The 29th Biennial of Graphic Arts

The Event

23 September−20 November 2011

The art event − the central theme of the 29th Biennial of Graphic Arts in Ljubljana − experienced a remarkable development in the twentieth century and today appears as a privileged medium. It is employed as a medium by a broad range of various figures from the contemporary art world in a broad spectrum of different forms. At the exhibition, which was sought above all to present as fully as possible the energy and vitality of the current trend of art events, a selection of such events will be presented in four different groups based on themes that are typical for contemporary art: violence, generosity, emptiness, and the search for the sacred and ritualistic. These topics were selected, among other reasons, because the events that thematize them also meet the requirement that they are not something new, neither in terms of their artistic iconographic motifs nor in terms of actual human or social practice. Events in which we can with impunity partake in violence, in "shamanistic" violence to oneself, in Dionysian or absurdist ritual, or in the establishment of an idyllic communitas that shares a common meal are, indeed, activities that have been practised and even depicted for millennia.

Visit the Biennial Blog https://29graficnibienale.wordpress.com/

Marcello Maloberti, Die Schmetterlinge essen die Bananen, 2010.

Núria Güell, Offside, 2009.

In the exhibition, as well as in an extensive programme of artistic and theoretical events, the Biennial posesed the questions: Why and how has the event become a suitable vehicle for a variety of artistic purposes, poetics, and content? Is the choice of this medium a response to specific impulses and voids in our "desacralized" everyday existence? And also, what are the potential dangers of such a development, given that it is happening more and more in the completely formalized framework of art institutions, which in recent decades not only house and exhibit contemporary art, but also commission and produce it. Thus they have become commissioners of contemporary art of a similar type and scope as were once the aristocracy and the church.

The curator of the 29th Biennial of Graphic Arts was Beti Žerovc.

List of exhibited artists and projects:
Ant Farm, Oreet Ashery, Bababa International, Robert Barry, Nina Beier & Marie Lund, Jerzy Bereś, Karmelo Bermejo, Anna Berndtson, Conny Blom, János Borsos, Tania Bruguera, Graciela Carnevale, Anetta Mona Chişa & Lucia Tkáčová, Marcus Coates, Brody Condon, Alain Della Negra & Kaori Kinoshita, Marco Evaristti, Terry Fox, Dora García, Félix González-Torres, Núria Güell, Manuel Hartmann, Alfredo Jaar, Jaša, Enrique Ježik, Regina José Galindo, San Keller, Daniel Knorr, Božena Končić Badurina, Gregor Kregar, Siniša Labrović, Liz Magic Laser, Marcello Maloberti, Teresa Margolles, Kris Martin, Dalibor Martinis, Dane Mitchell, Shana Moulton, Kusum Normoyle, OHO Group/The Šempas Family/Milenko Matanović/David Nez/Marko Pogačnik, Once is Nothing (Presentation of an exhibition curated by Mária Hlavajová and Charles Esche as part of the 2008 Brussels Biennial), Serkan Özkaya, Kim Paton, Mark Požlep, Praxis (Brainard & Delia Carey), Public Movement, Franc Purg & Sara Heitlinger, Sal Randolph, Maruša Sagadin, Hans Schabus, Santiago Sierra, Mladen Stropnik, Sz.A.F., Tan Ting, Unguarded Money (Presentation of an action carried out in Budapest in 1956 by Miklós Erdély and the Hungarian Writers Union), Matej Andraž Vogrinčič, Wang Jin, Anna Witt.

Kim Paton, The Free Store Project, 2010−2011.
Photo: Erica Sinclair.

Dora García, Steal This Book, 2009−.
Courtesy of CGAC, Santiago de Compostela.

Ant Farm, Media Burn, 1975. 
Photo: Bill Harlan.

 

Arts Events

Mark Požlep, Napalm Your Personal Disco, performance
Thursday, 22 September, 10:00, in front of the Alkatraz Gallery

Marcello Maloberti, Die Schmetterlinge essen die Bananen, performance
Friday, 23 September, 18:30, in front of the Museum of Modern Art

Nina Beier & Marie Lund, The Division, event
50 beautiful people were invited to join the visitors at the opening event.

