THE PRIZES OF THE 31ST Biennial of Graphic Arts 

The Grand Prize winner of the 31st Biennial of Graphic Arts is Ištvan Išt Huzjan.
The award of the jury (research residency) was given to Declan Clarke, the special mention of the jury to Pilar Quinteros and Peter Gidal received the lifetime achievement award.

The XXXI edition of the Biennale of Graphic Arts expands the very concepts of print making, graphic work, reproduction and circulation by including installations, films, archival materials, public interventions, sculptures and drawing. Nicola Lees successfully managed to create in each room a convincing dialogue between different works, problematizing both the history of the Biennale and the potentiality of new commission. The exhibition brings together young artists and historical figures, and its breath explores the state of the printing medium in many challenging directions.

Grand Prix: Ištvan Išt Huzjan
Istvan Ist Huzjan’s installation reflects – both literally and metaphorically – a complex web of historical references and formal devices in all their stratifications. The work is a polyphony of nature and memory, art history and the artist’s intimate responses to official narratives. The jury acknowledged the artist’s capacity to create a multi-layered structure that brings together locality and globality.
The work in the Biennial: Earth Reflections (2015) and Exchange Banner – OHO and Walter de Maria (2015). The work was made for the 31st Biennial of Graphic Arts.

   

Jury Prize (research residency): Declan Clarke
The jury proposes to award a residency to Declan Clarke, whose film explores time and politics, the materiality of information and the physicality of the borders in a fascinating way. The work successfully incorporates graphic elements and the stillness of images, and in so doing it exemplify the curatorial strategy to expend the formal and conceptual framework of the Biennale. The work problematizes the tension between personal memories and the wider socio-political context in Europe.
The work in the Biennial: Group Portrait with Explosives (2014)

Jury special mention: Pilar Quinteros
Recognising the Biennale as an important platform for young and emerging artists. The special mention goes to Pilar Quinteros for the energy and intelligence that she brought to her commission.
The work in the Biennial: Cathedral of Freedom (2015). The work was made for the 31st Biennial of Graphic Arts.

Life Achievement Award: Peter Gidal
The jury wishes to express its admiration for a life-long commitment to restless experimentation. Peter Gidal’s participation in the Biennial symbolizes the curatorial inclusion of multi-faced practices capable to explore and surpass the boundaries between literature and visual arts, experimental cinema and photography, representation, technology, conservation and dissemination.
The works in the Biennial: Index Books (1993– ), Ten Rare Lost Books; A Book Dealer's Nightmare (2011)

Photos. MGLC Archive. Photo: Jaka Babnik.

 

 

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Watch out! Wet print! #9

Pri Zlatem stegnu (Nataša and Katja Skušek): Unicorns Come and Unicorns Go

7. 11.–4. 12. 2017

opening event:
Tuesday, 7 November, at 5 pm
the TAM-TAM Street Gallery at Vegova (opposite Glasbena matica)

Pri Zlatem stegnu, they play about with taste. In fact, they play about with the taste for food and the taste for art.
Pri Zlatem stegnu is an art project by Nataša and Katja Skušek, which has been ongoing since 2004 in various forms, from spatial installations, to video works, objects, photo-collages, fine art graphic prints, drawings and performances. The project brings the questions related to food preparation and eating as the basic human need to the forefront in a humorous and light manner. 


Pri Zlatem stegnu: Unicorns Come and Unicorns Go.

Upcoming exhibition

Boris Jesih: Connections

30. 11. 2017–11. 3. 2018

Boris Jesih (1943) established himself as an artist at the end of the 1960s as part of the expressive figuration circle of painters. Under the influence of pop art, he responded to the characteristics of the spirit of the time with his geometric transformation of everyday objects, later also turning predominantly to landscape. As a printmaker, he excels in the techniques of relief printing and flat printing, with superior results in colour lithography. As a prize winner of the 13th International Biennial of Graphic Arts in 1979 (special prize for a young artist), he attracted attention with his series of lithographs, a set of which is part of the MGLC collection. Beside the lithographs, the retrospective exhibition also presents drawings, paintings and photographs, which highlight the connections between his creative process and his works. 

Boris Jesih: A Doors (1983, color lithography).

The 32nd Biennial of Graphic Arts: Birth as Criterion

THE PRIZES OF THE 32ND BIENNIAL OF GRAPHIC ARTS HAVE BEEN AWARDED

The Grand Prize winner of the 32nd Biennial of Graphic Arts is Alejandro Paz, for the work Hypodermic (2017, intervention), the work was made for the 32nd Biennial of Graphic Arts.

The recipient of the Research Residency Award is Carlos Monroy, for the work Baphomet. One single birth made incarnate. (2017, performance and video installation), the work was made for the 32nd Biennial of Graphic Arts.

The jury of the 32nd Biennial of Graphic Arts:
Anne Barlow, Mike Cooter, Bige Örer in Maruša Sagadin.

The recipient of the Audience Award of the 32nd Biennial of Graphic Arts is american artist Christopher Myers, for the work Detritus of Dreams (2016).


Alejandro Paz: Hypodermic (2017).
Photo: Jaka Babnik. MGLC Archive.