mavignier, Kiar Meško, François Morellet, Klavdij Palčič, Ivan Picelj, Zora Stančič, Jeffrey Steele, Joël Stein, Miha Štrukelj, Petar Waldegg, Huiqin Wang, Ryszard Winiarski, Karel Zelenko.


Events as parts of art projects

Marija Mojca Pungerčar, Socialdress
Wednesday, Friday, 26−28 September, 16:00, 19:00, Modna hiša, Ljubljana Saturday, 13th October, 11:00, 18:00, Mercator Center Celje
Saturday, 20th October, 11:00, 18:00, Mercator Center Maribor
Marija Mojca Pungerčar's art project transforms sewing into a pleasurable and useful social activity. Participants of the Socialdress workshops create witty and functional clothes that worked to integrate the community spirit. More at www.3via.org/socialdress. Supported by Tekstina d.d. Ajdovščina.

Jaka Železnikar, Install Party
Friday, 12th October, 20:00 MGLC
The www.jaka.org/2007/razorganizator website presents the work Razorganizator/ Disorganizer. The viewer was invited to the presentation of the contents of the work, the installation, set-up, and trial of the programme. This get together was also enhanced with a party.


The catalogue of the 27th Biennial of Graphic Arts
The 27th Biennial of Graphic Arts was accompained by a large illustrated catalogue, in Slovene and English which presented a complex overview of the eight exhibitions forming the Biennial; theoretical essays on the philosophy of Walter Benjamin and documentation concerning the participating artists and a list of exhibited artworks. The catalogue was also one of the exhibition sites of The Unbound Eyes of Anxiousness. 

Producer: International Centre of Graphic Arts
Co-producers: Alkatraz Gallery, Cankarjev dom, City Art Museum Ljubljana, Galerija Kapelica, Instituto de Cultura Puertorriquena, National Gallery of Slovenia, P74 Center and Gallery, Stripburger/Forum Ljubljana

Main sponsor: Mercator
Sponsors: ACH, Gorenje, Lek, Petrol, Marand
Media sponsors: Europlakat, Radio Center, Delo
Supported by: Österreichisches Kulturforum Laibach, Istituto Italiano di Cultura di Lubiana, Goethe-Institut Ljubljana

 

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ARCHIVE

Summer Museum Night at MGLC

Summer Museum Night at MGLC!

Saturday, 15 June, 18.00–24.00

MGLC and Švicarija, Tivoli Park

PROGRAMME:

18.00–21.00: Children’s Studio, workshops for children, Švicarija

21.00–22.00: Guided tour of the 33rd Ljubljana Biennial of Graphic Arts, the tour starts at MGLC; eld by Nevenka Šivavec, Director of MGLC

22.00–22.30: Stand-up performance, Jan Kreuzer, Švicarija

Admission free!

Illustration by Janja Kosi.

Opening of the 33rd Biennial of Graphic Arts

Satire is the main theme of this year’s 33rd Ljubljana Biennial of Graphic Arts organised by the International Centre of Graphic Arts (MGLC). The opening will take place on Friday, 7 June 2019, in Švicarija (Tivoli Park). The selection of participating artists is undersigned by the Slavs and Tatars art collective, while the Biennial that bears the title Crack Up – Crack Down will be on show at nine venues across Ljubljana and will be open till the end of September. The main exhibition will be held in the spaces of MGLC and in the nearby Švicarija. The works of individual artists will be displayed at the National Gallery of Slovenia, National and University Library (NUK), Equrna Gallery, ZVKDS Gallery, ISIS Gallery, DUM Project Space and at the DobraVaga exhibition space. The exhibition of the Grand Prize recipient of the 32nd Biennial of Graphic Arts will be on view at the Plečnik House, where the artist will present his architectural intervention, The Garden of Epicurus.

The Biennial will include artists that come from Slovenia, Poland, Ukraine, Georgia, Bulgaria, China, Iran, Great Britain and the USA, who use their own unique graphic languages as part of a range of diverse practices. They wish to stimulate the emergence of highly resilient and topical forms of criticism or infra-politics through irony and ridicule. Besides the historical part, the exhibition will also present the works of contemporary artists, including the interventions of various activists and new-media polemicists, as well as the performances of stand-up comedians and others.