Božena Končić Badurina, Gathering, performance
Friday, 23 September, 20:30, Museum of Modern Art

Praxis (Brainard & Delia Carey), Performing Miracles, performance
Friday, 23 September, 21:30, in front of the International Centre of Graphic Arts
Bababa International, Repair, workshop
Saturday, 24 September−Sunday, 16 October (except Mondays), 10:00−18:00, exhibition site on Gosposvetska cesta 12

Matej Andraž Vogrinčič, The Biennial Bakery, event
Saturdays and Sundays during the Biennial, 10:00−18:00, International Centre of Graphic Arts

Praxis (Brainard & Delia Carey), The New Economy, performance
Saturday, 24 September−Sunday, 9 October (except Mondays and Tuesdays): Saturdays and Sundays, 10:00−13:00 Wednesday−Friday, 16:00.−18:00, International Centre of Graphic Arts

Franc Purg, Privileged Tactics 1, workshop
Tuesday, 27 September, 16:00−18:00, International Centre of Graphic Arts

Kusum Normoyle, S.I.T.E. (Screaming In The Everyday: Ljubljana), series of performances Friday and Saturday, 7−8 October, on the streets of Ljubljana

Shana Moulton, The Galactic Pot Healer II, performance
Friday, 14 October, 18:00, Gallery of Cankarjev dom

Maruša Sagadin, My Bosses − We Bosses, action
Tuesday−Sunday, 6−23 October, on the streets of Ljubljana

San Keller, San Keller Carries You Up to Art, performance
Friday, 4 November, 16:00.−17:00, Saturday, 5 November, 10:00−17:00, in front of the Museum of Modern Art

Božena Končić Badurina, No Faces, performance
Saturday, 5 and 19 November, 10:00−18:00, Museum of Modern Art

Sal Randolph, 5 Euros Near Something Blue, money action
Tuesday, 15 November, 12:00−15:00, the central market in Ljubljana

János Borsos, Trinity Model, laser installation
Every day during the Biennial, Tuesday−Sunday, 17:30−18:00, Gallery of Cankarjev dom

Mladen Stropnik, RABBIT FUCK, series of performances
October, November, streets of Ljubljana, Tivoli Park

Jaša, a performance in which the artist assumes the character of the priest from the STARDIM project: To Whom It May Concern My Life Is Falling Apart. 

Discussions with Artists 

In a series of discussions, artists are asked about the use of art events in their own practice. The emphasis are on the question of why, and in what way, the event is such an appropriate vehicle for their aims and aesthetics. The discussions is framed in national contexts, or in the context of particular art centres, in an attempt to ascertain the current development and state of the medium of the "art event" in selected regions on the global art map.
Thursday, 6 October, 18:00: Bababa International and Kusum Normoyle (Australia)
Thursday, 13 October, 18:00: Praxis (Brainard & Delia Carey) and Shana Moulton (New York)
Thursday, 20 October, 18:00: Maruša Sagadin and Anna Witt (Vienna)
Thursday, 10 November, 18:00: Mark Požlep, Mladen Stropnik, Matej Andraž Vogrinčič, and Jaša (Slovenia)
Thursday, 17 November, 18:00.: Božena Končić Badurina and Siniša Labrović (Croatia)
At the International Centre of Graphic Arts

Marathon of Lectures and Discussions on the Event as a Phenomenon 

Distinguished representatives from the Slovene media, the state administration, the church, non-government organizations, the business world, the art world, and various scholarly fields attempted to explain the kinds of purposes for which events are used in their fields and what is hoped to be gained by using them. They also reflected on the question of where the, obviously, very extensive phenomenon of the "eventification" of contemporary life might be leading us.
Speakers: Alenka Arko, Tina Bolcar, Marko Brecelj, Miha Burilov, the Eko Krog. Association, Hajrudin Hromadžić, Janez Janša, Zoran Kanduč, Vlado Kotnik, Miha Kozorog, Lenart J. Kučić, Gorazd V. Mrevlje, Vinko Potočnik, Mitja Rotovnik, Andrej Rozman Roza, Božo Rustja, Peter Simonič, Andrej Studen, Jože Vogrinc, and Pavle Vrhovec.

