The Print Studios

The MGLC Print Studios are organized as a production centre, offering artists the opportunity to print in a variety of printmaking techniques. They are able to make their prints themselves or can be assisted by the masters of the craft.

In their early years, the Print Studios’ primary job was the preservation and protection of cultural heritage. During this period the reprints of works by Janez Bernik, Andrej Jemec, Veno Pilon, Riko Debenjak, Bogdan Borčić, Karel Zelenko and Marijan Tršar were produced. Later, the production in the Print Studios focused on using certain classic printmaking techniques like intaglio printing, lithography and silkscreen. But the Studios were always conceived to function as a research laboratory, where local and foreign artists can explore their visual ideas as well as further their knowledge and skills.

As a production centre, MGLC offers various ways of participation. For the production of original art prints, the board of experts selects projects every year to be financed and produced in the MGLC Print Studios. Artists may apply personally by the end of the calendar year, however, MGLC may put out a call for submissions if required, or alternately make a direct invitation to a certain artist to engage in the production of a project. 

In the case of co-productions, MGLC takes care of technical and spatial requirements, and the projects are selected on the basis of artists’ proposals. In both cases, production or co-production, MGLC receives two copies of the graphic print for its permanent collection. The MGLC Print Studios are also available to hire.
MGLC offers free use of their print studios at the headquarters of MGLC to students and educators of ALUO for educational purposes.
 

Personal viewing and purchase of works

From Monday to Friday, 9.00–15.00
Further details: Petra Klučar, +386 (01) 24 13 808, petra.klucar@mglc-lj.si

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    Karel Zelenko Carneval
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    Janez Janša Try to organize a strike.
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ARCHIVE

You are invited to view the film "Am I a manager? Yes, I am."

Živa Škodlar Vujić, a long-time curator of the Ljubljana Biennial of Graphic Arts, and Mitja Rotovnik, the first director of Cankarjev dom, who professionally and personally followed the efforts of his friend Zoran Kržišnik, shared their views and memories in a short documentary about the international involvement of the Slovenian art scene. Their account takes us through the extremely dynamic period of the 1950s, 1960s and 1970s, when Ljubljana became a cosmopolitan cultural centre. These events are illuminated from a cultural and historical perspective by Aleš Gabrič, who talks in the film about, among other things, the development of the managerial mentality in Slovenia and the importance of international cultural events, which distinguish cultural goings-on in Slovenia to this day.

From the MGLC Collection

Jo-ey Tang, The Manual
(Morava Books 14, 2012)
Collection of Art Publications

An FBI manual becomes a book of poetry, together with original microscopic and infrared images. The sculpted text is a meditation of surface and the infinitesimal space above and beneath the surface in the search for evidence.

Jo-ey Tang enacts the circulation and absence of images and objects, as well as the life cycle of ideas. The work takes on various forms of photography, video, sculpture, painting, sound, text and “self-assigned tasks”, spans over many exhibitions and is often seen as both the same and new work, in a constant process of building up and cancelling out. The publication was awarded first prize in the ROOKIE competition (June 2012, www.r-o-o-k-i-e.com), organised by City Gallery Arsenal, Poznań and Morava Publishing House.

The booklet comes in a hardback cover with 64 unpaginated pages and is offset printed in a circulation of 350 copies.

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Milton Glaser, Dylan (1966, offset)
Collection of Art Publications

The story of this poster, which was an insert on Dylan's 1967 album Bob Dylan's Greatest Hits, goes as follows. After suffering serious injuries in a motorcycle accident in 1966, the singer-songwriter Bob Dylan was bedridden and rumoured to be dead. To generate positive publicity for his forthcoming album Bob Dylan's Greatest Hits, CBS Records commissioned Milton Glaser to design a special poster to be included with the album. Glaser depicted the singer in profile, with his abundant curly hair rendered in saturated colours that stand out from the background. The intense, almost psychedelic colours can also be seen as the spirit of the time and the flower power generation from the second half of the 1960s.

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Photo: Jaka Babnik. MGLC Archive.

International Museum Day at MGLC

Tuesday, 18 May, 10.00-21.00
free of charge

You are invited to view and join in the following exhibitions and events!

Invader, Prints on Paper
10.00–18.00
The exhibition is on view at Tivoli Mansion

EVENT
17.00–18.00 
Guided tour of the exhibition: Prints on Paper, conducted by Mitja Velikonja, PhD
To take part in the guided tour, bookings must be made at: trgovina@mglc-lj.si

Sonja Vulpes, Limbo
10.00–18.00
The exhibition is on view at Tivoli Mansion

ONLINE
We have prepared a short film about the artist's creative process.

The Stojan Batič Memorial Studio
10.00–18.00
Permanent display at Švicarija

EVENT
Brane Zorman: The Spirit of the Trees | Touch
20.00
In front of Švicarija

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Photo: Urška Boljkovac. MGLC Archive.