The collection

The largest Slovene collection of fine art prints and original publications produced after the Second World War, and the only public collection of modernist prints, contains more than 10,000 pieces. 

The majority of the collection is represented by the works of artists that have exhibited at the International Biennials of Graphic Arts. Among these are the members of the École de Paris, (Jean Arp, Osip Zadkin, Pierre Soulages, Hans Hartung, Serge Poliakoff, Zao Wou-Ki, Victor Vasarely), representatives of the COBRA avant-garde movement (Corneille, Karel Appel, Asger Jorn), artists of Eastern Europe, as well as other internationally acclaimed artists: Nancy Spero, Damien Hirst, Bill Morris, Max Bill, Emilio Vedova, Günther Uecker, Robert Rauschenberg, Pablo Picasso, Dóra Maurer, Görgy Galántai, Mangelos, Ivan Kožarić and Ivan Picelj. The collection also contains the complete or partial oeuvres of some of the most prominent Slovene artists working in printmaking like Vladimir Makuc, Janez Bernik, Danilo Jejčič, Bogdan Borčić, Jože Ciuha, Lojze Spacal, Andrej Jemec, Tinca Stegovec, as well as others.

An important part of the collection is composed of art publications, which accounts for about 4,000 pieces – artists’ books, book works, art journals and magazines, newspaper projects, posters and invites, photographic publications, postcards, stamps, stickers, prints, photocopies, sound art CDs, as well as accompanying literature in the form of theoretical pieces and catalogues. The collection began to form in 2001. This is when the Institut Français loaned MGLC 378 works by the avant-garde artists of the 1960s and 1970s, which included works by Daniel Buren, Christian Boltanski, Marcel Broodthaers, Sophie Calle, Henri Chopin, Hanne Darboven, Robert Filliou, Jochen Gerz, Anette Messager, Roman Opalka, Roland Topor and Ben Vautier, as well as issues of the prominent art journals Agentzia, Chorus, Humidité, Opus International, VH 101. The donation set off a systematic collecting of all genres, and with the revitalization of the Biennial, MGLC became more excited by all types of art printing as well as purchases and donations, which grew significantly after the success of the 25th Graphic Arts Biennial, acquiring to date an impressive number of works by authors such as Vito Acconci, George Brecht, Daniel Buren, Christian Boltanski, Marcel Broodthaers, James Lee Byars, Sophie Calle, Hanne Darboven, Jan Dibbets, Hans-Peter Feldmann, Robert Filliou, the Fischli-Weiss duo, Jochen Gerz, Roni Horn, Sanja Iveković, Alfredo Jaar, Ilja Kabakov, Thomas Kapielski, Allan Kaprow, Sol LeWitt, Richard Long, Mangelos, Miha Maleš, Anette Messager, OHO, Roman Opalka, Iztok Osojnik, Raymond Pettibon, Dušan Pirih Hup, Sigmar Polke, Dieter Roth, Edward Ruscha, Jean Tinguely, Roland Topor, Ben Vautier, Petra Varl, Andy Warhol, Lawrence Weiner, Franz West, Emmett Williams and Franci Zagoričnik, as well as the collection of original newspaper projects which also included museum in progress from Vienna, published in Der Standard newspaper between 1990 and 2002.

Important museum and study materials are also represented by the FV archive donated to MGLC in 2006 by Neven Korda, the archive of The Scarecrow Statelet, a donation by Milena Kosec, the extensive archive of the events of the Zagreb art scene between 1970–1990 collected over the years by Darko Šimičić, the extensive archive of Bernard Villers’ self-published Éditions du Remorquer (1978–2008), and most of the issues of the Point d'Ironie hybrid periodical (1997–2010).

Presentation of the collection

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ARCHIVE

Exhibition by Prešeren Fund Award Winner Tinca Stegovec

Opening, Friday, 10 March, at 6 pm, Gallery of the Prešeren Award Winners, Kranj

10 March–15 April 2017

You are cordially invited to the opening and viewing of the exhibition of prints by Tinca Stegovec, academy-trained painter and printmaker, and Prešeren Fund Award winner for 1976. The artist and her work will be presented at the opening by dr. Milček Komelj and mag. Breda Škrjanec. The exhibition includes 45 fine art graphic prints from the period between 1964 and 1984.

The exhibition was produced in cooperation with the International Centre of Graphic Arts on the occasion of the artist's life jubilee.

Tinca Stegovec is a Slovene painter and printmaker, a follower of the Ljubljana School of Graphic Arts. In 2010, she donated her entire printmaking oeuvre together with matrices and four drawings, as well as a large portion of her specialist library, to MGLC. The exhibition Tinca Stegovec, Prints and Drawings from the MGLC Collection followed a year after that, which was the first comprehensive presentation of the artist's printmaking oeuvre, placing her in the historical canon of modern Slovenian printmaking, within which the excellence of her colour aquatints had not come to full force in the past. In addition to her aquatints, the display also included woodcuts, lithographs, etchings, soft-ground etchings, matrices and drawings.

Tinca Stegovec: In the Harbour, 1974, etching and aquatint.

WATCH OUT! WET PRINT! #2

Mina Fina: Za vse je pravi čas / If only for the joy of my sadness

4. 4.–9. 5. 2017, the TAM-TAM Street Gallery at Vegova (opposite Glasbena matica)

opening event:
Tuesday, 4 April, at 5 pm

The project Za vse je pravi čas / If only for the joy of my sadness is based on the visual density of the space formed by the artist with the silhouettes of plants and human bodies. The plants, with their pristine appearance, simplicity of form, intertwining and complexity build up impassable, overgrown and lush landscapes in a contrasting environment of light and shadow. They include the flat and empty silhouettes of human figures, stripped of detail, but with an emphasised body language, in unnatural and played-out poses.

Mina Fina: This mess we’re in.
Photo: Žiga Mihelčič. MGLC Archive.

 

 

 

Watch out! Wet print! #1

Last week to see the exhibition:

Matjaž Wenzel: Men Face Down

7. 3.–3. 4. 2017, the TAM-TAM Street Gallery at Vegova (opposite Glasbena matica)

opening event: Tuesday, 7 March, at 5 pm

The exhibition begins the third season of the TAM-TAM Street Gallery at Vegova ulica in Ljubljana. In 2017, its curatorship has been taken on by the International Centre of Graphic Arts. Through our selection of artists and works, we are highlighting contemporary printed art. The cycle has been curated by Božidar Zrinski. In the past two years, twenty-five artists have been presented as part of the By The Way cycle under the auspices of Kino Šiska. On this occasion, a concluding catalogue to the project, Street Gallery LJ2016, will also be available to view.

The photographic project Men Face Down explores the phenomenon of the human figure lying-down in the public space and its effect within it, as the figure omits to take the usual vertical/standing pose, but finds itself in a horizontal – lying-down position. The depicted subjects include anonyms as well as carefully selected people from the public and cultural life. Their attitude towards the environment is expressed within an intimate, hermetic relationship in some cases, and as a recognizable commentary in others. The selection of the locations of the stagings stems either from the artist's suggestion or the choice of the subject, who experiences the chosen space as a place invested with an emotional or intellectual relationship.

Matjaž Wenzel (1973) is an artist working in the field of photography, video and graphic design. He has designed many books and book covers. He was the recipient of the best book design award in 2007 and 2016, and the Glazer Award in 2011. His photographic works have been presented in several solo and selected group exhibitions at home and abroad, and he was also a finalist for the OHO Award in 2007. He lives and works in Maribor. He is currently also showing his work in the Zines!, Contemporary Zine Production exhibition.

In co-operation with TAM-TAM Company.