The Marathon began on Friday, 30 September, at 10:00, at the International Centre of Graphic Arts.

Symposium: The Event as a Privileged Medium in the Contemporary Art World 

The symposium were addressed specific "targeted" questions about the ideological significance of the profusion of events in contemporary art institutions. A varied cast of anthropologists, philosophers, historians, and art historians have been invited to participate. Speakers: Luisa Accati, Beatrice von Bismarck, Thomas Fillitz, Dario Gamboni, Werner Hanak-Lettner, Nathalie Heinich, Bojana Kunst, Henrietta Moore, Robert Pfaller, Renata Salecl.

Friday, 4 November, 11:00−19:00
Saturday, 5 November, 10:00−14:30
At the Museum of Modern Art

Public Tours 

Sundays, 14:00−18:00: 25 September, 16 October, 13 November, 20 November
at 14:00: International Centre of Graphic Arts; at 15:00: Museum of Modern Art; at 16:00: Gallery of Cankarjev dom and Jakopič Gallery.

Venues of the 29th Biennial of Graphic Arts

International Centre of Graphic Arts, Museum of Modern Art (Moderna galerija), Jakopič Gallery, Gallery of Cankarjev dom, exhibition sites on Gosposvetska cesta 12 and Vošnjakova ulica 4

Exhibition for the winner of the 28th Biennial of Graphic Arts Justseeds Artists' Cooperative, Refuge, 2011 

Installation, mixed media (screen printing, linoleum and woodblock printing, sculpture)

Justseeds members: Roger Peet, Meredith Stern, Mary Tremonte, Shaun Slifer, Josh MacPhee, Colin Matthes, Dylan Miner, Santiago Armengod, Thea Gahr, Erik Ruin, Bec Young, Pete Yahnke, Kevin Caplicki, Molly Fair, Jesse Purcell www.justseeds.org

Founded in 1998, Chicago, Illinois, as the graphics distribution project of Josh MacPhee, Justseeds became an artists' cooperative based in Portland, Oregon, in 2007. The organization is currently headquartered in Pittsburgh, Pennsylvania, USA, with members from cities in the United States (Oakland, California; Portland, Oregon; New York City, New York; Pittsburgh, Pennsylvania; Providence, Rhode Island; East Lansing, Michigan; Milwaukee, Wisconsin; and Chicago, Illinois), Mexico (San Cristóbal de las Casas), and Canada (Montreal).

»This work, entitled Refuge, will focus on themes of migration and displacement. We will create an absorbing environment of images and structures bearing on the movement of people, creatures, goods, and ideas within our globalized system of exchange and communication. The heart of the work will be migrations resulting from war or economic necessity, and displacements resulting from exploitation and environmental despoliation: we will dissect a global system built on cheap resources and cheap labour, and illustrate attempts by individuals, societies, ideas, and ecological unions to break out of that system's constraints. We will use graphic and colourful techniques of printing and reiterative layering to create narratives, seeking to parse the goals and motivations of those involved. We want to draw attention to the cracks that exist within an otherwise precisely machined system of regulation and enforcement, and what is able to slip through those cracks. The work will include kiosks distributing maps of the landscapes involved, and hidden within the narratives will be nests, places of refuge, where those in flux, whether humans, animals, or ideas, have taken rest.« (Justseeds for the Catalogue of the 29th Biennial of Graphic Arts)

The curator of the exhibition: Božidar Zrinski


Open: 22 September−20 November 2011, Alkatraz Gallery, Tuesday−Sunday, 10:00−18:00.
Public tours: Wednesdays, 17:00: 5 October, 26 October, 16 November.


Accompanying exhibitions

École de Paris
13 September−30 September 2011, Lek Gallery, Monday–Friday, 9:00−19:00.

