Become A FRIEND OF THE BIENNIAL

A FRIEND OF THE BIENNIAL receives the following benefits in 2018:

• Free admission to all exhibitions.
• Free expert excursion to the centre of Slovenia, where we will also stop at the Museum of Too Modern Art. The idea for the museum concept was born in 1998 when the works of Oliver Marčeti were returned to the artist by an eminent Ljubljana gallery with the justification that they were too modern. We will take a look at the current exhibition and the permanent exhibition of the protagonists of the Too Modern Movement in the company of the ideological head of the museum. We will then proceed to the geometric centre of Slovenia – Vače, see the replica of the famous Vače situla and other archaeological finds from the 5th and 6th centuries before Christ. Our journey will conclude at Bogenšperk Castle, where Johann Weichard von Valvasor lived and worked. He was inspired by German topographical painting in conceiving his ambitious publishing programme. Since there were no printing companies in Carniola at the time that could prepare the visual material for his planned topographic works, he set up a printmaking and copper-plate engraving workshop and printer's himself: "I was also – without bragging – the first to introduce copper-plate printing to this famous duchy. Yes, here at Bogenšperk, I made such a workshop myself in 1678, keeping copper engravers and printers with me at the castle for several years." (The Glory of the Duchy of Carniola, vol. 11, p. 620)
• Viewing of a selected artist's printmaking studio.
This time, Zora Stančič has invited us to her studio. If you ask Zora Stančič whether she is a visual artist or a graphic artist, she will reply that she is a visual artist. "My work is produced in various mediums, so I say that I am a visual artist. Still, I can say that I think printmaking is the most exciting." Her works are held in the permanent collections of the Museum of Modern Art in Ljubljana, the Albertina in Vienna, the Fonds national d'art contemporain/National Foundation for Contemporary Art in Paris and the Zimmerli Art Museum in New Brunswick, New Jersey, USA. She also works in other fields such as architecture, design and film.
• Pre-festive workshop making original New Year's greeting cards. The workshop is conducted by Admir Ganić, printing master.
• New Year's greeting card – a small fine art graphic print by an invited artist.
• 30% discount on all MGLC publications
• 15% discount on all workshops and courses
• 15% discount on purchases of fine art graphic prints.
• A fine art graphic print from the MGLC Print Studios upon the recommendation and signing up of a new member.
• 10% discount on the renewal of membership.
• A welcome gift when signing up.
•  12-month membership fee: 25 €
• 12-month membership fee for those aged 60 years and over, 14 years and under, pupils and students: 15 €

You can join the Club of the Friends of the Biennial of the International Centre of Graphic Arts by filling in the Membership Form and presenting your identity card and pupil/student ID card at the MGLC Ticket Office and paying the appropriate membership fee. Your Membership Card will be sent to you within 14 days of joining, or can alternatively be picked up at the MGLC Ticket Office. The membership card is valid for one year from the date of joining.

Membership form

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The Švicarija: Community, Art and Nature Project

TOUCH AND FEEL BOOK ABOUT ŠVICARIJA

Wednesday, 25 April, 11.00–13.00, Švicarija Creative Centre
Lecture and workshop, conducted dr. Aksinja Kermauner

The public lecture with workshop is an introduction to the process of making a touch and feel book about the Švicarija Creative Centre.

To participate in the workshop, which will take place in the second part of the meeting, please book due to limited space by writing to lili.sturm@mglc-lj.si .

How do people with visual impairment see? Who are they? How to provide them with as friendly a life as possible in an environment that is not adapted for them? The lecture and workshop will be an attempt to overcome stereotypes, prejudices, fears ... since the participants, wearing black blindfolds and simulation glasses, will try to touch the world of the blind and the visually impaired, and at the same time experience themselves what could be improved.

Dr. Aksinja Kermauner is writer, poet and teacher, as well as specialist teacher for the blind and visually impaired.


Photo: Urška Boljkovac. MGLC Archive.

 

 

 

David Lynch: Fire on Stage

Guided tour of the exhibition David Lynch, Fire on Stage

Tuesday, 24 April, 18.00, admission payable to see the exhibition

Conducted by the curator of the exhibition, Božidar Zrinski.

Tuesday guided tours of the exhibition

Guided tours in Slovenian and English are part of the programme every Tuesday in May and June at 6 pm, and every Tuesday in July at 7 pm.
The tours are conducted by Museum Information Officer, Gregor Dražil.

Occasionally, the guided tours may be conducted by guest speakers, which can be followed in the programme on the MGLC website: www.mglc-lj.si.

Admission payable to see the exhibition, the guided tour is free of charge.


Photo: Urška Boljkovac. MGLC Archive.

David Lynch: Fire on Stage

11th Cultural Studies Symposium on Truth
Post-reality

Friday, 20 April, 17.00–20.00, Švicarija Creative Centre, admission free

The 11th Cultural Studies Symposium will be held in Ljubljana from 18 to 20 April, this time on the subject of truth, entitled Post-reality, and organised by the Kult.co cultural studies society. You are invited to listen in on the Art and Truth panel on the closing day of the symposium.

•lectures (in Slovenian language) and performances
•participating guests: Maja Burja, Urška Aplinc, Bor Bevc, Vesna Liponik, Bojana Vasića, Marija Glavaš, Teja Tegelj, Bara Kolenc

David Lynch, Fire on Stage

13. 4.–29. 7. 2018

The first presentation of the American film director, scriptwriter, photographer, painter, musician and printmaker David Lynch in Slovenia. The Fire on Stage exhibition offers a selection of seventy fine art graphic prints produced in the lithography technique. The presentation is rounded off by paintings from private collections, watercolours, as well as a selection of experimental and animated films. What all the displayed works have in common is the intertwining of the surrealistic, expressive and grotesque, by which a Lynchian atmosphere is established. This will be followed in the exhibition set-up with a stage-like feel conjured up by set designer Branko Hojnik.


Photo: Urška Boljkovac. MGLC Archive.