The Biennial Opening Days

Friday, 16 June

09.00–16.00
Performance:
Leja Jurišić: The most beautiful moments are the shortest, Ministry of Culture of the Republic of Slovenia

18.00
Opening of the venues of the 32nd Biennial of Graphic Arts

18.00–19.00
Introductory performances by the artists of the 32nd Biennial of Graphic Arts:

Nora Turato: Show Personality not Personal Items, International Centre of Graphic Arts

Jarrett Key: Hair Painting, Švicarija Creative Centre

Mario Santizo: 33, Švicarija Creative Centre

19.00–24.00
Performance:
Carlos MonroyBaphomet. One single birth made incarnat.
Tivoli Park, courtyard of MGLC

19.00
Opening of the 32nd Biennial of Graphic Arts, courtyard of the Švicarija Creative Centre

20.30
Performance, installation: Meta Grgurevič: Silenzio, eternal loopholes and braided lines, Švicarija Creative Centre

22.00–24.00
Projection of Erica Ferrari on the façade of Tivoli Mansion: To whom does this architecture belong?, International Centre of Graphic Arts

Saturday, 17 June

11.00
Presentation with breakfast:
The Void print portfolio presented by curator Tevž Logar, Kresija Gallery

12.30
Presentation: THIS IS NOT A NAME exhibition of the 32nd Biennial of Graphic Arts presented by Miklavž Komelj, Škuc Gallery

18.00–24.00
The Museum Summer Night

The exhibition venues – Internation Centre of Graphic Arts, Švicarija Creative Centre, Kresija Gallery, Gallery Škuc, City Art Gallery Ljubljana and Jakopič Gallery – will be open till 24.00 on this night.

17.00–18.20
Cultural Neighbourhood event:
Stories in the Grass, literary reading in Slovenian and English. Lidija Dimkovska, essayist and translator, will read in the Slovenian language, and Asuka Ohsawa, participating artist of the 32nd Biennial of Graphic Arts, will read in the English language, courtyard of the Švicarija Creative Centre

18.00–22.00
Print on paper, bag and T-shirt workshop: Mobile Printmaking Studio, Kresija Gallery

19.00
Opening performance:
Ištvan Išt Huzjan: From Here to Here, exhibition by the prize winner of the 31st Biennial of Graphic Arts, City Art Gallery Ljubljana

21.30
Lecture-performance:
Slavs and Tatars: The Tranny Tease, Švicarija Creative Centre

Sunday, 18 June

11.00
Presentation with breakfast:
Exhibition opening event and guided tour with the artist: Maria Bonomi: Printmaking Forever, Jakopič Gallery

17.00
Performance:
Jarrett Key: Hair Painting, Švicarija Creative Centre

Free admission to all events.

The Biennial exhibition venues will be open from 18.00 to 22.00 on the night of 16 June 2017.
International Centre of Graphic Arts
Švicarija Creative Centre
City Art Gallery Ljubljana
Jakopič Gallery
Kresija Gallery
Škuc Gallery

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ALEJANDRA PIZARNIK, NOCTURNAL SINGER

The book Cantora nocturna / Nocturnal Singer, which presents the work of the cult Argentinian poet Alejandra Pizarnik (1936–1972) in a bilingual Spanish-Slovenian edition, has been published. The book was one of the projects of the 32nd Biennial of Graphic Art: Birth as Criterion.

It offers a representative selection of the poet’s work from all her poetry collections and from the poems that had not yet been collected into books, her essential prose Bloody Countess and notes in which she spoke about her work.

The editor of the book is Miklavž Komelj; its translators are Nada Kavčič and Miklavž Komelj. The essays on the poet and her creations have been contributed by Nada Kavčič, Miklavž Komelj and Yucef Merhi. The book was designed by Ivian Kan Mujezinović.

EVENING WITH MANCA KOŠIR: STORIES ABOUT BOOKS AND PEOPLE

Tuesday, 11 December, at 6 pm

Guests: multimedia artist Eva Petrič, scientist dr Miha Kos and translator Luka Krek
Music: duo Čemomka

 

Milton Glaser, Posters

23. 11. 2018–3. 3. 2019
opening: Friday 23 November, at 1 pm

The artist and his posters will be presented at the opening by the expert of visual communications, Petra Černe Oven, PhD.

Milton Glaser (1929, New York) is one of most important graphic designers in the world, who has designed hundreds of corporate images, magazines, newspapers, books, LP covers, and has created thousands of posters during his career spanning over fifty years. He has been inscribed into the world history of design with his iconic “I love NY” logo. Milton Glaser has decided to donate thirty-five original posters (created between 1966 and 2016) to the City of Ljubljana, which will enrich the collection of the International Centre of Graphic Arts after the exhibition.

A special thanks on the occasion of the exhibition goes to Mirko Ilić, who came up with the idea for the donation in 2017, when he was hosted at the Festival of Tolerance as a lecturer and the author of the TOLERANCE exhibition. The show is organised every year by Mini teater and the Ljubljana Jewish Cultural Centre with the support of the City of Ljubljana (MOL).

GUIDED TOUR OF THE EXHIBITION BY Nathalie Du Pasquier

Tuesday, 18 December, at 5 pm
admission payable to view the exhibition, guided tour free of charge

The guided tours are conducted in Slovenian (beginning at 5 pm) and in English (beginning at 5.30 pm), led by Museum Information Officer, Gregor Dražil.


Photo: Urška Boljkovac. MGLC Archive.

30. 11. 2018–3. 3. 2019
opening: Friday November 30, at 1 pm

The opening will be accompanied by a guided tour given by the artist Nathalie Du Pasquer and the curator of the exhibition Kate Sutton.

Nathalie Du Pasquier’s compositions transform the interiors of the International Centre of Graphic Arts into a series of immersive microenvironments, sampling from over three decades of the artist’s paintings, prints, drawings and murals, as well as a new series of silkscreen prints, which was produced precisely in the screen-printing studio of the International Centre of Graphic Arts in Ljubljana.

Du Pasquier first made her name with vibrant, eye-catching graphics and textile prints shaped by the artist’s eclectic influences, boundless imagination and impulse towards experimentation. Since the late 1980s, she has focused primarily on painting, building up a tremendous body of work, much of which has yet to be exhibited publicly. Fair Game shuns a chronological ordering in favor of forging more intuitive formal affinities between the various series. Assorted elements or objects appear and reappear in different compositional configurations, like a card in a deck that takes on new powers and limitations with each hand dealt. This visual vocabulary is distilled in a new series of silkscreen printed modules – or as the artist calls it, “virtual furniture.”

Curator of the exhibition is Kate Sutton.


Nathalie Du Pasquier: Mensola piena, 2011, oil on canvas.