The Catalogue of the 29th Biennial of Graphic Arts

The 29th Biennial of Graphic Arts is followed by large illustrated catalogue, in Slovene and English that places the art event as a privileged medium.

Producer: International Centre of Graphic Arts

Co-producers of the 29th Biennial of Graphic Arts:  Cankarjev dom, Galerija Alkatraz, Muzej in galerije mesta Ljubljane, Moderna galerija

Sponsors of the 29th Biennial of Graphic Arts
Main sponsor: Lek
Sponsor: Mercator
Media sponsors: Delo, Mladina, Tam-Tam
Supported by: The Slovenian Tourist Board, Uršič, MIWE, Austrian Culture Forum, British Council, Pro Helvetia, Embajada de Espana, Embajada de México/Embassy of Mexico, Food Technology School of the Biotechnical Educational Centre in Ljubljana

The media sponsor of the 29th Biennial of Graphic Arts is newspaper Delo.
We are inviting you, to experience Delo 24 hours per day, 7 days per week – on print, web and mobile platforms. Join other subscribers of Delo and enjoy the benefits of Premium users.
More on website www.delo.si/premium_uporabnik.

 

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ARCHIVE

NATAŠA BERK: 1ST UNLIMITED EDITION

2. 4.–19. 5. 2019

Opening:
2 April, at 7 pm
Švicarija

The exhibition is part of the year-long programme of Švicarija, which in 2019 focuses on the analysis of the state of independent journalism and the right of the public to information in pursuit of the slogan community, art and nature. The participating artists question the credibility of images and their meanings at a time of the oversaturation with visual impulses and analyse the ambiguity of media messages on the world wide web.

The spatial intervention by Nataša Berk and the group of artists at Švicarija presents their diverse visual production, which usually takes place in the virtual space of the world wide web and social networks. On this occasion, it has moved into a physical space. Together, they explore the phenomenology of the image within public circulation and its impact on the perception of reality. In ironic ways, they address the norms of the advertising industry, the tendencies of the mass media, voyeurism and the social convention of the individual’s appearance. Thus, works devoted to the consideration of the nature of the image in everyday life are presented as part of the exhibition. In such a way, photographs, videos and collages open up the questions of understanding visual culture in an era when the public space has become saturated with contents and images, questions about the manipulation of the image and the ambivalence of its meanings.    

Curator: Miha Colner


Photo: Nataša Berk.

EVENING WITH MANCA KOŠIR: STORIES ABOUT BOOKS AND PEOPLE

Tuesday, May 14, at 6 pm

On the second Tuesday of May, on 14 May, LOVE will colour the subject of debate, starting at 6 pm. Manca’s guests will be television host Ana Tavčar Pirkovič, PhD, with the book by D. Ladinsky Love Poems from God and Željko Čurić, psychiatrist and psychotherapist, who is fascinated by the work of F. M. Dostoevsky. Saxophonist Vida Vatovec will add a musical touch to the evening.

ANIMATION WORKSHOP

Sunday, May 19, 11.00–14.00,
Švicarija

After a brief viewing of Švicarija and the exhibition by Nataša Berk, 1st Unlimited Edition, we will create a video in the world of pixelation by using our own bodies. Mentor Jelena Dragutinovič will lead us through the process.

This workshop is the last in the series of animation workshops during this school year, which are run by the Slon Society in cooperation with MGLC.

Suitable for young people aged 8+. Free of charge.

Obligatory booking; https://bit.ly/2vl5BqZ

ANNOUNCING THE 33RD LJUBLJANA BIENNIAL OF GRAPHIC ARTS: CRACK UP – CRACK DOWN

7. 6.–29. 9. 2019

Curator:
art collective Slavs and Tatars
35 artists on 9 venues in Ljubljana

Crack Up – Crack Down will take an expansive view of the genre of satire today, featuring works by historical and contemporary international artists, as well as interventions by activists, new media polemicists, performances by stand-up comedians, and others. For the 33rd edition of the Biennial, Slavs and Tatars consider ‘the graphic’ not as a medium, but as an agency. They question how graphic language engenders a form of infra-politics via irony and ridicule as a particularly resilient and contemporary form of critique. Purported to speak truth to power, satire has proven itself to be a petri dish in a world of post-truth bacteria

Click for more

POVEZUJEM/TIVOLI CREATIVE CIRCLE

The PovezujeM/Tivoli Creative Circle
programme
, which is organised by the museums around Tivoli Park, will take place again during the summer holidays.