The exhibition will be enriched by a series of accompanying events and the Crack Up – Crack Down publication that will, in addition to presenting the satirical and graphic practices, include the contributions of well-known experts and academicians, and will introduce the reader to the subject and guide him through it.

PROGRAMME: Opening of The 33rd Ljubljana Biennial of Graphic Arts

You are cordially invited to attend the opening of the 33rd Ljubljana Biennial of Graphic Arts on Friday, 7 June 2019, at 18.00 at Švicarija, Tivoli Park in Ljubljana with the Slon in Sadež duo.

PROGRAMME

18.00
The Biennial will be opened by 
Nevenka Šivavec, Director of MGLC 
Zoran Poznič, Minister of Culture of the Republic of Slovenia
Tjaša Ficko, Deputy Mayor of Ljubljana

Presentation of the Grand Prize of the 33rd Ljubljana Biennial of Graphic Arts. 

19.00
Concert
Being Out of Tune – Favourite Songs of my Neighbours, Abusers and Despots, 2019
Augustin Maurs
Also performing:
Igor Feketija
Leon Firšt
Peter Firšt

20.00
Stand-up comedy:
Boštjan Gorenc aka Pižama (Slovene) Marina Orsag (Croatian)
Dragoș Cristian (English)
hosted by Anja Wutej (Slovene/English)

BIENNIAL OPENING DAYS

Saturday, 8 June


11.00
Saturday breakfast
ZVKDS Gallery
Trg francoske revolucije 3 
Ajdin Bašić in conversation with Branko Đurić - Đuro and presentation of Top lista nadrealista

16.00
Symposium
Moderated by Slavs and Tatars
Švicarija, Tivoli Park

16.00–17.45:
Vid Simoniti: Equality and Cynicism: Satire and Martin Krpan, Top lista nadrealista and Borat
30 min

Mohammad Salemy: Between Three Revolutions: Notes on the History of Iranian Political Satire (1900–1980) in the Age of Social Media
30 min

Arthur Fournier with Raphael Koenig: 
No More Fuchs Left to Give
30 min

18.00–19.30:
Emily Apter: Micropolitics of the Meme. How are we to understand and implement the political vocabulary of a genre of communication native to the 21st century?
30 min

keynote:
Vinca Kruk and Daniel van der Velden/Metahaven:
Sleep Walks The Street
45 min

Sunday, 9 June

11.00
Opening of the exhibition. 
With the Celje String Orchestra.
Plečnik House, Karunova 4–6
Alejandro Paz, The Garden of Epicurus
Recipient of the Grand Prize of the 32nd Ljubljana Biennial of Graphic Arts

Free admission to all events.

PARTICIPATING ARTISTS

Lawrence Abu Hamdan, Hamja Ahsan, Pablo Bronstein, Cevdet Erek, Arthur Fournier & Raphael Koenig, Martine Gutierrez, Flaka Haliti, Stane Jagodič, Zhanna Kadyrova, Dozie Kanu, Sachiko Kazama, KRIWET, Ella Kruglyanskaya, Tala Madani, Augustin Maurs, Marlie Mul, Woody De Othello, Alenka Pirman & KULA, Amanda Ross-Ho, Lin May Saeed, Hinko Smrekar, Top lista nadrealista, Endre Tot, Anna Uddenberg, Martina Vacheva, Nicole Wermers, Giorgi Xaniashvili, XIYADIE, Honza Zamojski 

Dragoș Cristian, Boštjan Gorenc - Pižama, Marina Orsag, Pavlo Voytovich, Anja Wutej

Curators: Slavs and Tatars

EXHIBITION VENUES

The exhibition venues of the 33rd Ljubljana Biennial of Graphic Arts are open from 16.00 to 18.00 on 7 June.

MGLC – International Centre of Graphic Arts 
MGLC – Švicarija 
National Gallery of Slovenia
National and University Library
Equrna Gallery
ZVKDS Gallery
Isis Gallery
DUM Project Space
DobraVaga
Plečnik House

More info: http://bienale.si/en/