Two time-frames are available:
8–12 July and 26–30 August,
from 8 am to 4 pm. 

Further details will be available soon!

You can pre-book your place by writing to: petra.derganc@mglc-lj.si

Part of the circle: National Museum of Slovenia, Museum of Modern Art, National Museum of Contemporary History, National Gallery of Slovenia and International Centre of Graphic Arts.

SYMPOSIUM ON THE EXHIBITION JAPAN, YUGOSLAVIA AND THE BIENNIAL OF GRAPHIC ARTS: DOCUMENTS OF COLLABORATION

Japan, Yugoslavia and the Biennial of Graphic Arts: Documents of Collaboration

Wednesday, 15 May, 14.00–18.00, 
International Centre of Graphic Arts

Symposium timeline
13:45 Introductory Speech
14:00 Gregor Dražil: An Outline of Collaboration between Japan and Slovenia in the Area of Printmaking
*14:40 Bert Winther-Tamaki: The Wood Aesthetic of the “Creative Prints” Movement of Japan, 1945 to 1965
15:20 Wiktor KomorowskiFrom Washi to Politics: Printmaking and the Cold War Japonisme
16:00–16:20 Break
16:20 Marjeta Ciglenečki: Forma Viva in Slovenia and Japanese Artists
17:00 Noriaki Sangawa: The Japanese Art Group Ryu and Its Collaboration with the Slovenian Moderna galerija and the Biennial of Graphic Arts

Visiting lecture
*Bert Winther-Tamaki: What Happens to Contemporary Art Made in Japan When Exhibited Outside of Japan?
*The lecture will take place on Monday, 13 May, at 18:00 at the Faculty of Arts, room 343. The lecture is co-organised by the Department of Art History.

The symposium will be held in English.

More


Photo: Jaka Babnik. MGLC Archive.

The Family fold’r 

Dear families, you are kindly invited to explore the MGLC gallery!
We have again prepared the Family fold’r for you, which you receive free of charge when you purchase a family ticket to view the exhibition.
This time, some curious cards are waiting for you inside, and they need to find their places in the gallery with your help and the help of your children.

Good luck!

 

 


 

opening:
Friday, March 22, at 6 pm

22. 3.–19. 5. 2019

The exhibition is made up of two sections. The first, bearing the title Photographic Images and Matter: Japanese Prints of the 1970s, is dedicated to Japanese printmaking of the 1970s and was organised by the Japan Foundation, while the second, the documentary section, is entitled Japan, Yugoslavia and the Biennial of Graphic Arts: Documents of Collaboration and has been prepared by the International Centre of Graphic Arts.

The travelling exhibition Photographic Images and Matter, with a selection of the most representative artists, presents the orientations within Japanese printmaking of the 1970s, which was the golden age of the print medium in Japan. The curator of the exhibition Kyoji Takizawa has made an attractive selection of artists, who have received many awards within the international arena and form the core of the modernist and avant-garde scene of the 1970s.

The documentary exhibition Japan, Yugoslavia and the Biennial of Graphic Arts: Documents of Collaboration, on the other hand, illuminates one of the many socio-artistic chapters tied to the history of the Biennial of Graphic Arts in Ljubljana. Through the selection of pictorial, archival, photographic and other material, it aims to show the communication between the geographically and politically disparate countries as part of an ambitious international art event like the Ljubljana Biennial of Graphic Arts. Exhibition authors are Nevenka Šivavec and Gregor Dražil.

The exhibition is accompanied by an international symposium under the same title, taking place in the month of May.

Exhibition design: Ivian Kan Mujezinović and Mina Fina.


Tetsuya Noda: Diary, September 11, '68 (woodcut and silkscreen).